x342053a.gif - 1861 Bytes

Srule10.gif - 377 Bytes

Sir Francis Seymour Haden, R.A., P.R.E. 1818-1910.

Click on the images for larger screens.

battersea1.jpg - 6796 Bytes

Battersea Reach. 1863. Etching and drypoint. Schneiderman 48.iv/xii. 6 x 8 7/8 (sheet 7 5/16 x 10 1/4). As published in the Gazette des Beaux-Arts, XVII, 1864. Illustrated: Guichard, British Etchers, 1850-1940. A rich impression printed on cream laid paper. Signed, dated and annotated 'Old Chelsea Out of Whistler's window' in the plate. $650.

agamemnon1.JPG - 4184 Bytes

Breaking up of the Agamemnon, No 1. 1840. Etching and drypoint. Schneiderman 133.viii/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on cream laid paper. Signed in pencil. $1,750.

earlyamundes1.jpg - 6247 Bytes earlyamiii1.jpg - 6249 Bytes
between ii-iii
iii

Early Morning, Richmond Park. 1859. Etching. Schneiderman 25. Undescribed proof between ii and iii, before the bird in the sky, As published in Études à l'Eauforte. 4 3/8 x 10 7/8 (sheet 10 x 15 3/8). Illustrated: Keppel. The Golden Age of Engraving. An extremely strong, well-inked impression. Printed on simili-Japon paper with full margins . Mild time tone within the mat window area. Provenance: Kennedy Galleries. Inscribed in the plate, The Lark at Heaven's gate sings and To Dashaon the tree trunk on the right. Haden's wife, Dasha, was Whistler's sister. Signed in pencil. A very rare state of this dramatic image. $975.

Another proof, Early Morning, Richmond Park. 1859. Etching. Schneiderman 25.iii.publication in Études à l'Eauforte. 4 3/8 x 10 7/8 (sheet 7 x 13). Illustrated: Keppel. The Golden Age of Engraving. An extremely strong, well-inked impression. Printed on fine wove paper. Very fain mat line; otherwise fine condition. Inscribed in the plate, The Lark at Heaven's gate sings and To Dashaon the tree trunk on the right. Haden's wife, Dasha, was Whistler's sister. A rich impression Signed in pencil. $775.

eghamvit.jpg - 5966 Bytes eglock1.JPG - 4174 Bytes
vi
viii

Egham. 1859. Etching and drypoint. Schneiderman 20. vi/x. 4 15/16 x 7 15/16 (sheet 6 5/8 x 9 3/8). As published in Études à l'eau forte, Number 12. A rich impression with burr, printed on off-white laid paper. One iron oxide spot, inherent in the paper; otherwise excellent condition. Signed in reverse in the plate. $325.

Egham. 1859. Etching and drypoint. Schneiderman 20. viii/x. 4 15/16 x 7 15/16 (sheet 7 13/16 x 10 9/16). Printed on vellum. Signed in pencil. Foxing in the margins; otherwise excellent condition. $550.

erith1.jpg - 5635 Bytes

Erith Marshes. 1865. Etching. Schneiderman 104.ii/vi. 9 7/16 x 15 (sheet 12 5/16 x 19 3/4). An extremely strong impression with pronounced etched lines. Prior to the extensive area of rust in the plate and prior to the removal of much etched work in the sky. Printed on heavy cream wove paper with full margins and deckle edges. Mild time toning within the mat window area. Weak lower platemark with three small strips of archival tape for support, verso. Illustrated: Keppel, The Golden Age of Engraving, Salaman, Modern Masters of Etching: Haden. Signed in pencil. $950.

Haden etched this extensive landscape and Yacht Tavern, Erith (see below) in the company of his friend, the famous French painter-etcher, C.F.Daubigny. The image shows the marshes on the north side of the Thames at Purfleet, opposite Erith, a few miles to the east of London. A very rare state of this dramatic image.

grayling1.jpg - 6007 Bytes

Grayling Fishing. 1897. Mezzotint with drypoint. Schneiderman 227.ii/v. 7 1/2 x 11 5/8 (10 x 14 1/8). Excellent condition and impression. A rich impression printed in dark brown ink on white wove paper. Gold Medal winner at the Paris Exposition. Signed in pencil. $1,200.

grim1.jpg - 7608 Bytes

Grim Spain. 1877. Etching. Schneiderman 173.i/ii. 6 X 8 13/16 (sheet 9 5/8 x 12 1/2). A fine impression printed on simili-Japan paper. Printed by Goulding for the Fine Art Society for publication in Frederick Wedmore's Four Masters (London, 1883). Signed and dated in the plate. $475.

kensingtonlarge1.JPG - 4629 Bytes

Kensington Gardens. No. 2 (large plate). 1860. Etching and drypoint. Schneiderman 31.ii/iii. 8 x 5 (sheet 9 3/16 x 5 7/8). Printed with plate tone on off-white laid paper. Signed in pencil. $400.

lancashire1.jpg - 6470 Bytes

A Lancashire River. 1887. Etching. Schneiderman 203. Undescribed proof between vii and viii, with the clouds touching the hills, but before the blindstamp in state viii. 10 7/8 x 15 3/4 (sheet 15 5/16 x 20 1/2). Illustrated: Print Collector's Quarterly 1 (1911): 27. An extremely strong, well-inked impression. Printed on heavy cream wove paper with full margins . Mild time tone within the mat window area. Provenance: Kennedy Galleries. Signed in pencil. $975.

willesley1.JPG - 4897 Bytes

The Mill Wheel. 1874. Etching. Schneiderman 144. iv. 7 x 10 5/16 (9 13/16 x 12 1/4). Printed on cream wove paper with deckle edges. Signed in pencil. $550.

willesley1.JPG - 4897 Bytes

Old Willesley House. 1865. Etching. Schneiderman 92. iii/iv. 6 7/8 x 9 15/16 (10 1/4 x 13 1/2). Printed on cream wove paper. Signed in pencil. $650.

sonning1.jpg - 6236 Bytes

Sonning Bank. 1865. Etching and drypoint. Schneiderman 106.iii/v. 5 5/16 x 8 1/2 (sheet 9 1/4 x 14 5/8). Printed on cream laid paper with full margins. Signed in pencil. $650.

sunset81.jpg - 6644 Bytes sunset13wove1.jpg - 6194 Bytes
viii
xiii

A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman 47.viii/xiv. 5 1/2 x 8 1/2 (sheet 9 3/16 x 13 7/16). Philip Gilbert Hamerton wrote "With the exception of one plate by Claude, this is the finest etching of a landscape subject that has ever been executed in the world." Illustrated: Illustrated: Guichard, British Etchers, 1850-1940; Keppel, The Golden Age of Engraving; Print Collector's Quarterly 1 (1911):20. A rich, glowing impression with drypoint burr, printed on tissue-thin laid paper. Signed in pencil. $1,975.

A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman 47.xiii/xiv. 5 1/2 x 8 1/2 (sheet 8 7/16 x 12 7/8). An extremely rich impression with drypoint burr, printed on cream wove paper with full margins. Glue stains in the outer margins, well outside the image. Signed in pencil. $1,975.

thomas1.jpg - 6603 Bytes

"Thomas Haden of Derby". 1864. Etching and drypoint. Schneiderman 53.ii/v. 13 7/8 x 9 7/16 (sheet 16 1/2 x 11 7/16). Printed with plate tone on cream-colored 'BIV' laid paper. Rubbing from a previous mat in the lower margin, well outside the image; otherwise excellent condition. A fine impression of this scarce early state. Signed and titled in the plate. $550.

twosheep1.JPG - 5024 Bytes

The Two Sheep. 1869. Etching. Schneiderman 132. v/vi. 4 7/16 x 5 15/16 (sheet 5 5/8 x 9). A rich impression with plate tone printed on tan laid paper. Signed in pencil and annotated "Just right or Bon à tirer" (good to print). $450.

wateriv1.JPG - 4075 Bytes waterivb1.JPG - 4010 Bytes
wove paper
laid paper

A Water Meadow. 1859. Etching. Schneiderman 23.iv/v. 6 x 8 7/8 (sheet 8 3/4 x 11 1/16). Illustrated: Keppel The Golden Age of Engraving,Salaman, The Great Painter-Etchers from Rembrandt to Whistler; Illustrated: Salaman, Modern Masters of Etching: Haden. Slightly toned. Printed on cream wove paper. Signed in pencil. $500.

A Water Meadow. 1859. Etching. Schneiderman 23.iv/v. 6 x 8 7/8 (sheet 8 x 10 7/8). Illustrated: Keppel The Golden Age of Engraving,Salaman, The Great Painter-Etchers from Rembrandt to Whistler; Illustrated: Salaman, Modern Masters of Etching: Haden. A rich impression with plate tone printed on 'O.W.L.P. + A.O.L.' laid paper. $500.

whistlershouse1.jpg - 5837 Bytes

Whistler’s House, Old Chelsea. 1863. Etching and drypoint. Schneiderman 50.vii. 6 x 8 7/8 (sheet 7 5/16 x 10 1/4). As published in the Études àà l’eau-forte. A fine impression printed on simili-Japan paper. Hinge stain in the upper margin, well outside the image; otherwise good condition. Haden depicts Whistler’s house, looking towards Cheyne Walk and old Battersea Bridge. Signed, dated and titled in the plate. $650.

windmilllt.JPG - 4079 Bytes

Windmill Hill No. I. 1877. Drypoint. Schneiderman 152.v. 6 x 8 3/4 (sheet 87/8 x 11 1/2). A rich impression with plate tone and drypoint burr, printed on simili-Japon paper with full margins. Invisibly-repaired puncture, upper right. Signed in pencil. $500.

windsor1.jpg - 7864 Bytes

Windsor. 1898. Etching. Schneiderman 186.xii. 13 1/4 X 17 1/2 (sheet 18 5/8 x 23 1/4). Edition of 50 in this state, published by the Fine Art Society. A fine impression printed on cream wove paper with full margins. Signed in pencil. $1,250.

yacht1.jpg - 5690 Bytes

Yacht Tavern, Erith. 1865. Etching. Schneiderman 103.iii/iv. 9 1/2 x 14 3/4 (sheet 11 13/16 x 14 3/8). Illustrated: Print Collector's Quarterly 1 (1911): 18. A rich impression on cream-colored wove paper. Very slight mat burn. Annotated "D[rake] 101" in another hand; signed in pencil by the artist. $850.

Haden etched this extensive landscape and Erith Marshes (see above) in the company of his friend, the famous French painter-etcher, C.F.Daubigny.

Srule10.gif - 377 Bytes

William Strang, R.A., R.E. 1859-1921.

haden1.jpg - 5626 Bytes

Portrait of Sir Francis Seymour Haden. 1883. Etching. 10 7/8 x 6 7/8 (sheet 14 x 9 7/8). As published in English Etchings part 36, with their blindstamp, lower left. A fine impression with plate tone printed on cream wove paper. Signed and dated in the plate. $350.

Srule10.gif - 377 Bytes

Haden.

Allinson Gallery Index.

British Fine Prints.

To order, to report broken links or to be placed on the email list, contact Jane Allinson (jane@allinsongallery.com) or send a fax to (860) 429 2825).