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William Walcot, R.E. 1874-1943.

Click on the images for larger screens. The large image files are hyperlinked.

America: New York.

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Battery Park, New York. 1923. Etching with drypoint and aquatint. Dickins 84. 5 5/8 x 5 3/4 (sheet 9 3/4 x 11). New York set #2. A fine impression printed on white paper with an 'A.O. & H.W. D., Inc NEW YORK' countermark. Signed in pencil. $975.

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Brooklyn Bridge, New York (small plate). 1923. Etching with drypoint and aquatint. Dickins 86. 8 1/2 x 10 (sheet 12 1/4 x 16).Edition 375. New York set #4. A fine impression printed on white paper with an 'A.O. & H.W D. Inc. NEW YORK' countermark. Signed in pencil. $1,250.

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Brooklyn Bridge, New York (large plate). c. 1925. Etching with drypoint and aquatint. Not in Dickins. 11 x 21 (sheet 19 1/8 x 27). Edition 29, #50. A rare proof before the edition of 250 issued by the Fine Art Society, before the plate was stel faced and before some drypoint work in the background skyline, notably on the sckscrapers at the extreme left. A fine impression printed on white Whatman wove paper. Signed in pencil. $2,750. Available housed in a gold and black frame.

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Forty-second Street NY. 1923. Etching with drypoint and aquatint. Dickins 83. 5 x 7 7/16 (sheet 10 1/8 x 12 7/8). New York set #1. Edition 375. A fine impression with plate tone printed on white paper with an 'A.O. & H.W.D. Inc New York' countermark. Signed in pencil. $975.

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Lower Broadway - Downtown New York. 1924. Etching with drypoint and aquatint. Dickins 87. 5 15/16 x 4 5/8 (sheet 10 3/8 x 7 3/4). New York set #5. A fine impression printed on white paper with an 'A.C. & H.W D. Inc. NEW YORK' countermark. Signed in pencil. $975.

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Park Avenue. 1923. Etching with drypoint and aquatint. Dickins 85. 4 3/4 x 7 1/4 (sheet 10 1/4 x 12 1/2). New York set #3. Edition 375. Illustrated: Salaman, Modern Masters of Etching: Walcot. A fine impression with plate tone printed on white paper with an "A.C. & H.W.D. Inc. New York" countermark. Signed in pencil. $975.

United Kingdom: London.

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Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream wove paper. Signed in pencil. $750.

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Chelsea Old Church. 1924. Etching, drypoint and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. $650.

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Loading Barges on the Thames. 1922. Etching with drypoint and aquatint. Dickins 72. 4 5/8 x 13 1/8 (sheet 7 x 13 1/8).Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping, printed on J. Whatman wove paper. Signed in pencil. $500.

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Ludgate Hill. 1921. Etching, aquatint and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. $675.

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Marsham Street, Westminster. 1936. Etching and aquatint. Subsequent to Dickins. 6 7/8 x 9 7/8 (sheet 10 3/4 x 14 9/16). Commissioned by Sir Valentine Crittall for Christmas. A fine proof with tonal wiping, printed on cream wove paper. Signed in pencil. $975.

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The Mersey. 1922. Etching and drypoint. Dickins 76. 4 3/4 x 13 1/88 (sheet 9 3/8 x 15 7/16). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping printed on ''J WHA[TMAN] cream wove paper. Signed in pencil. $550.

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The National Gallery & St. Martin's-in-the-Fields. Etching and drypoint. Subsequent to Dickins. 4 1/16 x 6 3/48 (sheet 8 3/4 x 10 1/4). A fine proof with tonal wiping, printed on 'J Whatman' cream wove paper. Signed in pencil. $650.

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Regent Street - the Quadrant. 1917. Etching, drypoint and aquatint. 3 7/8 x 4 15/16 (sheet 9 3/4 x 12 2/8).Edition 126. A fine proof with tonal wiping, printed on 'F.J.Head & Co' cream wove paper. Signed in pencil. $650.

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The Thames - Pool of London. c. 1920. Etching and drypoint. 5 7/8 x 11 7/8 (sheet 10 1/4x 16). Edition about 100. A fine proof with tonal wiping, printed on cream wove paper. Signed in pencil. $725.

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Portland Place. c.1925. Etching and drypoint. Dickins 194. 6 x 9 3/8 (sheet 8 7/8 x 13). A fine proof with plate tone, printed on cream wove paper. The RIBA, Architectural Association headquarters is in the backgroung). Signed in pencil. $600.

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The Thames from Waterloo Bridge. 1913. Etching. Dickins 12. 3 3/4 x 7 1/16 (sheet 7 x 10 15/16). Edition 100. A fine proof with tonal wiping, printed on cream wove paper. Signed in pencil. $600.

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Whitehall -- with the Cenotaph. 1924 Etching with aquatint and drypoint. Dickins 88. 4 3/8 x 5 7/8 (sheet 9 3/8 x 12 1/2). A fine proof printed on cream wove paper with full margins. Signed in pencil. $600.

United Kingdom: Northern Britain

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Glasgow -- on the Clyde. 1922. Etching with drypoint and aquatint. Dickins 75. 3 7/8 x 10 1/2 (sheet 5 5/8 x 11 7/8). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping, printed on J. Whatman wove paper. Signed in pencil. $500.

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The Forth Bridge 1922. Etching and drypoint. Dickins 74. 4 x 10 3/4 (sheet 9 3/4 x 12 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping printed on 'HANDMADE JWH[ATMAN]cream wove paper. Signed in pencil. $500.

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The Forth Bridge, Firth of Forth. c. 1920. Drypoint. Dickins 50. 5 5/8 x 8 1/16 (sheet 7 1/2 x 12 5/8). A rare, early trial proof, before additional drypoint work on the bridge arches, warships and buildings, and before the barrage balloons in the sky were added. Proof before the edition of 100 published by H.C.Dickins. Printed on cream laid paper. Initialed by the artist in pencil; annotated 'Not for sale' in another hand. $750.

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The Tyne. 1922. Etching and drypoint. Dickins 73. 5 7/8 x 7 7/8 (sheet 9 3/4 x 12 1/2). Series: The Arteries of Great Britain. Edition 425. A fine proof with tonal wiping, printed on cream wove paper. Signed in pencil. $550.

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York Minster -- the West Front. 1923. Drypoint. Dickins 78. 5 7/16 x 7 3/8 (sheet 9 5/8 x 12 3/4). Edition 275. A fine proof printed on cream wove paper on the full sheet with deckle edges. Signed in pencil. $500.

France, Spain and Italy

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Arc San Carlo, Naples. 1921. Etching and drypoint. Dickins 70. 6 3/4 x 6 5/8 (sheet 14 1/8 x 10). Editon 400. A fine impression with plate tone printed in black/brown ink on white wove paper. Blindstamp: the Rose collection. Signed in pencil. $600.

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Café de la Paix, place de l'Opéra, Paris. 1913. Etching. Dickins 24. 2 13/16 x 4 (sheet 10 x 8 7/8). Edition 72. A fine impression with plate tone printed in black-brown ink on off-white wove paper. Signed in pencil. $950.

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The Piazza San Marco 1920. Etching with drypoint and aquatint. Dickins 66. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. $500.

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Segovia Bridge, Madrid. 1924. Etching. Harvey-Lee 128. 5 3/4 x 13 11/16 (sheet 10 3/4 x 17 3/4). Edition 74. Printed on 'J Whatman' cream wove paper. Signed in pencil.

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Giudecca No. 2, Venice. 1913. Etching. Dickins 14. 4 3/16 x 7 9/16 (sheet 7 5/8 x 10 5/8). Editon 115. A fine impression with plate tone printed on white wove paper. Signed in pencil. $850.

Historical and Eastern Images

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Anthony in Egypt (No, 1) (A Visit to Cleopatra). 1913. Etching with drypoint and aquatint. Dickins 17. 23 3/4 x 18 1/4 (sheet 29 x 25). Edition 50. Printed on cream wove paper laid onto a supporting board. A fine impression of this rare image. Signed in pencil. $1,750.

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La Bacchante et le jeune Faune. c. 1911. Etching with drypoint and aquatint. Dickins 12. 7 1/2 x 8 3/8 (sheet 11 x 16 1/8). No published edition. Printed with plate tone on 'FJ Head' cream laid paper. A rich impression of this rare early image. Signed in pencil. $750.

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The First Wooden Temple of Jupiter or Restoration of one of the first Temples of Jupiter Capitolinus, Rome. 1918. Etching, aquatint and drypoint. Dickins 47. 5 1/8 x 7 1/8 (sheet 9 3/16 x 11 5/8). Edition 100. A rich impression printed on white wove paper. Deaccession stamp verso: White Art Museum Duplicate. Signed in pencil. $750.

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The Pageant of Ludlow: The British Chief Caractacus, a Prisoner Before the Roman General Osterius in 50 AD. 1934. Etching, aquatint and drypoint. 7 3/4 x 9 1/4 (sheet 14 3/8 x 14 3/8). Printed in brown ink on white wove paper. Unobtrusive foxing. Signed in pencil. $500

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The Temple of Baal. 1918. Etching, aquatint and drypoint. Dickins 72. 8 5/8 x 13 1/8 (sheet 11 x 17 1/2). A fine impression printed on warm white J. Whatman wove paper. Signed in pencil. $750

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British Fine Prints.

Allinson Gallery Index.

To order, for more information or to be placed on the email list, contact Jane Allinson (jane@allinsongallery.com).