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Sir David Young Cameron, R.A., R.S.A.,R.W.S, R.E. 1865-1945.

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All works are signed in pencil unless indicated otherwise.

Reference Book

Frank Rinder. D. Y. Cameron An Illustrated Catalogue of His Etched Work. James Maclehose & Sons, Glasgow, 1912. 26 x 20 cm 259 pp with 434 black & white illustrations. Deluxe edition of 200, #96, printed on are on hand-made paper, with proofs of the illustrations on Japanese vellum. Each of these two hundred copies has, as frontispiece, an original pencil-signed etching, The Lion and the Unicorn. $650.


Ben Lomond. 1923. Etching and drypoint. Rinder 468.v/vi. 10 3/8 x 16 (sheet 11 1/2 x 17). Edition about 80. Illustrated: Salaman, Modern Masters of Etching; Print Collector's Quarterly 11 (1923): 63; American Magazine of Art (August, 1929); Guichard, British Etchers: 1850-1940. A rich, tonal impression with drypoint burr, printed on tissue-thin laid paper. A rich impression with drypoint burr. Signed in pencil. Housed in a period gold frame. $2,000.

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The Clyde at Symington. 1889. Etching. Rinder 32. 4 1/2 x 8 15/16 (sheet 8 5/16 x 13 3/8). A rich impression printed on white laid paper from an old volume. Signed by Cameron and the printer, Frederick Goulding. Goulding was the master printer in the UK. At the time, his signature was often valued more than the artist's signature. $275.

Culzean Castle. 1889. Etching. Rinder 48.11 5 13/16 x 9 (sheet 8 1/4 x 13 1/8). Series: The Clyde Set, #19. A fine impression with plate tone on watermarked laid paper. Printed by Goulding. Signed in pencil by Goulding and by Cameron. $325.

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Glen Orchy. c. 1925. Watercolor, pencil and conte crayon on paper. 9 1/4 x 13 (sheet 10 3/8 x 13 1/4). Ex-collection L.G. Duke,purchased at Sotheby's, London '10.12.70'. Mat line; otherwise good condition. Signed and titled in pencil, lower right. Housed in a French mat within subtle wood and gold leaf 18 5/8 x 22-inch frame. $2,250.

Murthley on the Tay. 1905. Etching and drypoint. Rinder 276.i/i3 3/4 x 10 (sheet 5 x 11 3/8). No edition size -- small printing. Exhibited at the Society of Twelve in 1905, No. 88 and at Budapest. A rich impression with plate tone, printed on cream laid paper. Signed in pencil. $275.

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Robert Lee's Workshop. 1905. Etching and drypoint. Rinder 375.i/iii. 11 7/8 x 8 5/8 (sheet 12 3/8 x 9 ). Illustrated: Salamana, Modern Masters of Etching. Frederick Keppel Gallery & Co. Gallery label. Printed on Japanese mulberry paper with small margins with carefully-wiped plate tone and drypoint burr. Unobtrusive 1/4-inch circular stain in the top right-hand corner; otherwise excellent original condition. A superb impression of this extremely rare first state before the added lines in the foreground. Signed in pencil. $975.

The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369.ii/iv. 8 3/16 x 12 (sheet 8 5/16 x 12).No published edition. A rich impression with drypoint burr printed on very fine laid paper. Trimmed to the plate along three sides, à la Whistler. A rare state of this very scarce work. Signed in pencil. $975.


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Damme. 1907. Etching and drypoint. Rinder 391.iii. 10 1/8 x 7 13/32 (sheet 16 1/4 x 9). Belgian set #5. Edition 63. Illustrated: The Studio Volume 44 (1908): 92; W.P. Robins, The Etching Craft London, Bookman's Journal & Print Collector, 1922. A rich, glowing impression with burr, printed on Japanese mulberry paper on the full sheet with deckle edges. Signed in pencil. $500.

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Old La Roche. 1907. Etching and drypoint. Rinder 393.iii. 8 1/2 x 10 (sheet 10 5/16 x 11 1/16). Belgian set #7. Edition 63. A rich, glowing impression with burr, printed on Japanese mulberry paper. Printed on the full sheet with deckle edges.Signed in pencil. $550

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Ypres II [Belgium]. c. 1910-1914. Charcoal and watercolor. 9 x 12 (sheet 9 1/16 x 13 3/4). Signed in pencil. $1,950.

France and Italy

Rue Saint Julien le Pauvre. 1904. Etching and drypoint. Rinder 366.ii/v. 8 3/16 x 6 1/2 (sheet 9 x 7). Paris Set, #6. TThe Paris Set consisted of 6 images, printed in an edition of 35, with some additional impressions. Repaired paper loss from a hinge, top right, outside the image. Printed with plate tone on off-white laid paper. A very rich impression of this scarce image. Signed in pencil. $450.

Thermae of Caracalla. 1923. Etching. Rinder 470.iii. 11 x 1615/16 (sheet 12 3/16 x 18 3/4). Edition about 70. Illustrated: Print Collector's Quarterly (1924): 67; Salaman, Modern Masters of Etching; Lumsden, The Art of Etching. Signed in pencil. Collector's seal, 'NG' lower right from the extensive collection of Neal Greene (not in Lugt). Signed in pencil. A glowing impression printed cream laid paper. Signed in pencil. $950.

The East

The Turkish Fort. 1909. Etching and drypoint. Rinder 409. 5 1/2 x 10 3/8. The fort is on the Mokaltam Hills, near Cairo. Signed in pencil. $275.

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Scottish painter, etcher, and draughtsman, born in Glasgow, the son of a clergyman. He abandoned brief unhappy careers in commerce and law to study at *Glasgow School of Art and the Royal Scottish Academy in Edinburgh. Most of his work consisted of landscapes (especially scenes of mountains) and architectural views, and he is best known for his etchings of buildings, including Gothic churches on the Continent—rich and sombre works with which he established a reputation as one of the outstanding printmakers of the day.

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Allinson Gallery Index.

British Fine Prints.


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