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Joseph Pennell, N.A. 1857-1926.

Available artwork: etchings, drawings, watercolors, aquatints, lithographs.

All works are signed in pencil unless indicated otherwise.

Click on the small images for larger screens.

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Fine Print and Watercolors

America.

New York

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The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 3/4 x 17 1/4). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper from an old book. Printed by the artist. Signed and annotated 'imp' in pencil. $850.

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The Bridges 1908. Etching and drypoint. Wuerth 492. 10 15/16 x 8 5/16 (sheet 13 3/4 x 9 1/2). Edition about 50. Printed by the artist on cream laid paper from an antique volume. Signed and annotated 'imp' in pencil. $1,750.

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Caissons on Vesey Street 1921. Etching. Wuerth 854. 14 x 9 1/2 (sheet 15 5/8 x 10 1/8). Edition 75. An extremely rich impression with tonal wiping printed by the artist on cream laid paper from an antique volume. Ink swirls from the sheet verso are visible in the upper right-hand corner, making this a unique proof on paper selected by the artist for one of his most dramatic Manhattan images. Signed and annotated 'imp' in pencil. $2,250.

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The City in 1915 (The Unbelieveable City, No. 2). 1915. Etching. Wuerth 679. 8 1/4 x 10 3/4 (sheet 11 3/16 x 15). Edition probably 75. Illustrated: Bryant, Joseph Pennell's New York Etchings. A rich impression with selsetive plate tone printed on antique laid paper with a partial watermark.Signed and annotated 'imp' in pencil indicating a proof printed by the artist. $1,750.

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The Elevated. 1921. Etching. Wuerth 789. 9 7/8 x 6 7/8 (sheet 13 3/8 x 9 3/8). Edition probably 50. A richly inked inpression printed by the artist on the full sheet of laid paper from an antique volume. Signed and annotated 'imp' in pencil. $775.

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Hail America. 1908. Mezzotint. Wuerth 502. 8 1/2 x 14 7/8 (sheet 11 1/2 x 17). Trial working proof before the edition of c. 70. An extremely rich impresion printed on the full sheet of antique paper. Signed, annotated 'trial working proof' and 'imp' in pencil, indicating a proof printed by Pennell. Perhaps the artist's most iconic American image. $7,500.

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Montague Terrace, Children Skating. 1924. Etching. Wuerth 832. 8 x 9 7/8 (sheet 8 1/2 x 13). Series: Brooklyn Heights. Edition about 75. Illustrated: Bryant, Joseph Pennell's New York Etchings. Printed on cream laid paper from an antique volume.

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Nassau Street. 1904. Lithograph. Wuerth 158. 10 11/16 x 6 1/4 (sheet 12 x 8 1/2). Series: Lithographs of New York, #5. Commission for the Society of Iconophiles. A fine impression, on antique pale grey wove paper, with full margins. The Society of Iconophiles blindstamp in the lower left margin. $275.

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New York, from Brooklyn. 1915. Etching. Wuerth 671. 7 3/8 x 11 3/4 (sheet 9 3/8 x 14). Edition probably 80. A rich impression with plate tone, printed by the artist on simili-Japan paper. Signed and annotated 'imp' in pencil. $1,750.

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An Orgy of Building. 1923. Etching. Wuerth 808. 12 1/4 x 9 1/4 (sheet 16 1/2 x 10 3/8). Edition about 50. llustrated: Bryant, Joseph Pennell's New York Etchings. Printed by the artist on cream laid paper from an antique volume. Signed and annotated 'imp' in pencil. $750.

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Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. $875.

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Sunset from Williamsburg Bridge. 1915. Etching. Wuerth 674. 8 1/2 x 11 (sheet 11 1/2 x 10 7/8). Edition 100. Illustrated: Salaman, Modern Masters of Etching. Printed on very fine antique cream laid paper. Pennell used light yellow-brown plate tone to suggest lingering sunlight. Signed and annotated 'imp' in pencil. $1,250.

Sunset from Williamsburg Bridge. 1915. Etching. Wuerth 674. 8 1/2 x 11 (sheet 11 3/8 x 16 7/8). Edition 100. Illustrated: Salaman, Modern Masters of Etching. Printed on sturdy cream laid paper from an antique volume. Pennell used red-brown plate tone to suggest evening tinged with sunlight. Signed in pencil. $1,250.

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The Telephone and Telegraph Foundation. 1924. Etching. Wuerth 827. 12 7/8 x 8 7/8 (sheet 15 3/16 x 9 7/8).Private plate, etched for McKenzie, Vorhees and Gmelin. An atmospheric impression with plate tone, printed on antique laid paper from an old book. Printed by the artist. Signed in pencil. $850.

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Wall Street. 1904. Etching. Wuerth 344. 11 3/4 x 7 7/16 (sheet 15 1/2 x 10 1/4). Edition about 75. A rich, tonal impression printed on Japanese mulberry paper. Signed in pencil. $1,250.

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The Woolworth Building. 1915. Etching. Wuerth 675. 11 7/8 x 7 3/8 (sheet 15 x 9 1/4). Edition about 100. A rich, tonal impression printed on antique laid paper from an old volume. The inking and wiping suggest a misty morning. Signed in pencil. $975.

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The Woolworth, Through the Arch. 1921. Etching, sandpaper and drypoint Wuerth 785. 9 15/16 x 6 15/16 (sheet 12 1/4 x 7 5/8). Edition about 150 printed in Germany, numbered 1-150, and 50 printed in the U.S. This from the American printing by Pennell. A rich, tonal impression printed in black-brown ink on countermarked antique laid paper from an old volume. The inking and wiping suggest an early evening glow. Signed and annotated 'imp' in pencil. $775.

Philadelphia

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The Lair of the Locos, Philadelphia. 1911. Etching. Wuerth 711. 11 3/4 x 9 7/8 (sheet 13 7/8 x 10 15/16). Railroad series. Edition probably 50. A carefully-wiped impression printed in blalck/brown ink on creame laid paper from an antique volume. Printed by the artist. Signed and annotated 'imp' in pencil indicatig an impression printed by the artist. $2,250.

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Pennsylvania Railroad Station, Philadelphia. 1919. Etching. Wuerth 713. 11 3/4 x 8 (sheet 13 1/2 x 9 1/4). Railroad series. Edition probably 50. Railroad series. A carefully-wiped impression printed on fine pale blue-grey wove paper from an antique volume. Printed by the artist. Signed and annotated 'imp' in pencil. $1,250.

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Plow Inn Yard. 1881. Etching. Wuerth 35. 9 7/8 x 6 7/8 (sheet 16 3/8 x 12 7/8). No published edition. A very rich impression, printed in black-brown ink on Japanese mulberry paper with wide margins. A rare proof of early (probably Philadelphia) image. Pennell etched several similar images that earned him the soubriquet of 'the Philadelphia Meryon.' Signed in pencil, with his early large signature. $750.

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Steam and Power, Pennsylvania Station, Philadelphia. 1919. Etching. Wuerth 705. 10 x 11 3/4 (sheet 10 5/8 x 13 1/8). Edition probably 75. Railroad series. A carefully-wiped impression printed on fine off-white laid paper from an antique volume. Printed by the artist. Signed in pencil. $5,000.

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The Trains that Come, and the Trains that Go, Pennsylvania Railroad, Philadelphia. 1919. Etching. Wuerth 712. 10 x 11 1/6 (sheet 11 x 13 5/8). Railroad series. Edition probably 75. A carefully-wiped impression printed on cream wove paper. Printed by the artist. Signed and annotated 'imp' in pencil. $5,500.

St. Louis

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Christ Church, St. Louis. 1919. Lithograph. Wuerth 593. 19 3/4 x 17 1/4 (sheet 24 1/8 x 18 1/8). Edition 20. Printed on the full sheet of 'MBM France' laid paper. A fine impression printed by the artist. Signed in pencil. $850.

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Train Yard. St. Louis. 1919. Lithograph. Wuerth 591. 19 7/8 x 17 (sheet 24 1/2 x 18 3/8). Edition 20. A fine impression on the full sheet of 'INGRES PME ITALIA' laid paper. Signed in pencil. $1,500.

South America: The Panama Canal

This is Pennell's most famous lithographic series. In January of 1912, Pennell went to the Isthmus of Panama to draw the work on the canal for Century Magazine and London Illustrated News. There were 28 large lithographs in the series (issued in an edition of 50. (There were also etchings). Pennell published the series in his book Joseph Pennell's Pictures of the Panama Canal (Philadelphia: Lippincott, 1912).

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At the Bottom of Gatun Lock. 1912. Lithograph. Wuerth 229. 17 x 22 1/4 (sheet 18 5/16 x 25). Panama Canal series #4. Edition 50. A rich, well-inked printing on 'Fabriano (Italy)' countermarked laid paper, on the full sheet with deckle edges. Signed and titled in pencil. $2,250

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Dinner Time, Gatun Lock. 1912. Lithograph. Wuerth 227. 22 x 16 7/8 (sheet 25 7/8 x 20 7/8). Panama Canal series #3. Edition 50. A rich, well-inked printing on 'MBM (France) Ingres d'Arches' countermarked laid paper, on the full sheet with deckle edges. Illustrated: Beall, American Prints in the Library of Congress, page 349. Signed in pencil. $2,500

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French Canal and American Cranes. 1912. Lithograph. Wuerth 219. 16 15/15 x 22 1/4 (sheet 18 15/16 x 25). Panama Canal series #2. Edition 50. A rich, well-inked printing on 'Fabriano Italy' countermarked laid paper, on the full sheet with deckle edges. Signed in pencil. $975.

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The Gates of Pedro Miguel Lock. 1912. Lithograph. Wuerth 231. 22 x 16 7/8 (sheet 24 7/8 x 18 5/8). Panama Canal series #19. Edition 50. A rich, well-inked printing on 'MBM' countermarked laid paper, professionally backed with archival paper.o Printed on the full sheet with deckle edges. Signed and titled in pencil. $2,250.

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The Guard Gate, Gatun Lock. 1912. Etching and drypoint. Wuerth 627. 12 1/2 x 9 1/2 (sheet 14 x 10 1/2). Edition of about 60. Panama Canal series. An extremely rich impression with drypoint burr and atmospheric tonal wiping, printed on Japanese mulberry paper by the artist. Signed and annotated 'imp' in pencil. $1,350.

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Europe

United Kingdom: London

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Albert Hall.1903. Etching. Wuerth 267.ii. 3 3/8 x 5 1/2 (sheet 6 3/8 x 9 3/8). A preliminary study for the larger image. A rare working proof with the figures added in pencil. Four printing folds, the artist's fingerprints in the margins. Printed on off-white laid paper by the artist. Signed, titled and annotated 'imp' in pencil. $300.

Albert Hall. 1903. Etching. Wuerth 267. 8 x 11 (sheet 10 1/4 x 15). A fine impression with plate tone Printed on sturdy cream wve paper by the artist. Signed and annotated 'imp' in pencil. $475.

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The Barber Shop. 1905. Etching. W 392. 10 7/8 x 8 9/16 (sheet 14 3/8 x 10 3/4). Edition probably 25. Printed on cream wove paper. Signed in pencil. Annotation on verso, in Pennell's hand, "Cote (report of imp. lithos)." Doodles on the front in the same crayon, probably by Pennell. A charming, Whistleresque image. Printed by Pennell. Signed in pencil. $450.

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Cannon Street Station (from the River). 1905. Etching. Wuerth 385. 7 7/8 x 10 7/8 (sheet 8 7/8 x 12 1/2). Early pencil-touched proof before the edition of approximately 40. An extremely rich impression printed with plate tone on off-white antique laid paper. Excellent condition. Pencil additions in the center of the boat nearest the foreground. Signed, annotated 'imp' and 'destroyed' and titled 'London Cannon Street Station' in Pennell's hand. $850. See also Under Cannon St. Station. Wuerth 309.

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Charing Cross at Night. 1909. Mezzotint. Wuerth 510. 11 7/8 x 10 (sheet 15 x 10 3/4). Edition probably 30. Printed on 'Rome'cream laid paper, probably from an old volume. Annotated 'Rome' and 'Charing Cross Bridge from my Window' by the artist. A rich dark proof, printed by the artist himself. Signed and annotated 'imp' in pencil. $4,000.

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Church of St. Mary-le-Strand [London]. 1906. Etching. Wuerth 421. 6 x 3 5/8 (sheet 8 1/2 x 5 3/4). The plate has been reduced from 10 x 8. THe original etching includes both the Church of St. Mary-Le-Strand and St. Clement Danes. The plate was cut into sections. The image above actually shows the Church of St. Clement Dane's. Pennell had previously etched that Church in the same year (Wuerth 411). Extremely rare proof and example of Pennell's working technique. Printed on simili-Japan paper. Signed and titled in pencil. $175.

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The City, Evening. 1909. Mezzotint. Wuerth 506. 10 x 14 7/8 (sheet 10 3/4 x 17 5/16). Printed on cream laid paper from an antique volume, numbered '12' in ink, upper left. Irregular bottom margin. Edition about 50. Magnificent, glowing proof with watercolor additions. Signed, titled 'London out of my window' and 'imp' in pencil, indicating a proof printed by the artist. $4,500.

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Coronation of King George V and Queen Mary in Westminster Abbey. June 22, 1911. 1911. Lithograph. Wuerth 197. 21 x 16 (sheet 25 1/8 x 20). Edition about 30. A fine impression printed on cream wove paper. An extremely scarce and important historical image. Signed in pencil. $2,000.

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The Crystal Palace. 1905. Etching. Wuerth 367. 8 5/8 x 10 15/16 (sheet 9 7/8 x 13). Edition probably 75. A rich, tonal impression printed by Pennell on antique laid paper. Signed, titled, annotated 'imp' and 'plate destroyed' in pencil. $600.

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Dark Day on the Embankment. 1909. Etching and aquatint. Wuerth 507. 9 7/8 x 12 3/4 (sheet 11 1/2 x 17 1/4). Edition probably 40. A rich, tonal impression printed by Pennell on cream laid paper from an antique volume. Signed and annotated 'imp' and 'Shot Tower Misty Morning' in pencil by the artist. $3,250.

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Leadenhall Market II. 1903. Etching. Wuerth 254.10 7/8 x 8 3/8 (sheet 12 1/8 x 9 3/4). Faint mat line, otherwise excellent condition. A rich, tonal impression printed on antique paper from an old volume. Signed and annotated 'imp' in pencil. $450.

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Lion Brewery, from the Embankment. 1903. Etching. Wuerth 237.i/ii before the plate was reduced. 10 1/2 x 8 (sheet 11 3/8 x 8 1/4). Trial proof, apart from the edition of 20 in this state (total edition about 40). An extremely rich tonal impression printed on laid paper from an antique volume. Signed and annotated 'tr[ial] proof' in pencil. $1,950.

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London. St. Anne's from Piccadilly Circus. 1905. Etching. Not illustrated in Wuerth; but listed. 7 13/16 x 9 15/16 (sheet 11 15/16 x 8 1/4). Unpublished. Printed by Pennell on antique grey-green wove paper. A fine impression of this extremely rare image. Signed, dated, titled and annotated 'imp' in pencil. $400.

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Mist on the Thames. 1903. Aquatint. Wuerth 247. 8 1/4 x 10 3/8 (sheet 10 x 11 7/8). Edition 100, #38 for L'Estammpe Originale (Wuerth states the edition as probably 40). A rich, tonal impression printed by the artist on Japanese mulberry papere. Signed, numbered and annotated 'del sc imp' (drew, etched, printed) in pencil by the artist. This is one of Pennell's most dramatic and Whistlerian nocturnes. $4,250.

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Park Lane. 1904. Etching. W 290.iii. Plate reduced to 5 1/16 x 3 1/2 (sheet 7 3/4 x 6 1/4).Printed on antique paper from an old volume. Signed and annotated 'imp' in pencil. An extremely rare unredorded state. $250.

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Rainy Night, Charing Cross Shops. 1903. Etching. Wuerth 274. 10 7/8 x 8 3/8 (sheet 12 3/4 x9 1/2). Edition probably 100. Printed on antique French laid paper. A rich dark proof, printed by the artist and touched with watercolor in several of the lights. Signed and annotated 'imp' in pencil. $3,500.

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The Shops at Night: Changing Shifts. 1916. Lithograph. Wuerth 450. 15 3/4 x 20 3/4 (sheet 19 x 24 3/4. Series: The War Work in England. Edition 50. A rich impression printed on ivory laid paper. Signed in pencil $750.

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Song of the Search Lights (London in War Time). 1920. Resin aquatint. Wuerth 687. 4 x 6 7/8. Printed by the artist on cream wove paper. Signed and annotated 'imp' in pencil. Illustrated: Pennell, Etchers and Etching, 1920. $2,000.

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St. Bartholomew's Gate. 1907. Etching. Wuerth 448. 9 3/8 x 8 1/2 (sheet 12 1/2 x 10 7/16). Edition probably 75. A subtle impression with plate tone, printed on cream laid paper from an antique volume. Printed by the artist. Signed and annotated 'imp' in pencil. $325.

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St. Paul's from Bankside. 1905. Etching. Wuerth 393. 9 3/8 x 12 1/2 (sheet 10 x 14 3/4). Edition c. 50. A rich impression printed on laid paper from an antique volume. Printed by the artist. Signed and annotated 'imp' in pencil. $750.

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The Thames from Richmond Hill. 1903. Etching. Wuerth 276. 7 7/8 x 9 7/8 (sheet 8 1/2 x 13 1/8). Edition probably 35. A rich impression printed by the artist on cream laid paper from an antique French volume. Signed and annotated 'imp' in pencil. $550.

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Under Cannon St. Station. 1904. Etching. Wuerth 309. 8 1/2 x 11 (sheet 9 7/8 x 14 1/2). Trial proof before the edition of approximately 25. Printed on cream laid paper from an antique volume with the page number '450' in ink in the right-hand margin. Excellent condition apart from a rust spot from iron in the paper, top center, outside the image. Signed and annotated 'imp' and 'trial proof' and titled 'Under Charing Cross' in Pennell's hand. A rich impression of this very rare image, printed by the artist, and especially interesting for the difference in Pennell's and Wuerth's titles. $650.

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The Underground Station. 1893. Etching. Wuerth 167. 10 1/8 x 4 1/2 (sheet 12 1/8 x 14 3/4). Series: Easter Set, #17. Trial proof before the edition of 15. Printed on cream laid paper. Signed, dated and annotated 'trial proof' in Pennell's hand. A rich impression of this extremely rare image. $975.

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Waterloo Bridge. 1893. Etching. Wuerth 160. 6 1/2 x 9 1/2 (sheet 8 7/8 x 11 1/8). Edition probably 30. Series: Easter Set, #19. A rich impression with selective plate tone pinted on antique cream laid paper. Signed in Pennell's pencil. A rich impression of this extremely rare image. $975.

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Whitehall Court. 1903. Etching. Wuerth 275. 10 1/2 x 8(sheet 12 5/8 x 8 7/8). Edition 12. A rich impression printed on antique blue/green laid paper, probably from France. Printed by the artist. Signed, titled 'Whitehall Court -- with the lights of Charing Cross Bridge' , '12 printed' and annotated 'imp' in pencil. A unique proof with white watercolor highlights in the lights on the bridge and the reflections in the water. $3,500.

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Wren's City. 1909. Mezzotint. Wuerth 504. 10 x 11 7/8 (sheet 12 3/8 x 14 3/8). Printed on laid wove paper. A rich impression printed by the artist. Signed and anotated 'imp' in pencil. $4,500.

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Europe: France, Greece, Italy and Spain

France

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Café in Bois, Paris. 1893. Etching. Wuerth 194. 2 3/8 x 6 1/4 (sheet 3 7/8 x 7 1/4). Edition probably 5 proofs. Vertical printing fold near the right-hand margin. A fine impression with plate tone printed by the artist on cream laid paper. Signed, titled 'Café on the Bois' and annotated 'imp' in pencil. An exceptionally rare image. $300.

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Flower and Butter Market, Rouen. 1907. Etching. Wuerth 463. 11 x 8 5/8 (sheet 14 1/4 x 10). Edition probably 75. A fine impression printed by the artist on laid paper. Signed and annotated 'imp' in pencil. $300.

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Rouen from Bon Secours. 1907. Etching. Wuerth 464. 7 7/8 x 12 1/2 (sheet x 15 5/8). Edition probably 90. A glowing impression, printed by the artist on laid paper. Signed and annotated 'imp' in pencil. $350.

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South Door, Beauvais. 1907. Etching. Wuerth 472. 11 x 8. Edition probably 35. Laid down onto mat board. A rich impression with plate tone, printed by the artist. Signed and annotated 'imp' in pencil. $200.

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The West Front, Amiens. 1907. Etching. Wuerth 482. 11 7/8 x 8 3/4 (sheet 12 7/8 x 15 5/8). Edition probably 35. A rich impression, printed by the artist on antique laid paper. Signed and annotated 'imp' in pencil. $400.

Greece

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The Façade of the Pantheon. Sunset. 1913. Lithograph. Wuerth 333. 16 1/8 x 21 1/4 (sheet 18 1/8 x 24 1/4 ). Series: Pictures in the Land of the Temples #27. Edition 20. A fine impression printed on the full sheet of 'INCRES PMF (ITALIA)' laid paper. Signed in pencil. $1,750.

Italy

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The New Bay of Baiae. 1913. Lithograph. W 372. 16 1/2 x 21 5/8. Series: Carrara, the Marble City. Edition 25. First plate issued by the Senefelder Club, London. Collector' seal: Heinrich Stinnes. $750.

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Rebuilding the Campanile. No II. 1911. Etching. Wuerth 621. 9 5/8 x 12 1/2 (sheet 11 x 15 1/16). Edition probably 50. A fine impression, on cream paper from an antique volume. Printed by the artist. Signed, titled 'Rebuilding the Campanile, Venice' and annotated 'imp' in pencil in pencil. $750.

Spain

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The Bridge of Alcantara, Toledo. 1904. Etching. Wuerth 322. 10 x 7 7/8 (sheet 12 1/4 x 9 1/8). Edition probably 25 pencil-signed proofs, and an unsigned edition published in 1909 by Gesellschaft fur Vervielfaltigunde Kunst. Plate destroyed.A rich subtle proof on fine laid paper. Signed in pencil. $375.

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Allinson Gallery Index.

American Fine Prints.

Watercolors.

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