x342053a.gif - 1861 Bytes

Srule10.gif - 377 Bytes

Sir David Young Cameron, R.A., R.S.A.,R.W.S, R.E. 1865-1945.

Click on the images for larger screens.

All works are signed in pencil unless indicated otherwise.

Reference Book

Frank Rinder. D. Y. Cameron An Illustrated Catalogue of His Etched Work. James Maclehose & Sons, Glasgow, 1912. 26 x 20 cm 259 pp with 434 black & white illustrations. Deluxe edition of 200, #96, printed on are on hand-made paper, with proofs of the illustrations on Japanese vellum. Each of these two hundred copies has, as frontispiece, an original pencil-signed etching, The Lion and the Unicorn. $650.

Scotland

Castle Moyle. 1932. Drypoint. Rinder 497.iii. 6 7/8 x 10 7/8 (sheet 11 3/8 x 7). Edition 220. A rich impression with plate tone, printed on cream laid paper with deckle edges on two sides. Collector's seal verso of the famous Philadelphia collector, Charles J. Rosenbloom (Lugt 633b). Signed in pencil. $350.

castleurq1.jpg - 6411 Bytes

Castle Urquhart. 1929. Drypoint with etching. Rinder 484.v. Edition about 85. 9 1/4 x 16 1/2 (13 x 19 1/8). A fine impression with drypoint burr, printed on cream wove paper. Signed in pencil. $450.

clyde1.jpg - 6423 Bytes

The Clyde at Symington. 1889. Etching. Rinder 32. 4 1/2 x 8 15/16 (sheet 8 5/16 x 13 3/8). A rich impression printed on white laid paper from an old volume. Signed by Cameron AND the printer, Frederick Goulding. Goulding was the master printer in the UK. At the time, his signature was often valued more than the artist's signature. $300.

glenorchyimage1.jpg - 6670 Bytesglenorchyframe1.jpg - 7126 Bytes

Glen Orchy. c. 1925. Watercolor, pencil and conte crayon on paper. 9 1/4 x 13 (sheet 10 3/8 x 13 1/4). Ex-collection L.G. Duke,purchased at Sotheby's, London '10.12.70'. Mat line; otherwise good condition. Signed and titled in pencil, lower right. Housed in a French mat within subtle wood and gold leaf 18 5/8 x 22-inch frame. $2,250.

kincardine1.jpg - 5387 Bytes

Kincardine. 1914. Etching. Rinder 454.vii. 6 7/8 x 12 1/2 (sheet 6 9/16 x 13 7/8). Edition about 60. Exhibited: Society of Twelve, 1916, No. 90; Victoria and Albert Museum; Glasgow; New York. A rich impression with subtle plate tone printed on antique '1807 H SALMON' countermarked laid paper. Signed in pencil. $325.

nithsdale1.jpg - 5828 Bytes

Nithsdale. 1911. Drypoint. Rinder 435.iv. 6 x 12 1/2 (sheet 8 x 13 3/8). Edition about 50. Printed with plate tone on off-white laid paper. Signed in pencil. $325.

poolfirthimage1.jpg - 6596 Bytes

The Pool (Firth). August 1, 1921. Conte crayon drawing on tan paper. 9 x 8 (sheet 11 x 10 1/8). The artist sketching underneath the trees in the upper right third of the image is possibly Cameron himself. Signed in conte crayon, upper right; annotated 'Firth Augt 1/21'. $2,250.

robertlee1.JPG - 4303 Bytes

Robert Lee's Workshop. 1905. Etching and drypoint. Rinder 375.i/iii. 11 7/8 x 8 5/8 (sheet 12 3/8 x 9 ). Illustrated: Salamana, Modern Masters of Etching. Printed on Japanese mulberry paper with small margins with carefully-wiped plate tone and drypoint burr. A superb impression of this extremely rare state. Signed in pencil. $1,500.

vagrants1.jpg - 5903 Bytes

The Three Vagrants. 1892. Etching. R 149. 5 x 6 1/8 (sheet 5 3/8 x 6 1/8). Edition 10. Printed on cream laid paper, trimmed to the plate on three sides. Exhibited: Painter-Etchers, 1893. A fine impression of this extremely rare early image. Signed and titled in pencil. $300.

workshop1.JPG - 3628 Bytes

The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369.ii/iv. 8 3/16 x 12 (sheet 8 5/16 x 12).No published edition. A rich impression with drypoint burr printed on very fine laid paper. Trimmed to the plate along three sides, à la Whistler. A rare state of this very scarce work. Signed in pencil. $1,250.

England

admiralty1.jpg - 6831 Bytes

The Admiralty. 1899. Etching. Rinder 301. 4 1/2 x 4 3/16 (sheet 5 1/2 x 5 3/16). London set, #5. Edition of 35 sets, with a few individual proofs apart from the set. A rich impression printed on cream laid paper. Signed in pencil. $350.

camaqu1.gif - 3570 Bytes

Aquamanile. 1913. Etching and drypoint. Rinder 441.iii. 10 5/8 x 9 1/2. Edition about 50. Illustrated: Hind, The Etchings of D.Y. Cameron. An aquamanile is a water vessel. This image is modeled after a fourteenth-century brass said to come from Hereford Cathedral. Signed in pencil. $250.

fivesisters1.jpg - 6501 Bytes

The Five Sisters, York Minster. 1907. Etching and drypoint. Rinder 397.iii/iv. 15 3/8 x 7 1/8 (sheet 16 x 7 1/2) . Edition 30. A very rich impression printed on fine Japanese mulberry paper. A rich, glowing impression with drypoint burr and plate tone. Signed in pencil. This is Cameron's most famous architectural etching. Rinder writes, ", p.217, "This, perhaps the loveliest of the great English windows, is also more than any other a subject for the etcher, as its beauty is less than that of jewel colour, than of a light-interpenetrated design." An extremely rare work. $9,500.

newgate1.jpg - 6793 Bytes

Newgate. 1899. Etching. Rinder 300.ii/iii. 6 3/16 x 4 7/8 (sheet 7 9/16 x 5 7/8). Series: London set, #11. Illustrated: Salaman, Modern Masters of Etching. Printed with plate tone on off-white laid paper. Signed in pencil. $450.

oldbridge1.jpg - 6217 Bytes

Old Bridge, Whitby. 1908. Drypoint. Rinder 403.iii. 7 7/8 x 12 1/2 (sheet 9 x 13 1/2). Edition 21. Printed with rich drypoint burr and plate tone on Japanese mulberry paper. A glowing impression of this extremely rare image. Signed in pencil. $350.

stgeorge1.jpg - 8439 Bytes

St. George's, Hanover Square. 1899. Etching. Rinder 301. 4 1/2 x 4 3/16 (sheet 5 1/2 x 5 3/16). London set, #12. Edition of 35 sets, with a few individual proofs apart from the set. A rich impression printed on cream laid paper. Signed in pencil. $350.

Belgium

belfry1.jpg - 5742 Bytes

The Belfry of Bruges. 1907. Etching and drypoint. Rinder 392.ii. 14 15/16 x 5 9/32 (sheet 16 1/4 x 7). Belgian set #6. Edition 63. A rich, glowing impression with burr, printed on fine laid paper. Printed on the full sheet with deckle edges. Signed in pencil. $450.

damme1.jpg - 6744 Bytes

Damme. 1907. Etching and drypoint. Rinder 391.iii. 10 1/8 x 7 13/32 (sheet 162 1/4 x 9). Belgian set #5. Edition 63. Illustrated: The Studio Volume 44 (1908): 92; W.P. Robins, The Etching Craft London, Bookman's Journal & Print Collector, 1922. A rich, glowing impression with burr, printed on Japanese mulberry paper on the full sheet with deckle edges. Signed in pencil. $500.

oldlaroche1.jpg - 8190 Bytes

Old La Roche. 1907. Etching and drypoint. Rinder 393.iii. 8 1/2 x 10 (sheet 10 5/16 x 11 1/16). Belgian set #7. Edition 63. A rich, glowing impression with burr, printed on Japanese mulberry paper. Printed on the full sheet with deckle edges.Signed in pencil. $550

ypres1.jpg - 5292 Bytes

Ypres II [Belgium]. c. 1910-1914. Charcoal and watercolor. 9 x 12 (sheet 9 1/16 x 13 3/4). Signed in pencil. $1,950.

France

beauvais1.jpg - 7391 Bytes

Beauvais. 1910. Etching and drypoint. Rinder 412.iii/iii. 10 1/8 x 8 1/8 (sheet 12 1/8 x 9 5/16). Edition 39. A rich impression with drypoint burr printed on Japanese mulberry paper. Signed pencil. $275.

chimera1.jpg - 9251 Bytes

The Chimera of Amiens. 1910. Drypoint. Rinder 415.vii. 9 9/16 x 7 3/16. Illustrated: Guichard, British Etchers, 1850-1940; Lumsden, The Art of Etching; Salaman, Modern Masters of Etching: D.Y. Cameron; Hind, The Etchings of D.Y. Cameron; Calloway, English Prints for the Collector, p. 179. Signed in pencil. $1,250.

oldmuseumbeauvaisimage1.jpg - 6398 Bytes

Old Museum, Beauvais. 1917. Etching and drypoint. Rinder 467.iii. 6 7/8 x 12 1/4 (sheet 8 3/16 x 13 1/16). Edition about 6o.Of these, 36 were sent to New York, the gross proceeds being a gift from the artist tothe Artists' General Benevolent Fund. A rich, glowing impression with burr, printed on antique laid paper with a Pro Patria watermark. Illustrated: Print Collector's Quarterly 14 (1924): 61. Printed on the full sheet with deckle edges. Signed in pencil. $275.

rue1.jpg - 7034 Bytes

Rue Saint Julien le Pauvre. 1904. Etching and drypoint. Rinder 366.ii/v. 8 3/16 x 6 1/2 (sheet 9 x 7). Paris Set, #6. The Paris Set consisted of 6 images, printed in an edition of 35, with some additional impressions. Repaired paper loss from a hinge, top right, outside the image. Printed with plate tone on off-white laid paper. A very rich impression of this scarce image. Signed in pencil. $275.

wingless1.jpg - 6648 Bytes

The Wingless Chimera. 1911. Drypoint. Rinder 416.viii. 7 19/32 x 9 13/32. A rich impression with drypoint burr and plate tone printed on Japanese mulberry paper. Exhibited at the Royal Academy in 1911. Signed in pencil. The chimera sits on the neighboring buttress on Amiens Cathedral in Cameron's drypoint, The Chimera of Amiens Rinder 415. $750.

Italy

doges1.JPG - 4595 Bytes

The Doge's Palace. 1902. Etching with drypoint. Rinder 326.ii. 9 7/8 x 15 3/4. A rich impression with burr and plate tone, printed on fine laid paper. Signed in pencil. $2,500.

palazzodario1.JPG - 4688 Bytes

The Palace Doorway (Palace of Joannis Darius).1895. Etching. Rinder 225. 9 3/8 x 15 (sheet 11 x 14 1/8). North Italian Set, #22. A rich impression with burr and plate tone, printed on off-white laid paper. Signed in pencil. $1,750.

The East

mosque1.JPG - 3927 Bytes

Mosque Doorway. 1910. Etching and drypoint. Rinder 413.iv. Edition 42. 16 1/4 x 8 (sheet 17 5/8 x 9 1/4). A rich impression with drypoint burr and plate tone, printed on antique laid paper. This is a very rare image. Signed in pencil. $650.

streetincairo1.jpg - 7208 Bytes

Street in Cairo. 1910. Etching and drypoint. Rinder 414.v/v. No edition size is stated. 14 3/16 x 8 15/16 (sheet 15 1/2 x 10 5/8). Illustrated: Guichard, British Etchers: 1850-1940. A rich impression with drypoint burr and plate tone, printed on Japanese mulberry paper. This is a very rare image. Signed and titled 'Street Scene Cairo' in pencil. $500.

turkish1.jpg - 6845 Bytes

The Turkish Fort. 1909. Etching and drypoint. Rinder 409. 5 1/2 x 10 3/8. The fort is on the Mokaltam Hills, near Cairo. Signed in pencil. $275.

Srule10.gif - 377 Bytes

Scottish painter, etcher, and draughtsman, born in Glasgow, the son of a clergyman. He abandoned brief unhappy careers in commerce and law to study at *Glasgow School of Art and the Royal Scottish Academy in Edinburgh. Most of his work consisted of landscapes (especially scenes of mountains) and architectural views, and he is best known for his etchings of buildings, including Gothic churches on the Continentórich and sombre works with which he established a reputation as one of the outstanding printmakers of the day.

Srule10.gif - 377 Bytes

Allinson Gallery Index.

British Fine Prints.

Watercolors.

To order, to report broken links, or to be placed on the email list, call contact Jane Allinson (jane@allinsongallery.com) or fax (860) 429-2825.