Edmund Blampied, R.E. 1886-1966.
Etchings, drypoints and lithographs.
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Fine and Not-so-Fine Dining.
L'Auberge (Estaminet). 19231-32. Drypoint. Appleby 157. 9 x 7 (sheet 15 5/8 x 10 5/8). Edition 100, #13. Printed on cream laid paper, on the full sheet with deckle edges. Signed and numbered in ink. $975.
The Carousal (A Carouse). 1936-37. Drypoint. Appleby 134. 9 x 14 3/4 (sheet 12 9/16 x 18 5/16). Edition 36, #17. A rich impression on cream-colored wove paper with full margins. Signed and numbered in ink. This is an extremely scarce work. $3,500.
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Study I for The Carousal (A Carouse). c. 1936. Conte crayon drawing on wove paper. 11 x 14 3/4 (sheet 13 x 15 15/16). Unsigned.
Study II for The Carousal (A Carouse). c. 1936. Conte crayon drawing on 'Castle Linen/Tollit & Harvey Ld/London' countermarked wove paper. 11 1/2 x 15 1/4 (sheet 13 x 15 7/8). Unsigned. $1,850 the pair.
Le Chef d'oeuvre (The Two Chefs). 1930-31. Drypoint. Appleby 145. 11 3/4 x 9 (sheet 15 1/2 x 11 1/2). Artist's proof, aside from the edition of 100. Illustrated: Print Collector's Quarterly (1937): 369. A fine impression on pale white laid paper, printed on the full sheet with deckle edges. Signed and dated in the plate. Label from Arthur Ackermann & Son Inc., New York, identifying it as an "artist proof etching". This is one of Blampied's most sought-after images. $3,000.
The Cider Barrel. 1928-29. Drypoint. Appleby 134. 10 5/8 x 10 1/2 (sheet 15 7/8 x 12 1/2). Edition 100, #57. A very rich impression on cream-colored laid paper with full margins. Signed and numbered in ink. $1,750.
Cider Drinkers (2nd Plate). 1925. Drypoint. Appleby 102. 10 1/4 x 8 3/16 (sheet 18 1/8 x 11 3/8). Edition 50. Illustrated: Fine Prints of the Year under the title 'Country Cider'; Salaman, Modern Masters of Etching. A rich impression with drypoint burr printed on Hand [Made] laid paper. Signed in pencil. $1,250.
Les Deux Petite Verres. 1928-29. Drypoint. Appleby 135. 10 1/2 x 10 3/16 (sheet 18 1/4 x 12 3/8). Edition 100, #65. Illustrated: Fine Prints of the Year, 1920; Print Collector's Quarterly (1937): 374. A horizontal fold in the upper and lower margins, well away from the image; otherwise excellent condition, apart from. A rich impression, with burr, printed on the full sheet of laid paper. Signed and numbered in pencil. This is a most charming study of Blampied and his wife sitting in a cafe, about to imbibe. $2,500.
A Holiday Morning. 1928-29. Drypoint. Appleby 136. 8 x 8 7/8 (sheet 10 x 14 3/8). Edition 100, #56. Printed in cream laid paper with full margins. Signed and numbered in ink, which has faded. $550.
The Letter. 1921. Drypoint. Appleby 107. 7 x 9 3/8 (sheet 9 7/8 x 15 7/16). Edition 100. Illustrated: Fine Prints of the Year, 1925; Salaman, Modern Masters of Etching: Edmund Blampied; Print Collector's Quarterly 13 (1026): 93. A rich impression with drypoint burr, printed on cream laid paper on the full sheet with deckle edges. Signed in pencil. $1,750.
Madame Dupré 1929-30. Drypoint. A 147. 8 5/8 x 7 1/8. Edition 100. $1,250.
San Sebastian (Lunch Hour). 1924. Drypoint. Appleby 99. 8 7/8 x 11 7/8 (sheet 12 3/8 x 18). Edition 100. A rich impression with plate tone, printed on the full sheet of cream wove paper with deckle edges. $750.
Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. $850. Signed in pencil. $850.
Speech of the Evening. 1930-31. Drypoint. Appleby 150. 11 x 10 7/8 (sheet 17 1/16 x 13 1/8). Edition 100, #97. Illustrated: Print Collector's Quarterly24 (1937): 368. A rich impression with drypoint burr, printed on the full sheet of cream wove paper. Signed and numbered in ink. $1,750.
Toute de Suite. 1930-31. Drypoint. Appleby 151. 10 1/8 x 8 1/16 (sheet 15 1/2 x 10 7/16). Edition 100, #9. A rich impression, with drypoint burr, printed on the full sheet of laid paper. Signed and numbered in ink. $1,750.
Jersey Genre Scenes.
The Accusation. 1930. Lithograph. Appleby Lithographs 23. 10 7/8 x 15 3/8 (sheet 13 1/2 x 18 3/4). Edition 50, #34. Illustrated: Print Collector's Quarterly 24 (1937): 378. Printed in cream laid paper with full margins. Signed and numbered in pencil. $975.
Births, Deaths and Marriages. 1929. Drypoint. Appleby 140. 8 x 10 1/4 (sheet 10 3/8 x 15 1/2). Edition 100, #41. Printed on the full sheet of cream laid paper, with deckle edges on all sides. Illustrated: Print Collector's Quarterly 24 (1937): 392. An extremely rich impression, wih burr. Signed and numbered in ink. $1,250.
Chez Madame Dupont. 1931-32. Drypoint. Appleby 158. 8 3/16 x 11 3/4 ( 11 1/8 x 18 1/3). Edition 100, #75. A fine impression on pale cream-colored laid paper, printed on the full sheet with deckle edges. Signed and numbered in ink. $1,250.
"Come On Boys!" 1921. Drypoint. Appleby73. 7 9/16 x 11 15/16. Edition 100. Signed in pencil. $750.
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100, #72. A rich impression on creamn wove paper. Collector's seal: E.C. Crossett. Signed and numbered in ink. $1,250.
Fairy Tales. 1931. Drypoint. Appleby 154. 7 7/8 x 10 7/8 (sheet 10 3/8 x 15 1/2). Edition 100, #13. A fine impression on the full sheet of 'J Whatman' laid paper with full margins. Signed and numbered in ink. $1,750.
Fetch It! 1923. Drypoint. Appleby 57. 10 3/4 x 14 3/4 (sheet 14 x 18 1/2). Printed with plate tone on cream wove paper. Signed in pencil. $750.
The Joy Ride. 1923. Drypoint. Appleby 89. 8 3/4 x 10 3/16. Edition 100. Illustrated: Fine Prints of the Year, 1924; Salaman, Modern Masters of Etching. Signed in pencil. $1,250.
Leisure. 1923. Drypoint. Appleby 90. 7 13/16 x 11 3/8 (sheet 10 1/2 x 15 1/2). Edition 100. A rich impression with drypoint burr, printed on 'FJ Head &Co' cream laid paper on the full sheet with deckle edges. Signed in pencil. $1,250.
Male Voice Choir. 1925-26. Etching. Appleby 113 (alternate version). 9 x 7 (sheet 12 x 8 1/2). Edition 100, #98. A rich, well-inked impression with plate tone, printed on cream laid paper with a unicorn watermark. Signed and numbered in pencil. $1,850.
A Market Argument. 1929-30. Drypoint. Appleby 141. 10 5/8 x 10 1/2 (sheet 14 3/4 x 12 1/2). Edition 100, #71. A rich impression with drypoint burr, printed on cream wove paper with full margins. Signed and numbered in ink. $1,250.
My Cousin. 1921. Drypoint. Appleby 75. 9 7/8 x 6 7/8 (sheet 13 1/2 x 9 1/2). Edition 100. Printed on cream wove paper with wide margins. Signed in pencil. $750.
The Old Complaint (Three Old Parties). 1929. Drypoint. Appleby 139. 10 1/8 x 7 3/4 sheet 15 5/8 x 10 1/2). Edition 100, #43. An extremely rich impression printed on cream laid paper. Illustrated: Fine Prints of the Year, 1930. Signed and numbered in ink. $950.
Politics. 1926. Drypoint. Appleby 108.7 x 9 (sheet 10 1/2 x 15 1/2). This is one of Blampied's most famous images. $1,750.
The Sick Man. 1921. Drypoint. Appleby 79. 7 3/8 x 11 3/8 (sheet 11 7/8 x 17 7/8). Edition 100. Illustrated: Print Collector's Quarterly 13 (1926): 87; Salaman, Modern Masters of Etching: Edmund Blampied. A fine impression printed on 'FJ Head & Co' cream laid paper on the full sheet with deckle edges. Signed in pencil. $1,250.
Splashing Through the Surf. 1923. Drypoint. Appleby 95. 7 1/4 x 10 3/16. Edition 100. Illustrated: Print Collector's Quarterly 13 (1926): 91. $750.
The Stranger. 1920. Drypoint. Appleby 66. 9 7/8 x 13 (sheet 13 x 18). Edition 100. Illustrated: Lumsden, The Art of Etching. A rich impression with drypoint burr, printed on 'FJ Head & Co' cream laid paper, on the full sheet with deckle edges. Signed in pencil. $750.
Summer.1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. Printed on cream wove paper on the full sheet with deckle edges. Signed in pencil. $650.
The Tumble. 1921. Drypoint. Appleby 148. 7 3/4 x 11 11/16 (sheet 9 7/8 x 15 3/8). Edition 100. A rich impression with burr and plate tone on 'Man 1919' 'England' laid paper. Signed in pencil. $975.
Village News. 1930-31. Drypoint. Appleby 148. 8 3/4 x 12 (sheet 11 3/8 x 17 1/8). Edition 100, #38. A rich impression with drypoint burr, printed on the full sheet of cream laid paper with wide margins. Signed and numbered in pencil. $1,250.
Wheelbarrow Race. 1925-6. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with deckle edges. Signed and numbered in pencil. $1,250.
Jersey Farm Images.
At the Gate. 1914. Drypoint. Appleby 32. 4 x 5 7/8 (sheet 8 1/2 x 11 1/2). Edition 64. A rich impression with drypoint burr, printed on cream laid paper, on the full sheet with deckle edges. A rare early etching. Signed in pencil. $750.
The Cowman. 1920. Drypoint. Appleby 56. 12 7/8 x 9 7/8 (sheet 18 1/2 x 14 1/8). Edition 100. Printed with plate tone and drypoint burr, on the full sheet of cream laid paper. Signed in pencil. $950.
Driving Home in the Rain. 1914. Drypoint. Appleby 35. 7 3/8 x 10 1/8 (sheet 11 5/8 x 14 3/8). Edition 40. Illustrated: Guichard, British Etchers, 1850-1940; Print Collector's Quarterly 13 (1926): 7; Salaman, Modern Masters of Etching: Edmund Blampied. Printed on F.J. Head cream laid paper with full margins. Excellent condition. This rare print is considered to be Blampied's magnum opus. Signed in pencil. Price on request.
Farm Fire. 1926-27. Etching and drypoint. Appleby 121. 7 x 8 7/8 (sheet 9 1/8 x 12 1/4). Edition 100, #45. Illustrated: Fine Prints of the Year, 1927. A rich impression with drypoint burr, printed on 'DWD Strang' laid paper, on the full sheet with deckle edges. Signed and numbered in ink.
Flies. 1913. Drypoint. Appleby 17. 4 7/8 x 6 1/8 (sheet 10 3/8 x 15 3/4). Edition 62. Illustrated: Allhusen, Print Collector's Quarterly 13 (1926): 75. A rich impression printed on cream laid paper, on the full sheet with deckle edges. Signed in pencil. $775.
Fording the Stream. 1914. Drypoint. Appleby 36. 4 7/8 x 7 7/8 (sheet 9 1/4 x 10 3/4). Edition 57. Illustrated: Print Collector's Quarterly 13 (1926) page 81. A rich impression with drypoint burr and plate tone, printed on simili-Japan laid paper. Signed in pencil. $975.
Galloping. 1923-24. Drypoint. Appleby 165. 8 7/8 x 11 3/4 (sheet 11 3/8 x 18 3/8)/. Edition 100, #35. A rich impression with drypoint burr and plate tone, printed on the full sheet of cream wove paper with deckle edges. Signed and numbered in ink. $1,250.
Gathering Turnips. 1913. Drypoint. Appleby 18. 4 7/8 x 6 7/8 (sheet 6 7/8 x 8 1/2). Edition 70. A rich impression with plate tone, printed on cream wove paper. Signed in pencil. $550.
Horses in a Meadow. c. 1914. Pencil drawing. 7 3/4 x 8 (sheet 10 x 15). Study for the etching "In a Meadow" (first plate). Dodgson 26. 1914. Only 1 proof of the etching pulled. Signed in pencil, lower center. $1,500.
A Jersey Milkmaid. 1920. Drypoint. Appleby 60. 9 7/8 x 6 7/8 (sheet 15 3/8 x 9 7/8). Illustrated: Print Collector's Quarterly 13 (1926): 83. Illustrated: Print Collector's Quarterly 13 (1926): 83.A rich impression with plate tone, printed on '[What]man 1919' wove paper, on the full sheet with deckle edges. Signed in pencil. $975.
A Jersey Vraic Cart. 1939. Etching. Appleby 183. 8 9/16 x 11 1/16 (sheet 11 7/16 x 15 5/16). Edition 250 for the Print Club of Cleveland. Printed on the full sheet of J.Whatman laid paper. Signed in ink. $750.
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed in pencil. $675.
Milking. 1919. Drypoint. Appleby 52. 8 x 6 (sheet 11 1/2 x 9). Edition 75. A rich impression with drypoint burr, printed on cream laid paper, on the full sheet with deckle edges. Mat line; otherwise excellent condition. Signed in pencil. $975.
Misty Morning. 1928-29. Drypoint. Appleby 137. 8 5/8 x 12 (sheet 11 9/16 x 17). Edition 100, #86.Printed with subtle plate tone on the full sheet of cream laid paper with deckle edges. Signed and titled in pencil. $975.
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. Signed in pencil. $950.
Night Time in a Stable. Edition 100. Illustrated: Print Collector's Quarterly 24 (1937): 382. A rich impression printed on cream wove paper with full margins. Signed in pencil. $1,250.
Noonday Rest. 1920. Drypoint. Appleby 62. 8 5/8 x 11 (sheet 10 3/ 8 x 12 5/8). Edition 100. Scattered weak areas on the back, only visibly in raking light; the sheet backed with cream wove paper. A rich impression with plate tone, printed on cream wove paper with full margins. Signed in pencil. $650.
Purring and Snoring. 1921. Drypoint. Appleby 77. 7 x 9 3/8 (sheet 9 7/8 x 15 7/16). Edition 100. Illustrated: Salaman, Modern Masters of Etching: Edmund Blampied; Print Collector's Quarterly 24 (1937): 390. Printed on off-white wove paper. A rich impression with full margins. $1,250.
Reflections. 1925. Drypoint. Appleby 109. 7 x 10 3/16 (sheet 10 9/16 x 15 1/8). Edition 100. Illustrated: Salaman, Modern Masters of Etching; Print Collector's Quarterly 24(1937): 388. A rich impression with drypoint burr, printed on 'FJ Head &Co' cream laid paper, on the full sheet with deckle edges. Signed in pencil. $750.
Resting. 1923. Drypoint. Appleby 93. 4 3/4 x 6 3/4. Edition 100. Illustrated: Fine Prints of the Year, 1923. $975.
Returning to the Stable. 1920. Drypoint. A 64. 8 3/4 x 12 1/4. Edition 100. $975.
Road to the Farm. 1931-32. Etching. Appleby 149. 10 1/4 x 8 1/8. Edition 100. Illustrated: Fine Prints of the Year, 1929. $1,350.
Seaweed Harvest, Jersey. 1936. Etching. Appleby 183. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors. Signed in ink. $1,250.
Shore Harvest. 1921. Drypoint. Appleby 78. 9 1/16 x 11 13/16 (sheet 11 3/8 x 17 7/8). Edition 100. A rich impression with drypoint burr, printed on 'FJ Head &Co' cream laid paper with wide margins. Signned in pencil. $1,250.
The Stable. 1933. Drypoint. Appleby 96. 5 5/8 x 7 9/16 (sheet 9 7/8 x 12 1/2). Edition 100. A rich impression printed on cream laid paper. Full sheet with deckle edges. Signed in pencil. The chickens in the foreground are a charming touch. $550.
Sunday Afternoon. 1922. Etching. Appleby 85. 8 7/8 x 11 7/8 (sheet 12 1/2 x 16 3/4). Edition 100. A rich impression printed on 'FJ Head & Co' cream laid paper on the full sheet. Signed in pencil. $975.
Through the Storm. 1923. Drypoint. Appleby 97. 4 x 6 15/16 (sheet8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with deckle edges. Signed in pencil. $950.
The Thunderstorm. 1920. Drypoint. Appleby 69b. 9 3/4 x 12 3/4 (sheet 13 5/8 x 18 1/4). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'J Whatman' laid paper, on the full sheet with deckle edges. A large, extremely dramatic image. Signed in pencil. $1,250
Weary. 1913. Drypoint. Appleby 29. 4 1/2 x 6 11/16 (sheet 7 13/16 x 8 11/16). Edition 80. An extremely rich impression with drypoint burr printed on simili-Japan paper. Signed in ink. $575.
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The White Horse. 1921. Drypoint. Appleby 81. 7 7/8 x 9 7/8 (sheet 11 1/2 x 18). Edition 100. A rich impression printed on 'FJ Head & Co' cream paper on the full sheet with deckle edges. Signed in pencil. $975.
The White Horse. c. 1921. Pencil study for the drypoint. 7 1/2 x 10 (sheet 10 1/8 x 12 3/8). A striking study printed on 'FJ Head and Co' white laid paper. Signed in pencil. $2,000.
$2,750 the pair.
Work in the Fields. 1913. Drypoint. Appleby 31. 8 3/4 x 11 1/4 (sheet 11 5/8 x 14 5/8). Edition 65. Annotated 'HJB #18' in pencil, indicating a proof from the collection of the famous Blampied scholar and collector, Harold J. Bailey, who wrote an article, 'Edmund Blampied: Artist and Philosopher' in the Print Collector's Quarterly 24 (1937). A rich impression with plate tone, printed on the full sheet of cream laid paper withy deckle edges. sSigned in pencil. $775.
The Wreck. 1923. Lithograph. Appleby Lithographs13. 10 3/8 x 15 1/2 (sheet 13 3/16 x 19 7/8). Edition size probably 30. A fine impression on cream laid paper. Signed and numbered 24 in pencil. Blampied underplays the drama of the wrecked boat by contrasting it with the carefree postures of the horses and the young man standing by them. A charming, scarce image. $1,250.
France and the East
Camels at a Well. 1927-28. Drypoint. Appleby 130. 8 1/2 x 12 (sheet 11 9/16 x 18 1/4). Edition 100, #91. Illustrated: Fine Prints of the Year, 1928. A rich impression with plate tone, printed on the full sheet of cream laid paper. Signed and numbered in pencil. $850.
Loading Vraic, St. Malo. 1927. Drypoint. Appleby 122. 6 7/8 x 10 (sheet 10 1/8 x 16 1/2). Edition 100, #77. Printed with drypoint burr on cream wove paper with wide margins. Signed and numbered in pencil. $750.
A Street by Night. 1927. Drypoint. Appleby 128. 8 x 11. Edition 100. Illustrated: Fine Prints of the Year, 1927, Holme, Etchings of Today, (London: The Studio, 1929), plate 7. A very rich impression on white wove paper with full margins. $1,250.
Under A Paris Bridge. 1930. Lithograph. Appleby Lithographs 10. 10 x 15 1/2. Illustrated: Print Collector's Quarterly 19 (1932): 305. Small professionally repaired paper loss from a hinge, in the upper right-hand corner; otherwise excellent condition. A glowing impression on tissue-thin paper. Signed in pencil. $750.
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