Gertrude Ellen Hayes. born 1872.

Shakespeare's Birthplace, Henley Street, Statford-on-Avon. c. 1910. Etching. 6 9/16 x 11 7/8 (sheet 9 7/8 x 15 9/16). A rich impression printed on fine laid paper mounted onto board for support. Some toning, otherwise in good condition. Signed in pencil. $125

Charles Edward Holloway. 1838-1897.

Click on the image for a larger screen.

Waterloo Bridge. 1894. Lithograph (auto-lithograph). 7 x 10 1/8 (7 7/8 x 11 4/15). As published in The Studio 4 (1894). Signed in the stone. $75.

Eleanor Mary Hughes. 1882-1959.

Etchings

All of these etchings are from the artist's personal collection, which was inherited by her neice, Judith Hughes.

Click on the images for larger screens. The larger pictures are hyperlinked.

The Continent

Aiguille de Varens (large plate). Etching. 10 1/16 x 7 13/16 (sheet 16 x 11 3/16). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $125.

Aiguille de Varennes (small plate). Etching and drypoint. First state. 8 7/8 x 5 7/8 (sheet 12 3/4 x 9 7/8). A fine impression on cream-colored paper counterrmarked Arches France, on the full sheet with deckle edges. Before the additional work on the distant town in the foreground. Stamped signature $100.

Aiguille de Varennes (small plate). Etching and drypoint. Second state. 8 7/8 x 5 7/8 (sheet 12 5/8 x 9 3/4). Printed on the full sheet of laid paper with deckle edges. With additional drypoint in the mountain,the town and the foreground. Stamped signature $100.

England

Avalon House, South Place, Penzance: view from the right. Etching. 3 5/8 x 4 11/16 (sheet 6 1/8 x 6 9/16)). Working proof with pencil additions along the roof line. Printed on wove, watermarked paper with deckle edges on three sides. One foxing spot in the left-hand roof. Tack holes in the margin from drying. Stamped signature. $100.

Avalon House, South Place, Penzance: view from the left. Etching and drypoint. Early proof, before the vertical lines on the white wall, left side and the right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.

Avalon House, South Place, Penzance: view from the left. Etching. Proof with vertical lines on the white wall, left side, and the right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.

Avalon House, South Place, Penzance: view from the left. Etching. Proof with vertical lines on the white wall, left side and hte right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Proof with more plate tone. Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.

Between the Trees. Etching. 10 7/8 x 7 7/8 (sheet 18 1/4 x 11). Printed on the full sheet of watermarked laid paper with deckle edges. Stamped signature. $175.

Chimney Tops. Etching. 7 3/4 x 6 15/16 (sheet 13 3/4 x 9 3/4). Printed on the full sheet of laid, watermarked paper with deckle edges. Stamped signature. $175.

Cottage -- front view. Etching. 3 5/8 x 3 3/8 (sheet 5 1/16 x 5 1/8). Printed on cream-colored laid paper with a partial watermark. A fine impression. Stamped signature. $75.

Cottage -- front view. Etching. 3 5/8 x 3 3/8 (etching sheet 13/16 x 4 5/8; calendar sheet 9 x 7 1/8). The etching is hinged onto a backing board. A sheet of parchment paper is the front mount; a 1937 calendar is affixed to the parchment paper. An orange ribbon, tied in a bow, holds the front and back mount together. Stamped signature. $175.

Cottage -- side view. Etching. 3 1/2 x 4 3/16 (sheet 4 5/8 x 6 1/16). Printed on cream wove paper with deckle edges on three sides. Stamped signature. $75.

Cottage and Barn. Etching. 4 11/16 x 3 5/8 (sheet 10 1/2 x 7 1/4). Printed on the full sheet of laid watermarked paper with deckle edges. Stamped signature. $100.

Cottage and Stonewall. Etching. 6 15/16 x 8 7/8 (sheet 9 1/4 x 12 9/16). Printed on laid, watermarked paper with deckle edges. Stamped signature. $175.

Farmyard from the Stone Wall. Etching. 6 x 7 7/8 (sheet 9 3/16 x 12 11/16). Printed on the full sheet of watermarked laid paper with deckle edges. Stamped signature. $175.

Folly Seen Through the Pine Trees. Etching. 3 1/4 x 3 7/16 (sheet 9 1/4 x 6 13/16). Printed on laid paper with deckle edges. Stamped signature. $100.

Four Trees: Farm in the Distance. Etching. Second state. 5 15/16 x 3 11/16 (sheet 8 1/2 x 8 9/16). A rich impression on cream-colored wove paper with deckle edges on two sides. Stamped signature. $100.

Four Trees: Farm in the Distance. Etching with 1939 calendar affixed to the sheet (12 7/8 x 8 3/4). Stamped signature. $175.

From Below the Farm. Soft-ground etching. 6 13/16 x 4 15/16 (sheet 9 1/4 x 6 5/8). Printed on 'Imitation Steinbach' laid paper. The artist's soft ground etchings are very rare. A frine printing with tonal wiping. Stamped signature. $150.

Landsend (The Cove). Etching. 6 1/4 x 6 1/8 (sheet 12 5/8 x 9 1/4). Printed on the full sheet of laid, watermarked paper with deckle edges. Unique proof touched with watercolour in the top, to the left of the pointed rock. Stamped signature. $175.

Landsend (The Cove). Etching. 6 1/4 x 6 1/8 (sheet 12 5/8 x 9 1/4). Printed on the full sheet of laid, watermarked paper with deckle edges. Annotated "working proof" in the upper left corner. Stamped signature. $150.

Mill Wheel with Sycamore. Etching. 7 7/8 x 5 15/16 (sheet 11 7/16 x 9 1/8). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $150.

Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 3 1/4 x 4 3/8). Three working proofs, printed on cream wove paper. Stamped signature verso. $300 for the set of three:

a. Before the addition of the tree on the left; hint of conte crayon to suggest smoke over the roof, and faint outlines of another tree between the two on the right.

b. Before the addition of the tree on the left; conte crayon over the crees and roof on the left, and faint outlines of another tree branch between the two trees on the right.

c. With the addition of the tree on the left; conte crayon outlines of another tree between the two on the right.

Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 9 3/16 x 6 7/8). Final state with the addition of the tree on the left and an additional branch on the next tree to the right. Printed on the full sheet of pale cream-colored wove paper with deckle edges. Tied to a separate support board with a brown ribbone tied in a bow. Preparatory for a calendar. Stamped signature. $125.

Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 9 1/4 x 6 7/8). Final state with the addition of the tree on the left and an additional branch on the next tree to the right. A 1938 calendar is affixed to the etching sheet. Printed on the full sheet of pale cream-colored wove paper with deckle edges. Tied to a separate support board with a brown ribbon tied in a bow. Stamped signature. $175.

Penzance Church from the Harbour over Dry Dock. Etching. 7 1/2 x 7 1/8 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream laid paper with deckle edges. Stamped signature. $175.

Pollarded Trees. Pencil study for the etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Drawn on cream wove paper of the verso of the etching. $125

Pollarded Trees. Etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Printed on wove paper with deckle edges on two sides; a corner of the paper missing, outside the image. Stamped signature. $125.

Pollarded Trees. Etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Printed on cream wove paper in black ink. Working proof touched with white watercolour. Stamped signature. $125.

Pollarded Trees. Etching. 5 x 4 3/8 (sheet 9 7/84 x 7 5/8). Printed on cream wove paper. Printed on the full sheet of cream wove paper, with deckle edges. Tack holes in the margins from drying. A richly inked impression is brown/black ink. Stamped signature. $125.

Quarry. Etching and drypoint. 6 3/4 x 7 3/4 (sheet 9 1/8 x 12 1/2). Printed on the full sheet of pale cream-colored laid paper with an "F.G. Head & Co." watermark. A rich impression in excellent condition, on the full sheet with deckle edges. Stamped signature. $175.

Rock Faces. Etching. 10 7/8 x 7 7/8 (sheet 16 x 11 5/8). Printed on the full sheet of cream laid paper with deckle edges. Pencil signature. $150.

Rookery. Etching with 1939 calendar affixed to the sheet 3 3/8 x 4 7/8 (sheet 10 7/8 x 8 3/4). Stamped signature. $175.

Sycamore and Rooftops. Etching. 7 7/8 x 5 3/4 (sheet 12 5/8 x 9 1/16). A rich impression on "England" watermarked pale cream-colored laid paper. Printed on the full sheet with deckle edges. Stamped signature. $175.

Tall Trees. Etching. 9 3/4 x 7 3/4 (sheet 13 7/16 x 9 7/8). Printed on the full sheet of cream-colored laid paper with deckle edges on three sides. Stamped signature. $175.

Three Trees. Etching. 4 15/16 x 5 7/8 (sheet 6 1/4 x 10 3/8). Printed on wove paper with deckle edges. Stamped signature. $175.

Trees Overlooking the Cliffs. Etching. 4 5/8 x 5 7/16 (sheet 6 1/8 x 9 5/8). Printed on laid paper with deckle edges. Stamped signature. $175.

Trees Overlooking the Town. Etching. 7 13/16 x 10 7/16 (sheet 10 1/8 x 15 1/2). Printed on the full sheet of laid, watermarked paper with deckle edges. Stamped signature. $225. Another impression annotated "proof" in pencil; stamped signature. $175.

Trees With Two Birds. Etching. 5 15/16 x 6 15/16 (sheet 9 1/16 x 11 7/16). Printed on the full sheet of laid watermarked paper with deckle edges. Stamped signature. $150.

Trewoofe: Old Doorway. 1909. Etching. 2 3/4 x 3 3/8 (sheet 4 3/4 x 5 11/16). Card. Stamped signature. $100.

Windblown Trees. Etching. 3 x 5 3/8 (sheet 5 9/16 x 10 1/4). Printed on wove paper. Stamped signature. $100.

Wood Above the House. Etching. 6 3/4 x 4 7/8 (sheet 9 7/8 x 7 5/8). Printed on laid paper with deckle edges. A extremely rich impression. Annotated verso by the artist, 'Inst[ructions] - put heavy French transport g[round] or 1/2 & 1/2 ground by Blind". Stamped signature. $175.

Woodland Farmyard. Etching and drypoint. First state. 7 7/8 x 5 7/8 (sheet 12 5/8 x 9 11/16). Printed on the full sheet of "Arc[hes]" laid paper with deckle edges. Stamped signature. $175.

Woodland Farmyard. Etching and drypoint. Second state with additional drypoint on the trees and buildings. 7 7/8 x 5 7/8 (sheet 12 11/16 x 9 5/8). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $175.

Charles Samuel Keene, R.E. 1823-1891.

Landscape--Dunwich, Sea to Left. c. 1869-70. Etching. Not mentioned by Béraldi; Chesson 18. 5 1/2 x 6 15/16 (sheet 7 1/4 x 9). Edition 150. From the 1903 posthumous edition Twenty-One Etchings by Charles S. Keene, with an introduction and notes by M.H. Spielmann, plates printed by Frederick Goulding, for the Astolat Press, London. No edition of the prints was published during Keene's lifetime. A rich impression printed on Japanese paper. Initialed in the plate. $175.

Frederick Lord Leighton, 1884-1962.

[Pastoral Landscape with Cows]. 1880. Etching. 4 3/4 x 6 13/16 (sheet 7 3/4 x 10 7/16). Printed with plate tone on simili-Japan paper. Signed in pencil. $95.

William Douglas Macleod. 1892 - 1963.

The Church at Ronda. c. 1932. Etching. 8 13/16 x 11 5/16 (sheet 11 9/16 x 18 3/16). A fine impression with rich plate tone printed on a full sheet of 'Charles I' cream laid paper with deckle edges. Numbered 'XXXII A' in ink. Signed in ink. $175.

[Two Frogs]. c. 1925. Etching and aquatint with watercolor. 6 7/8 x 8 13/16 (sheet 8 7/8 x 9 15/16). Printed on cream wove paper from a book. Unsigned. $75.

William Hugh Canning Montgomerie. Born 1881.

The Dart. c.1920. Drypoint. Brinton 11. 7 1/2 x 12 7/8 (sheet 10 7/8 x 17). A rich impression with plate tone printed on white wove paper. Signed in pencil. $175.

Carton Moorepark. 1877-1956.

[Balloons]. c. 1928. Etching. 8 3/4 x 5 5/8 (sheet 13 7/8 x 9 3/4). Printed on cream laid paper. Slightly toned; otherwise in fine condition. Signed in pencil. $125.

Claude Muncaster, R.W.S. 1903-1974.

Click on the images for larger screens.

Holy Trinity Church, Bardsea. Watercolor on cardboard. 7 3/4 x 9 1/4. Provenance: studio of the artist's father, Olive Hall. Unsigned. $150.

John Alexander Ness, R.E. Died 1931.

Old Town Hall, Dunbar. c. 1910. Etching. 11 x 7 5/8 (sheet 17 1/2 x 11 1/8). A fine impressionprinted with plate tone on cream laid paper with full margins. Signed in pencil. $200.

Palace Doorway, Holyrood. c. 1910. Etching. 11 x 7 1/2 (sheet 17 1/2 x 11). A fine impressionprinted with plate tone on cream simili-Japon paper with full margins. Signed in pencil. $200.

Fred Newman. 20th Century.

Cornhill and the Royal Exchange. c. 1930. Etching. 5 1/4 x 7 1/4 (sheet 8 3/8 x 11). A rich impression with plate tone, printed on cream wove paper. Signed in pencil. $100.

John Nicolson, A.R.E. 1891-1951.

Winter Sunshine. 1927. Etching. 8 5/8 x 7 (sheet 15 1/2 x 10 3/8). Edition 50, #3. Illustrated: Fine Prints of the Year, 1930. A very fine impression with plate tone. Printed on the full sheet of cream laid paper watermarked "England." Signed, titled and numbered in pencil. $125.

James P. Power. Active 1924-1938.

Bovenkerek, Kampen, Overijssel (the Netherlands) c. 1925. Etching. 9 x 11 7/8 (sheet 11 1/4 x 16). A rich impression printedon cream wove paper with full margins. Signed in pencil. $200.

Cathedral of St Sauveur, Bruges, Belgium. c. 1925. Etching. 13 x 9 5/8 (sheet 16 1/2 x 12 3/18). A rich impression printed with plate tone on dark cream wove paper with full margins. Signed in pencil. $200.

Church of Saint Nicholas, Amsterdam. c. 1925. Etching. 10 x 13 7/8 (sheet 12 3/4 x 17 3/16). A rich impression printed with plate tone on cream wove paper with full margins. Signed in pencil. $200.

J.M. Sharpe. Twentieth century.

Wild Field. c. 1940. Lithograph. 6 x 8 (sheet 8 1/4 x 11). Edition 12, #4. A fine impression printed on white wove paper. Signed, titled and numbered in pencil. $75.

Douglas Ian Smart, R.E. 1876-1970.

Click on the images for larger screens.

England

Barge. Blue ink drawing. 4 1/2 x 7. Drawn on cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $95.

Barge Along the Thames. c. 1950. Blue pencil drawing. 5 9/16 x 9 1/16 (sheet 7 3/8 x 11 1/16). Provenance: a collection of Smart etchings, drawings and watercolors. Drawn on cream laid paper. Unsigned. $125.

Boathouse Near Weybridge.(Surrey) Watercolor. 5 7/8 x 8 3/8 (sheet 7 1/2 x 9 5/8). Painted on cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled and initialed in ink, verso. Signed in pencil, lower right. $175.

Boston. (Lincolnshire) Watercolor. 8 3/4 x 10 3/4 (sheet 8 7/8 x 11 1/6). Drawn on wove watercolor paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $150.

Corfe (Castle, Dorset). Watercolor. 8 3/8 x 11 11/16. Painted upon cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in pencil, verso. Signed in ink, lower right. $100.

{A Country Road}. c. 1921. Pencil drawing. 5 3/16 x 6 11/16. Drawn on watermarked laid paper from a sketchbook. Provenance: a collection of Smart etchings, drawings and watercolors. Signed in pencil, lower right. $125.

Croyland. (Crowland)[Ruins of Croyland Abbey, Lincolnshire]. c. 1924. Watercolor. 10 1/4 x 6 13/16. Painted on heavy cream watercolor paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in ink, verso. Signed in ink, lower right. $150.

Early Morning. (Durham). c. 1912. Etching. 7 1/8 x 12 1/4 (8 3/4 x 13 3/8). Provenance: collection of Smart etchings, drawings and watercolors. Printed on cream laid paper. Signed in pencil, lower right. Exhibited at the Royal Academy in 1950. $125.

In Fenland. Watercolor. 6 7/8 x 10 5/16. Painted on cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in pencil, lower left. $125.

Lowtide Bosham. c. 1918. Crayon drawing. 5 7/16 x 7 3/8. Drawn on cream watermarked laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $85.

Smart exhibited an etching of this title at the Royal Academy in 1918.

{Moored Boats}. c. 1935. Pencil drawing. 5 1/8 x 6 3/4. Drawn on tan watermarked laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $125.

Parrog, Pembrokeshire. Watercolor. 5 3/4 x 9. Painted on cream laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled and numbered in pencil, verso. Signed in pencil, lower left. $175.

Repairs to S.T. John Wilson.(London) c. 1912. Crayon drawing. 7 13/16 x 8 3/4. Provenance: a collection of Smart etchings, drawings and watercolors. Sketch of a trawler, verso. Signed and titled in ink. $175.

Richmond, Yorkshire. c. 1900. Ink drawing. 10 3/8 x 14 15/16 (sheet 11 x 15 1/2). Drawn on heavy cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Signed, titled, and dated in pencil, lower right. $125.

Octagon Gallery on Ludgate Hill. (London). Pencil drawing. 9 15/16 x 7 1/8 (sheet). Drawn on cream laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in pencil, upper right and lower right. $175.

St. Martin's Church, Ludgate Hill. (London). Pencil drawing. 10 x 9 7/8 (sheet 14 7/8 x 11). Provenance: a collection of Smart etchings, drawings and watercolors. Drawn on cream wove paper. There is a horizontal fold in the center, and there are tack holes in ther four corners from exhibition. Unsigned. $175.

The Octagon Gallery is located on Ludgate Hill in London. The main building in the Gallery is St. Martin's Church, which was designed by Sir Christopher Wren.

Thames Barge. c. 1915. Russet pencil drawing. 10 3/4 x 14 3/8. Drawn on cream wove paper with deckle edges on two sides. There is a vertical center fold in the paper. Provenance: a collection of Smart etchings, drawings and watercolors. Annotated 'all lower deck grey hull brown deck houses' in brown pencil, lower right. $100.

Thames Shipping. c. 1935. Blue ink drawing. 5 3/4 x 8 15/16. Drawn on tan wove paper from a sketchbook. Provenance: a collection of Smart etchings, drawings and watercolors. Writing and tugboat dawing in pencil, verso. Monogrammed, titled and dated lower left. $125.

France

Beynac. (France). Watercolor. 8 7/8 x 14. Provenance: a collection of Smart etchings, drawings and watercolors. Signed in ink, lower right. Signed and titled in pencil, verso. $175.

La Chantre. Pencil drawing. 8 3/16 x 9 1/2. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in pencil, lower left. Signed in pencil, lower right. $125.

Le Château Gaillard, from across the Seine. (France). c. 1908. Pencil drawing. 6 1/2 x 10 7/8 (sheet 7 x 11 5/16). Provenance: a collection of Smart etchings, drawings and watercolors. Drawn on tan wove paper. Signed and titled in pencil, lower right. $175.

Granville. (France). c. 1937. Watercolor. 11 3/16 x 8 1/4. Provenance: a collection of Smart etchings, drawings and watercolors. Painted upon heavy watercolor paper. Signed in pencil, lower left. $150.

The Harbour, Fécamp. c. 1929. Pencil drawing. 6 1/4 x 10 9/16. Provenance: a collection of Smart etchings, drawings and watercolors. Signed and titled in ink; dated in pencil, lower right. Excellent condition. $100.

Montreuil-sur-mer. (The Citadel) Watercolor. 9 1/4 x 13 1/2 (sheet 10 1/4 x 14 1/2). Provenance: a collection of Smart etchings, drawings and watercolors. Signed in ink, lower right; also signed and titled verso. $175.

{Provins}. (France). Pencil Drawings. 11 3/8 x 9. Drawn on wove watercolor paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled and numbered in pencil, verso. Signed in pencil, lower right. $125.

Spain

Toledo Bridge, No. 5. 1911. Etching and drypoint. 7 1/2 x 7 (sheet 10 5/16 x 7 1/2). A rich impression printed on cream wove paper. Monogrammed and dated lower left in the plate. Titled in pencil, lower left. Signed in pencil, lower right. $150.

William Strang, R.A., R.E. 1859-1921.

After Work. Etching and mezzotint. David Strang 8, William Strang 551. 2 7/8 x 4 (sheet 4 1/4 x 5 7/16). A rich impression printed on cream laid paper. Printed by David Strang. Annotated in pencil, 'David Strang imp' and 'Wm Strang fec. DS'. The artist is the figure seated to the right. $175.

Norman Wade. Twentieth Century.

Durham Cathedral. 1978. Color serigraph. 9 1/2 x 12 1/2 (sheet 12 1/2 x 15). Edition 200, #46. Signed, numbered, and titled in pencil. $125.

Bernard Eyre Walker, A.R.E. Born 1886.

Scheregate Steps, Colchester (Essex). c. 1921. Etching. 9 1/2 x 6 3/8 (sheet 13 x 9 1/8). Edition 50. A fine proof printed with plate tone, on Japanese mulberry paper. $150.

William Walker, A.R.E. 1878-1961.

St. Michael de Chardonnet, Paris. c. 1915. Etching and drypoint. 13 1/2 x9 1/2 (sheet 15 3/4 x 11). A rich impression printed on simili-Japon paper. Signed in pencil. $200.

Dorothy E.G. Woolard, A.R.E., A.R.W.A.

Tower Bridge (London) Soft ground etching. 8 3/16 x 6 1/2 (sheet 14 1/8 x 10 5/8). Variant of an image published by the Print Society, London, 1923. Printed on cream wove paper. Slight foxing in the margins, not affecting the image. Signed and dated in the plate; signed in pencil. $175.

Continental Prints

Maurice Achener. 1881-1963.

Moulin de Pierre (The Stone Windmill). c. 1930. Etching. 4 7/8 x 8 1/8 (sheet 7 1/8 x 10 1/16). Edition 50, #6. A fine impression printed on the full sheet of cream laid paper. Monogrammed in the plate; signed, numbered and titled in pencil. $200.

Le Portail (The Gate. Frotenac). c. 1930. Etching. 4 1/16 x 2 3/4 (sheet 5 11/16 x 4). Edition 30, #20. A fine impression printed on the full sheet of cream wove paper. Signed and titled in pencil; annotated 'Frontenac' and monogrammed in the plate. $125.

Charles Aubert. 1840-1927.

La Vierge au Serpent. (Lady with a Snake). 1876. Etching. 4 3/8 x 3 (sheet 10 3/4 x 7 1/4). Printed by Delâtre on tan laid paper. As published in Paris à l'eau-forte. Signed in the plate. $65.

Paul Albert Baudouin. 1844-1931.

[Lovers]. 1876. Etching. 4 3/4 x 4 1/16 (sheet 10 5/8 x 7 1/8). Printed on tan laid paper. Visible plate mark. As published in Paris à l'eauforte. Signed in the plate. $50.

Rudolf Bauer. German. 1889-1953.

Nude Studies.

[Standing Nude]. c. 1915. Lithograph. 9 1/4 x 5. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered II in pencil. $175.

[Washing I]. Lithograph. c. 1915. 8 1/4 x 6 3/4. Printed on cream wove paper. Excellent impression and condition. Signed in the stone; signed and and numbered 106 in pencil. $175.

[Washing II]. Lithograph. c. 1915. 13 1/8 x 7 1/8. Printed on cream wove paper. Excellent impression and condition. Signed in the stone; signed and and numbered 3 in pencil. $175.

[Washing III]. c. 1915. Lithograph. 11 x 5 1/16. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone and in pencil. $175.

Women Dressing.

[Dressing II.] c. 1915. Lithograph. 11 1/16 x 5. Printed on tan wove newsprint-type paper. Excellent impression and condition. Signed in the stone and in pencil. $175.

[Dressing Table I]. c. 1915. Lithograph. 15 7/8 x 8 1/8. Printed on cream wove paper. Excellent impression and condition. Signed in the stone; signed and and in pencil. $175.

[Dressing Table III.] c. 1915. Lithograph. 15 7/8 x 8 1/8. Printed on tan wove newsprint-type paper. Excellent impression and condition. Signed in the stone and in pencil. $175.

[Lingerie]. Lithograph. c. 1915. 11 1/2 x 9 3/8. Printed on cream wove paper. Excellent impression and condition. Signed in the stone; signed and and numbered 8 in pencil. $175.

[The New Dress]. c. 1915. Lithograph. 14 x 10 1/2. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered 25 in pencil. $175.

[Putting on Her Shoe]. c. 1915. Lithograph. 9 1/8 x 4 7/8. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered 63 in pencil. $175.

[Adjusting Her Stocking]. c. 1915. Lithograph. 14 1/2 x 9 3/4. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone and in pencil. $175.

Dancing

Dancing. c. 1915. Lithograph. 13 1/16 x 9. Printed on tan wove newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered 4 in pencil. $175.

Tango. c. 1915. Lithograph. 13 1/2 x 9 3/8. Printed on tan wove newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered 107 in pencil. $175.

Lovers

[Lovers Embracing]. c. 1915. Lithograph. 11 5/8 x 6. Printed on cream wove paper. Excellent impression and condition. Signed in the stone; signed and numbered 20 in pencil. $175.

Manfredo Borsi. 1900-1967.

St. Paul. c. 1960. Etching and aquatint. 12 7/8 x 7 3/4 (sheet 20 x 13). A rich impression with tonal wiping printed on cream white paper with a ram's head countermark. Signed, titled and annotated 'e.a.' (artist's proof) in pencil. $125.

Frédéric Chevalier. 1833-1898.

Pierrot en Prison I. 1876. Etching. 4 7/8 x 3 15/16 (sheet 11 7/16 x 7 11/16). Printed by Delâtre on tan laid paper with deckle edges on three sides. Visible plate mark. As published in Paris à l'eauforte. Unsigned. $50.

Clemetz.

[Moored Barges]. 1920. Etching and aquatint in gray-green. 7 1/2 x 9 1/2 (sheet 13 1/2 x 18 3/8). A rich impression with plate tone printed on cream wove paper. Signed in pencil. $95.

Honoré Victorin Daumier. 1808-1879.

Click on the images for larger screens.

Series: Les Comédiens de Société

Rappelés avec enthousiasme!.... et pas un claqueur.... voilà ce qui s'appelle un vrai succès..... et on dit que l'art dramatique dépérit.... allons donc!.... (What a public, another curtain call.. and no paid applauder in the house... and people say drama is dead... wrong, all wrong.) 1854. Lithograph. Delteil 3042.ii/ii (with letters). 10 1/4 x 8 (sheet 9 3/4 x 13). Series: Les Comédiens de Société (The Amateur Comedians), plate 12. Published in Le Charivari May 1, 1858. Text: lower left: Maison Martinet 172, r.Rivoli et 41 r.Vivienne; lower right; Lith.Destouches ,28 r. Paradis Pre.Paris. Initialed in the stone, lower left. Toned; fold marks. Initialed in the stone, lower left. This remarkable series of 16 prints dealing with the theater and its surroundings is one of Daumier's masterpieces. $100.

Series: Les Plaisirs de la Villégiature

- Il me semble que j'aperçois là-bas un petit point noir qui remue.... (- Quel bonheur.... c'est peut-être quelqu'un qui vient nous voir! )
(- I seem to perceive a tiny black point moving all the way in the back... - What luck… maybe somebody is coming to visit us!) The last line of the text has been trimmed. 1854. Lithograph. Delteil 30425.ii/ii (with letters). 10 1/4 x 8.11/4 inches (sheet 9 3/4 x 13). Series: : Les Plaisirs de la VillVILLÉégiature (Pleasures of a country holiday), plate 1. Published in Le Charivari May 7, 1858. Text: lower Left: maison.Martinet 172,r.Rivoli et 41; lower right: Lith. Destouches 28,r. Paradis Pre-Paris. Mounted on a backing board; toned. Initialed in the stone, lower left. $50.

Series: Tout ce qu'on Voudra

- Les temps sont durs, et il faut vivre déprivations cette anné ! . . . . A qui le dites-vous, mon cher Ducorneau . . . . Pour mon compte, toutes les fois que je vais maintenant au spectacle, je me prive d'emmener ma femme ! . . .
( - Times are tough; this year we must learn to be more economical.
- Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself my wife's company.....)
1847. Lithograph. Delteil 1648.ii/ii (with letters). 10 x 8 5/8 (sheet 14 1/4 x 10). Series: Tout ce qu'on Voudra, (Everything you could want), plate 2. Published in Le Charivari April 17, 1847. Text: lower left: Chez Aubert. Pl. de la Bourse.29; lower right: Imp. d'Aubert & Cie. Two stains in the top margin; center horizontal fold. Initialed in the stone, lower left. $75.

Series: Actualités

Un ours contrarié (A Disobedient Bear.) 1854. Lithograph. Delteil 2525.ii/ii (with letters). 10 1/2 x 8/4 (sheet 10 1/8 x 13 11/16). Series: Actualités, (News of the Day), plate 98. Published in Le Charivari August 28, 1854. Text: lower left: maison Martinet,116 rue Rivoli et 41 r.Vivienne.; lower right: Lith. Destouches,28 r. Paradis Pre-Paris Fine original condition. Initialed in the stone, lower left. $100.

EXERCICES DE L'HERCULE PRUSSIEN.
- Le lèvra-t-il? ne le lèvra-t-il pas?
(EXERCISES OF THE PRUSSIAN HERCULES.)
Will he or won't he be able to lift it up? 1866. Lithograph. Delteil 3495.iii/iii (with letters). 9 3/8 x 8 5/9 (sheet 11 13/16 x 10 9/16). Series: Actualités, (News of the Day), plate 63. Published in Le Charivari April 16, 1866. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,28 r.Paradis.Pre. Vertical and horizontal marks; scattered foxing; sheet trimmed. Initialed in the stone, lower left. $75.

Ou Venise commence à espérer.
(Venice begins to hope.)
1866. Lithograph. Delteil 3496.ii/ii (with letters). 9 5/8 x 8 1/8 (sheet 11 13/16 x 11). Series: Actualités, (News of the Day), plate 69. Published in Le Charivari April 24, 1866. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,28 r.Paradis.Pre. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $95.

Équilibre Européen. (European Equilibrium)
1871. Lithograph. Delteil 3566.ii/ii (with letters). 10 x8 7/16 (sheet 11 1/2 x 11 5/16). Series: Actualités, (News of the Day), plate 52. Published in Le Charivari April 3, 1867. Text lower left: A.de Vresse,R.Rivoli,55.; lower right: Lith.Destouches,R.Paradis.Pre.28. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $125.

Trop chargé! ça crèvera ! (It's too full! It is going to burst!)
1867. Lithograph. Delteil 3567.iii/iii (with letters). 10 1/16 x 83/4 (sheet 11 7/8 x 11 3/8). Series: Actualités, (News of the Day), plate 67. Published in Le Charivari April 16, 1867. Text lower left: A.de Vresse,R.Rivoli,55.; lower right: Lith.Destouches,R.Paradis.Pre.28. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $125.

- C'est dommage que ma chasse a moi soit fermée.
(Ir's too bad that I'm shut out from hunting.)

1871. Lithograph. Delteil 3591.ii/ii (with letters). 9 1/4 x 8(sheet 11 3/4 x 11 1/2). Series: Actualités, (News of the Day), plate 180. Published in Le Charivari September 7, 1871. Text lower left: A de Vresse Edr r. Rivoli 55; lower right: Lith. Destouches r. Paradis Pre.28. Vertical and horizontal folds; scattered foxing; sheet trimmed. Initialed in the stone, lower left. $125.

Une attitude en partie double.
(A double-faced attitude).
1867. Lithograph. Delteil 3596.iii (with letters). 9 3/4 x9 1/2 (sheet 11 7/8 x 12). Series: Actualités, (News of the Day), plate 18. Published in Le Charivari February 4, 1867. Text: lower left: A.de Vresse,R.Rivoli,55.; lower right: Lith.Destouches,R.Paradis.Pre.28 Vertical and horizontal fold marks; sheet trimmed. Initialed in the stone, lower left. $100.

TURGOT - Eh bien mon pauvre Condé.... il parait qu'on prend mon nom comme on a pris le vôtre pour en faire l'enseigne d'une boutique.
(TURGOT: - And so, my poor Count, it seems that my name, like yours, is used to create a shop sign.)
1867. Lithograph. Delteil 3598.ii/ii (with letters). 10 3/8 x 8 1/16 (sheet 12 x 11 3/8). Series: Actualités, (News of the Day), plate 214. Published in Le Charivari October 7, 1867. Text: lower left: A.de Vresse, R. Rivoli 55; lower right:LITH DESTOUCHES R. Paradis Pre.28. Unobtrusive vertical and horizontal folds; minor foxing; sheet trimmed. Initialed in the stone, lower left. $95.

LE VÉRITABLE LUTTEUR MASQUÉ.
--- LE VÉRITABLE HOMME MASQUÉ.
THE REAL MASKED FIGHTER.
---
THE REAL MASKED MAN.

1867. Lithograph. Delteil 3604.iii/iii (with letters). 9 7/8 x 8 1/2 (sheet 11 9/16 x 11 3/8). Series: Actualités, (News of the Day), plate 238. Published in Le Charivari November 9, 1867. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,r.Paradis.Pre.28 Four paper folds; unobtrusive foxing; sheet trimmed. Initialed in the stone, lower left. $100.

John Bull jure qu'il est attaché au fils de Théodoros par un lien indissoluble. (John Bull vows that he is tied to the son of Theodorus by an indissoluble band.)
1868. Lithograph. Delteil 3657.ii/ii (with letters). 9 5/8 x 8 1/4 (sheet 12 x 11 3/16). Series: Actualités, (News of the Day), plate 189. Published in Le Charivari August 22, 1868. Text: lower left:A.de Vresse,r. Rivoli 55.; lower right: Lith.Destouches, r. Paradis Pre.28. Six fold marks; sheet trimmed. Initialed in the stone, lower left. $350.

LA RENTRÉÉE.
C'est drôle, je ne vois pas revenir la petite Confiance.
(The return
It's strange that , I don't seem to see little Confiance return.)

1868. Lithograph. Delteil 3669.iii/iii (with letters). 9 7/8 x 8 3/8 (sheet 11 3/4 x 11 3/16). Series: Actualités, (News of the Day), plate 220. Published in Le Charivari October 12, 1868. Text: lower left: A.de Vresse,r. Rivoli 55; lower right: Lith.Destouches, r. Paradis Pre.28. Vertical and horizontal folds; minor scattered foxing; sheet trimmed. Initialed in the stone, lower left. $125.

Ils brûlent, ces gros-là, ils brûlent!
---
Chauds les gros! Chauds!...
(They scorch these big ones, they burn!
---
Big hot ones! Hot!)

1868. Lithograph. Hazard 3673.iii/iii (with letters). Not in Delteil 3673. 9 1/2 x 8 7/8 (sheet 11 3/4 x 11 3/4). Series: Actualités, (News of the Day), plate 222. Published in Le Charivari November 14, 1868. Text: lower left: A.de Vresse, R. Rivoli 55 lower right: Lith Destouches R.Paradis Pre. 28. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $175.

L'éclipse sera-t-elle totale? (Will the eclipse be total?)
1871. Lithograph. Delteil 3857.ii/ii (with letters). 9 3/8 x 7 3/8 (sheet 11 3/4 x 11 1/2). Series: Actualités, (News of the Day), plate 336. Published in Le Charivari March 17, 1871. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower right. $125.

Bernard Dufour. Born 1922.

Composition. c. 1959. Etching. 11 3/8 x 9 1/14 (sheet 12 3/4 x 9 1/2). Edition 75, #28. Accompanied by a 1959 exhibition catalogue from the Albert Loeb Gallery, 12 East 57th Street, New York City. Dedicated to Madame Gimbel by Dufour. Signed and numbered in pencil. $125.

Léopold Flameng. 1863-1911.

Self-Portrait. (after Rembrandt van Rijn, 1606-1669). 1872. Etching. 10 1/16 x 7 3/4 (sheet 3 11/16 x 9 3/4). Printed on cream laid paper. As published in the The Portfolio, volume 3. Signed in the plate. $75.

Helene Formstecher. 1838-1874.

Napoleon. Etching after Leon Cogniet (1791-1880). 6 3/4 x 5 1/4 (sheet 12 1/8 x 8 13/16). A fine impression with plate tone printed on cream laid paper with deckle edges on three sides. Signed in the plate and in pencil. $175.

French School, Eighteenth Century.

Imaginary Landscape. Ink and watercolor on laid paper. 9 3/4 x 14 1/8. Unsigned. $750.

Louis François Léon Gautier. 1855-1947).

Greenwich. 1905. Etching. 7 5/8 x 11 3/4 (sheet 13 3/4 x 17 5/8). Published by Paul Delarue, Paris. Printed by A. Clement, Paris. A rich impression printed on chine, mounted on white wove paper. Signed and titled in the plate. $175.

French etcher and designer, Lucien Gautier first studied art in Aix-en-Provence under Marius Reynaud. He then completed his education in Paris, under Gaucherel. He began his career there etching and engraving plates after the designs of Corot and Charles Jacque. By 1875, however, Gautier had emerged as an original etcher of note. His fine art received medals and awards in France in 1884, 1894 and 1900. During his successful career Gautier both designed and etched views of Rome, Venice, London and Greenwich.

Gavarni (Guillaume Sulpice Chevalier). 1804-1886.

L'amant et le dictionnaire des rimes. (The Lover and the Rhyming Dictionary) July 7, 1839. Lithograph. 7 7/8 x 6 1/4 (image), 10 1/3 x 9 (border), 14 5/8 x 10 (sheet). A find impression printed on newsprint as published in Le Charivari. Good condition apart from a center fold. Signed in reverse in the stone. $175. A charming parody on amateur poets, as the comparisons become increasingly less flattering. $125.

(L'amant): Nymphes des Bois, connaissez vous Adèle? (Le Dictionnaire des Rimes): Adèle! Pastourelle, charnelle, onzelle, matétielle, récelle, sempiternelle, femelle....Qu'elle demoiselle!

Roger-Edgard Gillet. Born 1924.

Composition. 1958. Lithograph printed in colors. 12 x 8 7/8 (sheet 12 3/4 x 9 7/8). Edition 300, #152. Published by the Galerie de France, 3, Faubourg Saint Honore, Paris, January 1958. Signed and numbered in ink. $125.

J.T.H.

Cat and Rooster. 1901. Etching. 10 15/16 x 9 (sheet 19 1/8 x 13 7/8). Printed on cream wove paper with deckle edges on two sides. Dated and monogrammed in the plate; signed in pencil. $75.

François de Herain. 1877-1962.

Le Pope Niemetsky. Prisonnier de guerre au camp de Halle (Prusse), 1915. (Pope Niemetsky, Prisoner of war in the Halle Camp, Prussia). 1915. Drypont. Printed by Vernant and Dollé, and published in Revue de l'Art ancien et moderne. Unsigned. $65.

U. Hrilher.

Marine Landscape. Etching. 7 x 9 1/2 (sheet 12 7/8 x 19 7/8). Printed on cream 'Van Gelder Zonen' laid paper with deckle edges. Written in pencil verso, 'Herz. Gruüss Suez'. Signed and annotated 'IV/V' in pencil. $95.

Ludwig Heinrich Jungnickel. 1881-1965

The Wolf and the Lambs. c.1919. Lithograph printed in colors. 5 1/4 x 3 7/8 (sheet 8 5/8 x 6 3/8). Series: Aesop's Fables. Printed on tan wove paper. Signed in pencil, lower right. $75.

Frèdèric Auguste La Guillermie. 1841-1934.

Portrait of Lèon Bonnat. 1880. Etching. 3 1/4 x 2 1/2 (sheet 12 x 8 3/16). Printed by Vernant on cream wove paper and published in Revue de l'Art ancien et moderne. Monogrammed in the plate. $85.

J. Lernain, after Gustave Moreau (1826-1898).

Oedipus and the Sphinx. 1876. Etching. 4 3/8 x 2 3/16 (sheet 10 1/2 x 7 9/16). Etching by J. Lernain after Gustave Moreau's painting. Printed on tan laid paper with one side deckle edge. Unsigned. $100.

Willi Münch-K'he. 1885-1960.

Rheinfischer (Rhine Fishermen). 1921. Etching and drypoint. 4 7/8 x 7 5/8 (sheet 11 x 12 3/4). Edition 20, #2. Printed on simili-Japan paper. Signed, titled and numbered in pencil. $125.

A. Protche.

L'hiver des fôrets I. (The Forest in Winter I). 1876. Etching. 4 x 2 7/8 (sheet 11 7/16 x 7 9/16). Printed by Delâtre on tan laid paper. Slight foxing, well outside the image. Published in Paris à l'eau-forte. Signed in the plate. $75.

Paul Rajon. 1842-1888.

Cornelius Vander Geest (after Anthony Van Dyck 1599-1640). c. 1868. Etching. 7 1/16 x 5 11/16 (sheet 13 11/16 x 9 3/4). Printed on cream laid paper. Signed in the plate. $75.

Portrait of Murillo (after Bartolom é Esteban Murillo - 1617 - 1682). c. 1879. Etching. 6 x 4 5/8 (sheet 18 x 12 1/2) As published in American Art Review vol. i, #1 (1979). Exhibited: Massachusetts Charitable Mechanic Association, Boston, 1881. .A rich impression printed on warm chine, applied to white wove paper. Unsigned. $125.

Maria Ressel. 1877 - 1945.

Palmen in Egyptus (Palm Tees in Egypt). c. 1921. Etching printed in colors. 7 1/4 x 10 1/2 (sheet 11 5/8 x 14 7/8). A fine impression with plate tone printed on cream wove paper. Signed and titled in pencil. $175.

Wald c. 1923. Etching printed in grey-green. 7 5/4 x 5 3/4 (sheet 12 1/2 x 9 1/2). A fine impression with plate tone printed on watermarked cream wove paper. Ex-collection Eugene A. Noble'. Signed and titled in pencil. $175.

M. Rocetri. Twentieth Century.

Masked Couple. Etching and aquatint. Edition 70, #42. 6 1/4 x 4 1/8 (sheet 13 1/2 x 9 9/16).
Masked Couples. Etching. Edition 70, #40. 6 1/2 x 4 5/16 (sheet 13 7/16 x 9 1/2).

Each printed on cream wove 'FABRIANO' paper. Signed and numbered in pencil. $125 for the pair.

Tony George Roux. 19th-20th Century.

Paris, Le Pont Marie. 1923. Etching printed in colors. 8 3/8 x 6 5/16 (sheet 11 x 9). An unusual etching, printed on silk. Unsigned (the etching was signed and titled on the old mat, which is included). $75.

Wili Scholtz. 19th-20th Century.

Kirschen Obernplatz. 1910. Etching and drypoint. 7 13/16 x 5 3/8 (sheet 13 1/8 x 10). A rich impression with plate tone, printed on Japanese vellum. Signed and titled in pencil. $85.

Henri Somm. 1810-1889.

L'esclave du Devoir. (A Slave to Duty.) 1876. Etching. 4 3/16 x 2 5/8 (sheet 11 7/16 x 7 3/4). Printed by Delâtre on cream laid paper with one side deckle edge. Published in Paris à l'eau-forte. Signed in the plate. $85.

Les Fous. (Crazy People.) 1876. Etching. 3 5/8 x 2 3/8 (sheet 11 1/2 x 8). Printed by Delâtre on cream laid paper. Published inParis à l'eau-forte. Signed in the plate. $75.

Le Mariage. (The Wedding.) 1876. Etching. 3 5/8 x 2 5/16 (sheet 11 3/8 x 7 7/8). Printed by Delâtre on cream laid paper with one side deckle edge. Published in Paris à l'eau-forte. Scattered foxing, well outside the image. Signed in the plate. $85.

Rosine et le Docteur. (Rosine and the Doctor.) 1876. Etching. 3 1/2 x 2 3/8 (sheet 11 7/16 x 7 7/8). Printed by Delâtre on cream laid paper with one side deckle edge. Published in Paris à l'eau-forte. Signed in the plate. $50.

Jules J. Veyrassat. 1828-1893.

Asses. 1872. Etching. Two different images printed on the same sheet of cream laid paper each measuring 3 9/16 x 5 1/16 (sheet 13 11/16 x 9 3/4). As published in The Portfolio, volume 3. Both images initialed in plate. $125 for the sheet.

A Horse Ferry on the Seine. 1872. Etching. 4 1/2 x 9 1/8 (sheet 9 3/4 x 13 5/8). Printed on cream laid 'PORTFOLIO MBM' paper. As published in The Portfolio, volume 3. Signed in the plate. $75.

Le Joueur de Mandoline (The Mandolin Player). After Alexandre Gabriel Decamps, 1803-1860. Etching. 6 1/16 x 7 5/8 (sheet 8 13/16 x 12). Printed by Delamam on cream wove paper. As published in l'Artiste. Scattered foxing. Signed in the plate. $75.

Ponies and Horses on the Battlefield. 1872. Etching. Two different images printed on the same sheet of cream laid 'PORTFOLIO MBM' paper each measuring 3 9/16 x 5 1/16 (sheet 13 11/16 x 9 3/4). As published in The Portfolio, volume 3. Both images initialed in plate. $125 for the sheet.

Peter von Halm. 1854-1923.

Blick auf Constanz (View of Constanz). 1923. Etching. 4 1/14 x 10 1/2 (sheet 10 x 15). Printed with plate tone on the full sheet of cream laid paper. Signed and titled in pencil. $175.

V. Whel

Fürtcanel No.5. 1900. Etching. 8 1/4 x 11 (sheet 11 3/4 x 14 7/8). Printed on cream wove paper. Signed and titled in pencil. $85.

Bernhart A. Whinchel.

Windjammer. 1912. Etching and drypoint. 13 7/8 x 11 3/8 (sheet 19 x 14 3/4). A rich impression with plate tone printed on chine colle mounted onto wove paper. Glue remnants in the margins, otherwise in fine condition. Initialed and dated in the plate; signed in pencil. $175.

Japanese Woodblock Prints (Ukiyo-e).

Kacho-e

Kacho-e is the Japanese term for prints that depict birds and flowers. Such subjects have a long tradition in Chinese and Japanese painting. Below are some woodblock prints in this tradition, by artists whose seals and signatures are unread.

Click on the imges for larger screens.

Tortoise. c. 1910. Oban:5 x 14 (sheet 10 1/8 x 145/8). A fine impression printed with gauffrage in the tortoise's shell and in the flowers on mulberry paper with mica highlights. The tortoise is regarded as a symbol of good fortune. Unsigned. $175.

Wisteria. c. 1900. Woodblock print. Oban: 10 x 13 (image and sheet). Gauffrage on the flowers and vine. Sealed, lower right. $125.

Yellow Flowers. c. 1900. Woodblock print. Oban: 10 x 13 3/8 (image and sheet). Gauffrage on the flowers. Sealed, lower right. $125.

Kunichika. 1835-1900.

Kabuki Actors: Ichikawa and Iwai. c. 1860. 14 x 9 1/2 (sheet 14 x 3/4). Good color and condition. Soiling in the bottom right-hand; slight toning. $175.

Kunimasa. Active 1834-1852.

Kataoaka Gado II at Hogo. c. 1850. 14 x 9 1/4 (14 1/2 x 9 5/8). Excellent color and condition. $175.

Baigoro Kunisada II. 1823-1880.

Park in Edo. Date: 1851-53. Horizontal oban. Series: Toto Meisho (Famous Places of the Eastern Capital). Signature: Kunisada. Trimmed to the border; one puncture, lower right. Fine color. $125.

Utagawa Kuniyoshi. c. 1797 -1861.

Obo Muroku and Ioshiko 1847-48. Vertical oban. 14 x 9 3/4. In poor condition; paper losses and colors faded; backed. Signed: Kuniyoshi ga. $75.

Nishikawa Sukenobu. 1671-1750.

Coming Home from the Teahouse at Night. Book illustration. 7 3/16 x 4 3/8 (image and sheet). Printed on Japanese mulberry paper. Unsigned. $75.

Tomikichiro Tokuriki. 1902-1999.

Lake Biwa Viewed at Medura Temple. c. 1950. Japanese woodblock print. Shishikiban: 10 1/4 x 11 3/8. Series: New Eight Views of Oomi, #5. Printer: Uchida. Excellent color and condition. Signed and sealed. $150.

Utagawa Toyokuni I. 1769-1825.

The Actor Sawamura Tanosoke in a Female Role. Vertical oban. 14 1/2 x 9 15/16 (image and sheet). Kiwame seal. Publisher: Yamaguchi-ya. Soiling and ink transfer stains; otherwise in good condition. A highly dramatic image. Signed: Toyokuni gwa. $175.

Utagawa Toyokuni III. 1786-1865.

Kabuki Actor Prints

[Actor playing a geisha]. 1858. Vertical Oban. Series: Edo Zakura Kiyomizu Seigen. Publisher: Ise-kane. Left sheet of a diptych. $75.

Actors from the 53 Stations of the Tokaido.

Ishiyakushi. Fine color. Fair condition -- two small stains in the top, small paper losses, 1 in top and 2 in bottom margins. $125.

Kawasaki Fine color. Fair condition -- wormage and paper losses in the arm, 3 losses in the sky. $125.

Nihombashi. Fair color, poor condition: paper losses, soiling. $150.

Shono. Good color. Several small holes in top margin, paper loss on lower margin, printing folds. $175.

Totsuka. Good color. Image loss to the left of the man's shoulder, one ink stain in the sky, 1 pinhole in the arm,slight soiling. One pinhole in the arm. $175

Allinson Gallery Index.

To order, to report broken links or to be placed on the email list, please contact Jane Allinson (artgal23@earthlink.net) or send a fax to (860 ) 429 2825.

This file has been updated February 20, 2013.