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The Judgment. 1929. Drypoint. 10 1/4 x 10 1/4 (sheet 18 1/4 x 12 3/8). Edition 50, #29. A rich impression printed on 'England' cream laid paper, on the full sheet with deckle edges. Signed and numbered in pencil. Illustrated: Print Collector's Quarterly 26 (1939): 292. $950.
The Law. 1928. Drypoint. 10 1/4 x 10 1/8 (sheet 18 1/2 x 12 1/2). Final trial proof, apart from the edition 50. A rich impression printed on 'J Whatman' cream laid paper, on the full sheet with deckle edges. Signed and annotated in pencil. $950.
A Point of Law. 1929. Drypoint. 10 1/4 x 10 1/4 (sheet 18 1/4 x 12 3/8). Edition 50, #29. A rich impression printed on 'England' cream laid paper, on the full sheet with deckle edges. Signed and numbered in pencil. Illustrated: Print Collector's Quarterly 26 (1939): 292. $950.
[The Old School]. 1930. Drypoint. 10 1/2 x 10 1/2 (sheet 18 1/8 x 12 5/8). Edition 50, #6. A rich impression printed on 'J Whatman' cream laid paper, on the full sheet with deckle edges. Slight toning on the lower right edge; otherwise fine condition. Signed and numbered in pencil. $250.
The Revoke. 1932. Drypoint. 10 1/4 x 10 3/4 (sheet 16 3/8 x 12 3/8). Edition 60, #10. A rich impression printed on cream laid paper. Wide margins with deckle edges on two sides. Glue stain along the top and side margins, well outside the image. Illustrated: Fine Prints of the Year, 1932. Signed and numbered in pencil. $750.
Born in Amsterdam, he came to England as a child. Studied in London and was elected Associate of the Royal Society of Painter Etchers and Exhibited at the Salon, Royal Academy. His sister married Edmund Blampied.
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