Edmund Blampied, R.E. 1886-1966.
Available drypoints, etchings and lithographs.
All works are signed in pencil or in ink unless indicated otherwise.
Please click on the images in red for larger screens.
The Accusation. 1930. Lithograph. A L 23. 10 7/8 x 15 3/8. Edition 50. Illustrated: Print Collector's Quarterly (24 (1936): 378. $1,250.
Camels at a Well. 1927-28. Drypoint. Appleby 130. 8 1/2 x 12. Edition 100. Illustrated: Fine Prints of the Year, 1928. $850.
Le Chef d'oeuvre (The Two Chefs). 1930-31. Drypoint. Appleby 145. 11 3/4 x 9 (sheet 15 1/2 x 11 1/2). Artist's proof, aside from the edition of 100. A fine impression on pale white laid paper, printed on the full sheet with deckle edges. Signed and dated in the plate. Label from Arthur Ackermann & Son Inc., New York, identifying it as an "artist proof etching". $3,500.
The Cider Barrel. 1928-29. Drypoint. Appleby 134. 10 5/8 x 10 1/2 (sheet 15 7/8 x 12 1/2). Edition 100, #57. A very impression on cream-colored laid paper with full margins. Signed and numbered in ink. $2,750.
"Come On Boys!" 1921. Drypoint. A 73. 7 9/16 x 11 15/16. Edition 100. $950.
The Cowman. 1920. Drypoint. A 56.3 x 9 7/8. Edition 100. $1,250.
Driving Home in the Rain. 1914. Drypoint. Appleby 35. 7 3/8 x 10 1/8 (sheet 11 5/8 x 14 3/8). Edition 40. Illustrated: Guichard, British Etchers, 1850-1940; Print Collector's Quarterly 13 (1926): 7; Salaman, Modern Masters of Etching: Edmund Blampied. Printed on cream laid paper with full margins, watermarked "FJH." Excellent condition. This rare print is considered to be Blampied's magnum opus. Price on request.
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8. Edition 199, #72. Collector's seal: E.C. Crossett. $1,750.
Fairy Tales. 1931. Drypoint. Appleby 154. 7 7/8 x 10 7/8.A fine impression on the full sheet of wove paper with full margins. Signed in pencil. $1,750.
Farm Fire. 1926-27. Etching and drypoint. Appleby 121. 7 x 8 7/8. Edition 100. Illustrated: Fine Prints of the Year, 1927. $950.
Fetch It! 1923. Drypoint. A 57. 10 3/4 x 14 3/4. $950.
Fisherman's Pet. 1931. Drypoint. Appleby 154. 7 7/8 x 10 7/8.A fine impression on the full sheet of wove paper. Signed in pencil. $1,250.
Galloping. 1923-24. Drypoint. Appleby 165. 8 7/8 x 11 3/4. Edition 100, #35. $1,500.
A Holiday Morning. 1928-29. Drypoint. Appleby 136. 8 x 8 7/8. Edition 100, #56. $950.
Horses in a Meadow. c. 1914. Pencil drawing. 7 3/4 x 8 (sheet 10 x 15). Study for the etching "In a Meadow" (first plate). Dodgson 26. 1914. Only 1 proof of the etching pulled. Signed in pencil, lower center. $2,500.
A Jersey Milkmaid. 1920. Drypoint. Appleby 60. 9 7/8 x 6 7/8. Illustrated: Print Collector's Quarterly 12 (1926): 83. $1,500.
A Jersey Vraic Cart. 1939. Etching. Appleby 183. 8 9/16 x 11 1/16 (sheet 11 7/16 x 15 5/16). Edition 250 for the Print Club of Cleveland. Printed on the full sheet of J.Whatman laid paper. Signed in ink. $1,250.
The Joy Ride. 1923. Drypoint. A 89. 8 3/4 x 10 3/16. Edition 100. Illustrated: Fine Prints of the Year, 1925; Salaman, Modern Masters of Etching. $1,750.
Loading Vraic, St. Malo. 1927. Drypoint. A 122. 6 7/8 x 10. $950.
Lumbermen. 1923. Etching. Appleby 91. 9 x 12. Edition 100. $950.
Madame Dupré 1929-30. Drypoint. A 147. 8 5/8 x 7 1/8. Edition 100. $1,250.
A Market Argument. 1929-30. Drypoint. A 141. 10 5/8 x 10 1/2. Edition 100. Signed and numbered in pencil. $1,450.
Milking. 1919. Drypoint. Appleby 52. 8 x 6. Edition 75. $1,150.
Misty Morning. 1928-29. Drypoint. A 137. 8 5/8 x 12. Edition 100. $1,350.
Night Time in a Stable. 1927-28. Drypoint. A 131. 10 1/8 x 12 1/8. Edition 100. Illustrated: Print Collector's Quarterly 25 (1937): 382. $1,450.
The Old Complaint (Three Old Parties). 1929. Drypoint. Appleby 139. 10 1/8 x 7 3/4 sheet 15 5/8 x 10 1/2). Edition 100, #43. An extremely rich impression printed on cream laid paper. Illustrated: Fine Prints of the Year, 1930. Signed and numbered in ink. $1,350.
Politics. 1926. Drypoint. A 108.7 x 9 (sheet 10 1/2 x 15 1/2). $2,250.
Resting. 1923. Drypoint. A 93. 4 3/4 x 6 3/4. Edition 100. Illustrated: Fine Prints of the Year, 1923. $950.
Returning to the Stable. 1920. Drypoint. A 64. 8 3/4 x 12 1/4. Edition 100. $1,150.
Road to the Farm. 1931-32. Etching. A 149. 10 1/4 x 8 1/8. Edition 100. Illustrated: Fine Prints of the Year, 1929. $1,350.
San Sebastian (Lunch Hour). 1926-27. Drypoint. A121. 7 x 8 7/8. Edition 100. Illustrated: Fine Prints of the Year, 1927. $950.
Soup. 1920. Drypoint. A 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. $1,250.
Speech of the Evening. 1930-31. Drypoint. A 150. 11 x 10 7/8. Edition 100. Illustrated: PCQ24 (1937): 368. $2,250.
Splashing Through the Surf. 1923. Drypoint. D 84; A 95. 7 1/4 x 10 3/16. Ed. 100. Illustrated: PCQ 13 (1926): 91. $950.
The Stable. 1933. Drypoint. Appleby 96. 5 5/8 x 7 9/16 (sheet 9 7/8 x 12 1/20. Edition 100. A rich impression printed on cream laid paper. Full sheet with deckle edges. Signed in pencil. The chickens in the foreground are a charming touch. $950.
A Street by Night. 1922. Drypoint. A 128. 8 x 11. Edition 100. Illustrated: Fine Prints of the Year, 1927, Holme, Etchings of Today, (London: The Studio, 1929), plate 7. A very rich impression on white wove paper with full margins. $1,500.
Summer. 1914. Drypoint. A 46. 6 7/8 x 4 7/8. Edition 77. $1,150.
The Tumble. 1921. Drypoint. D 61; A 80. 7 3/4 x 11 3/4. Edition 100. $1,500.
Under A Paris Bridge.1930. Lithograph. A L.10. 10 x 15 1/2. Illustrated: Print Collector's Quarterly 19 (1932): 305. Professionally repaired paper loss from a hinge, in the upper right-hand corner. A glowing impression on tissue-thin paper. $750.
Work in the Fields. 1913. Drypoint. A 31. 8 3/4 x 11 1/4. Edition 65. $975.
The Wreck. 1923. Lithograph. A L.13. 10 3/8 x 15 1/2 (sheet 13 3/16 x 19 7/8). Edition size probably 30. A fine impression on cream laid paper. Signed and numbered 24 in pencil. Blampied underplays the drama of the wrecked boat by contrasting it with the carfree postures of the horses and the young man standing by them. A charming, scarce image. $1,250.
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