Hortus Conclusis (Enclosed Garden) 2008. Oil/mixed media on board. 17 1/2. x 14 1/2 , Signed, titled and annotated, verso. Housed in a thematically- decorated silver leaf frame. This painting is a part of a body of work the artist made before transitioning gender and continuing to paint under the name 'Therin Brooks' in 2015. $1,500.
Portrait of Eugene Higgins, Age 80. 1954. Oil on canvas. 30 x 25 (framed 35 x 30). Higgins and Cole, both artists, lived in Lyme, Connecticut. Born in the same year, they were both 80 when the painting was executed. Housed in a gold leaf frame. Signed and dated, lower right. $5,500.
French Landscape. c. 1970. Oil on canvas. 12 x 16. Provenance: Wolfard's Galleries of Fine Arts, New York. Excellent condition. Signed, lower right. Housed in a 17 1/2 x 21 1/4 x 1 1/4-inch silver plein-air style frame. $3,250.
Mother and Child in a Lakeside Garden by a Lake. c. 1970. Oil on canvas. 12 x 16. Provenance: Wolfard's Galleries of Fine Arts, New York. Excellent condition. Signed, lower right. Housed in a 17 1/2 x 21 1/4 x 1 1/4-inch silver plein-air style frame. $3,250.
Fontaine de la Concorde, Paris. c. 1960. Oil on canvas. 16 x 20 inches. A small, unobtrusive tear at the right-edge of the fountain has been professionally repaired and inpainted, as well as two tiny holes in the sky. The painting has been professionally cleaned and restored;and is now in near-pristine condition. Signed 'Gisson' lower left. The painting is housed in an elegant 24 7/8 28 3/4 x 2 1/2-inch Louis XIV style gold picture frame with dramatic highlights. $3,500.
Still Life with Flowers and Pears. c. 1960. Oil on canvas. 20 x 16. Signed, upper right. Housed in a 25 1/4 x 21 1/2-inch Hassam-style gilt frame. $2,750.
The Artist's Studio. c. 1914. Oil on canvas. 24 1/8 x 32. The canvas is in fine condition, having been professionally lined, cleaned and varnished. The painting is housed in a 29 1/2 x 37-inch reproduction Sully-style gold frame. Signed, lower right and also on the verso of the canvas in the center of the image. $6,000.
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A Hazy Summer's Day. c. 1920. Oil on panel. 24 x 27 1/8 (framed 31 x 33 1/8). Signed, lower left. $20,000.
[Flowering Carob Tree, San Giorgio Maggiore Island, Venice]. c. 1923. Oil on canvas. 18 x 24 (framed 27 x 32 1/2). Exhibited at the Newport Art Museum and Art Association, June 11, 2011 to October 16, 2011. 'Remembering the Ladies: Women and the Art Association of Newport.' Signed "Jane Peterson" lower right. Price upon request.
Portion of the Jungfrau from Grindelwald. Oil on canvas. 20 x 24 (framed 27 x 30 3/4). Signed, lower right. This is possibly a view from the Lötschen Valley (Lötschental) near Kandersteg in the Swiss Alps. $3,500.
Il Duomo, Florence. Oil on panel. 8 x 12 (framed 13 1/4 x 17 1/2). Reproduction period frame. Unsigned. Provenance: Roth's studio. $550.
The Plaza View from Central Park South. Oil drawing on panel. 9 x 10 (framed 11 3/4 x 17 1/2). Original frame, with remnants of a Salmagundi Club exhibition label. Provenance: Roth's studio. Unsigned. $950.
Roth Home, West Redding, Connecticut. c. 1920. Oil on canvas. 20 x 24 (framed 26 3/8 x 30 3/8). Signed, lower right. Reproduction period frame. Provenance: Roth's studio. $5,000.
The Surf at Newport. Oil on canvas. 17 x 24 (framed 26 x 34). Lined; some craqueleur; otherwise fine condition. Carved gold leaf frame. Signed lower left. $5,500.
City Lights Across the East River. c. 1933. Oil on board. 8 x 10. An atmospheric image in subtle grey tones. Housed in an 11 5/8 x 13 5/8 inch gold frame. Signed 'Vezin' lower left. $9,750.
Oak Creek Canyon. 1928. Oil on canvas. 22 x 28 (framed 28 1/2 x 34 1/2). Signed, lower right. $5,000.
Lavendera. 1936. Oil on panel. 15 1/2 x 12 1/2 (replacement fold leaf frame 21 x 18). Professionally stabilized 2-inch vertical crack, lower center. Signed 'F Amorsolo' and indistinctly dated, lower right. Illustrated: Maestro Fernando C. Amorsolo Recollections of the Amorsolo Family, page 139. Price upon request.
Accompanied by a certificate of authenticity from the Fernando C. Amorsolo Art Foundation, Inc.
Manila War Ruins. 1945. Oil on canvas board. 13 x 17 1/16 (framed 18 1/2 x 22 1/2). Excellent condition. Replacement period gold leaf reproduction frame. Provenance: the personal collection of Right Reverend Norman Spencer Vincent Binsted, the Missionary Bishop for the Philippines for the Protestant Episcopal Church. He served as Bishop of Manila from 1947-1958. He knew Amorsolo and purchased the painting directly from him. Signed, dated and annotated 'Manila' lower right. This painting is accompanied by a certificate of authenticity from the Amorsolo Foundation. Price upon request. .
Illustrated on page 95 in the new 1917 book by the Fernando C. Amorsolo Art Foundation in honor of the artist's 125th birthday anniversary.: Amorsolo: Love and Passion. Volume I: Portraits. Volume II: Landscapes and Other Works. Authors: volume I: Sylvia Amorsolo Lazo, Kip Yusin. Volume II: Sylvia Amorsolo Lazo, Cid Reyes, Jane Allinson Ph.D., Carlomar Arcangel Daoana.
Brent School was established In 1909 by the Rt. Rev. Charles Henry Brent, Missionary Bishop of the Philippines for the Protestant Episcopal Church, in the city of Baguio. It was originally intended to be a boarding school for the sons of American families stationed in the Philippines. Over the decades, Brent School Baguio evolved into a co-educational boarding and day school with an international student population. In 1913, Binsted Hall was established and named after the Right Reverend Norman Spencer Vincent Binsted.
Abstract Composition. Oil on paper. 7 x 10 1/2 (image and sheet). Incised 'Pandy Bali' lower right. Accompanied by a the original invoice from Art Gallery Pandy. An historically fascinating work by an important figure in the Indonesian art world. $1,000.
La Rencontre (The Meeting). 1969. Oil on canvas. 25 x 30 (Framed: 321/4 x 37 1/4 x 2). Signed and dated 'Vu cao dam 69' lower right., 1969. Excellent original condition. Housed in the original Italianate frame. Provenance: Waly Findlay Galleries, with the original guarantee of authenticity booklet, dated November 69.' Price upon request.
Family Downtime. 2008. Oil on canvas. 24 x 30. Provenance: the artist; Westport River Gallery, CT. Signed and dated, lower right Housed in a gold 29 7/8 x 35 7/8-inch frame. $7,500.
Himalayan Bonding. 2008. Oil on canvas. 24 x 24. Provenance: the artist; Westport River Gallery, CT. Provenance: a New York private collection. Signed and dated, lower right. Housed in a gold 29 1/2 x 29 1/2-inch frame. $6,750.
Tibetan Mother and Child. 2005. Oil on canvas. 23 x 23. Signed and dated, lower right. Housed in a gold 23 7/8 x 23 7/8-inch frame. $6,500.
In Arcady. c. 1885. Oil on canvasboard. 8 x 6 1/4 (frame dimensions 16 X 13.75 X 3 inches). Exhibited: The Royal Institute of Oil Painters, London, n.d. (label on the reverse). Signed and titled on the label verso: 'In Arcady" / TB Kennington'. $1,800.
La Fôret Fouesnant (Fouesnant Forest, Brittany). 1969. Oil on canvas. 21 5/8 x 18 1/8. Signed and dated lower left. Housed in an elegant 27 x 29-inch gold leaf frame with a silk gold-lipped liner. $2,500.
Visage de Marguerite en grisaille. Esquisse. (Portrait of [the Artist's Mother,] Marguerite, in monochrome. Study.) Pencil and oil on canvas. 19 3/4 x 15 3/4 (frame 25 x 21). Signed and monogrammed, lower right. Partial label, verso: "Galeries, 19 Rue Caumartin, Paris". In 1900, 1900 Carrière's first solo exhibition took place at the Galerie des Artistes Modernes (19 Rue Caumartin). $5,000.
Duchess Anna Amalia Herzogin von Sachsen. c. 1773. Oil on canvas. 20 x 16 3/4. Good condition: lined, some inpainting. Provenance: a private Great Barrington, Massachusetts, collection. Unsigned. Housed in a 26 x 23-inch period Gold leaf frame. $10,000.
Anna Amalia of Braunschweig-Wolfenbüttel (born October 24, 1739 in Wolfenbüttel, Germany , April 10, 1807 in Weimar ) a German patron and composer. Anna Amalia of Brunswick-Wolfenbüttel , was a German princess, patron and composer.She became the duchess of Saxe-Weimar-Eisenach, by marriage, and was also regent of the states of Saxe-Weimar and Saxe-Eisenach from 1758 to 1775.She transformed her court and its surrounding into the most influential cultural center of Germany. An extensive biography is available at Anna_Amalia_von_Braunschweig-Wolfenbüttel
Rosa with Roses. c. 1950. Oil on canvas. 20 x 24. Signed, lower left. A charming study of a young with with her namesake flowers. $275.
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