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Conductor I: Rehearsal. c. 1933. Pencil study for the drypoint, Morning Exercises. Flint 117. 12 1/2 x 9. Signed, lower right. $2,750.
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German World War I Officer. c. 1914. Charcoal drawing. 18 1/3 x 6 5/8 (sheet 18 7/8 x 7). Drawn on cream laid paper watermarked "France". Signed lower left; estate stamp verso. The soldier is wearing a spiked helmet. $1,500.
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Horses in a Meadow. Pencil drawing. 1c. 1914. 7 3/4 x 8 (sheet 10 x 15). Study for the etching, In a Meadow (first plate). Signed in pencil. $2,500.
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Studî della piccola Simonella (Sketches of little Simonella). August 28, 1942. Pencil drawing. 5 1/8 x 7 13/16. Signed, dated and titled in pencil. A charming set of studies of a sleeping child. $550.
Illustrations for "The Paradise Crater," Blue Book Magazine, (August 17, 1945).
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[Futuristic Helicopters.] Conte crayon. 9 3/4 x 7. Initialed, lower right. Framed and glazed. $425.
[Futuristic Aircraft.] Conte crayon. 11 1/4 x 7. Initialed, lower center. Framed and glazed. $425
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Devil's Back or The Breakers. c. 1938. Charcoal drawing. A study for the aquatint (Giardina 197). 14 1/2 x 21 1/2. The etching is illustrated in the Print Collector's Quarterly 26 (1939): 502. Signed and titled. The scene is on the Maine coast. $3,500.
The Fleischmann Estate: The Polo Field. c. 1920-25. Pencil study for G114. 8 x 13 (sheet 9 1/2 x 14 1/2). Signed in pencil. $650.
The Fleischmann Estate, also known as the Lindens, was built in 1910 in Sands Point, Long Island, New York, by Julius Fleischmann, Sr., son and nephew of the founders of the well-known yeast and margerine company. He died playing polo in Miami in 1925. Eby made a series of five etchings depicting the estate. This drawing is the study for the etching of the polo field on the estate.
For etchings, click on Kerr Eby
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Ex libris John Vernon. Front: Design and Greek lettering. Verso: Even if this doesn't show 2 squares there's no reason why it shouldn't be better drawn" Monogrammed and dated 30.7.36. Two-sided drawing. Pencil recto and ink verso. 1936. 2 1/8 x 1 1/2. $1,750.
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Nude. c. 1950. Drawing. 14 x 9 1/2 (sheet 15 3/4 x 11 3/4). Signed in pencil, lower right. Lansky ws a friend of Yasuo Kuniyoshi at the Woodstock art colony. This drawing is an elegant study in pure line. $500.
Martin Lewis, N.A. 1881-1962.
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[Rainy Afternoon]. c.1928. Conte crayon drawing. 8 3/4 x 7 1/16. Drawn on tan wove paper from a small notebook. The drawing has overtones of Rain on Murray Hill (McCarron 75). Unsigned. Estate seal verso: Lucille Deming Lewis Collection; estate inventory number LDL-794. $1,250
[The Roustabout]. c. 1916. Pencil drawing. 4 7/8 x 8 7/16. Drawn on tan wove paper from a small notebook. The drawing has overtones of The Roustabout (McCarron 14). Signed 'Martin Lewis P.L.' Patricia Lewis was the artist's wife.. Estate seal verso: Lucille Deming Lewis Collection; estate inventory number LD847. $750.
Shadows -- Garage at Night. c. 1928. Conte crayon drawing. Study for the drypoint, McCarron 69. 10 1/8 x 12 3/4 (the drypoint measures 9 7/8 x 11 7/8). The catalogue raisonne mentions this study: "There is a preparatory drawing for this print in charcoal, pencil and brown crayon on gray brown paper (LDL-323, 255 x 330 mm), signed by Patricia Lewis after the artist's death. " (p. 130). Small paper losses at top sheet edges, backed with mulberry paper; otherwise fine condition. Estate stamp verso: Lucille Deming Collection. Signed and initialed by Patricia Lewis, the artist's daughter-in-law. The image is not reversed in the etching, as is often the case. $7,000.
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The Draughtsman. c. 1900. Conte crayon drawing. 14 x 19 3/4. Unsigned. Sunstruck. Mounted on board. Provenance: Frederick Keppel Gallery. $500.
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