Return to Allinson Gallery Index
All works are signed in pencil unless indicated otherwise.
'Ha! Ha! Ha! Was there ever such a sober sentimental interview?' 1887. Etching after the drawing by Abbey. 9 7/8 x 8 5/8. As published in SHE STOOPS TO CONQUER: A Comedy by Dr. Goldsmith with drawings by Edwin A. Abbey Harper & Brothers, New York, New York, 1887, deluxe edition, folio. Unsigned proof on tissue. Housed in an elegant gold leaf and black frame. $175.
Portrait of a Young Woman c. 1890. Chromolithograph printed in colors, laid onto a decorative border. 7 3/4 x 5 11/16 (border 9 7/8 x 7 1/8). Unsigned. Housed in an elegant gold leaf and black frame. $175.
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Wilby Church, Northamptonshire, England. 1940. Etching. Fletcher 335.iii. 4 1/4 x 2 3/8 (sheet 6 1/16 x 4 11/16). Edition 432.English Series #7; Miniature Series # 24. Printed by David Strang on cream laid paper. Signed, titled, numbered, dated, annotated 'iii' and dedicated 'To Charles E. Pont from John Taylor Arms' in pencil. $150.
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1700 House, Old Tappan. 1934. Etching. 6 7/8 x 8 3/4. Signed in pencil. $125.
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Wood engravings from the collection of Dr. Eugene Allen Noble.
(after Carrière). Intimité. 1910. 2 7 3/8 x 5 1/4. Proof on tissue paper. Signed and titled 'Intimité Mus. Arts Decoratif Paris' in pencil. $125.
(after Hoppner). Lady Mildmay & Daughter. Private collection NY. 7 3/16 x 5 1/16. Proof on tissue paper. Signed, titled and annotated, ' This Proof’s a little richer than the other T.C.' in pencil. $150.
(after Sargent). Portrait of Mrs. Phipps N.Y. 1912. 7 3/4 x 4 3/16. Proof on tissue paper. Signed, titled and dedicated 'To E.A. Noble' in pencil. $150.
Girl Undressing. c. 1940. Etching. 4 15/16 x 2 15/16 (sheet 8 7/8 x 7 5/8). A rich impression with plate tone, printed on 'J.Kool & Comd' laid paper. Signed, titled and annotated in pencil. $175.
Nude Back. c. 1940. Etching. 4 15/16 x 3 15/16 (sheet 8 3/4 x 7 1/8). Edition 50. Printed on cream laid paper. Signed, titled and annotated in pencil. $175.
Study [of Horses]. c. 1940. Etching. 3 x 4 7/8 (sheet 9 5/8 x 12 1/4). Edition 30. Slightly toned. Drying tack holes in the margins printed on cream laid paper. Signed, titled and annotated in pencil. $175.
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Nomads 1922. Etching and drypoint. Giardina 79.ii. 9 7/16 x 13 3/8 (11 x 14 3/8). Trial proof, apart from the edition of 30. A very rich impression with tonal wiping. Light soiling in the lower right-hand corner; otherwise fine condition.Signed and annotated '1st trial proof' and 'imp' (imprimit) in pencil, indicating a proof printed Eby. The etching depicts a Bedouin encampment in the Algerian desert. $175.
North Country. 1929. Etching. Giardina 140. 12 1/8 x 9 1/16 (sheet 14 3/8 x 10 5/8). Edition of 90. Printed on cream laid paper. Printing folds; weak areas in the paper, visible from the back. Slight mat stain. Printed by the artist. Signed and annotated 'Ed 90' in pencil. $125.
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Emma, Lady Hamilton (after George Romney ). 1902. Mezzotint. 4 ¾ x 4 (sheet 8 x 6). Printed on Japanese vellum, Published in New York in 1902 by L. Katz, 314 Columbus Avenue. Signed in pencil. $100.
Little Dutch Girl. 1895. Wood engraving after Marcia Oakes Woodbury (1865-1913). 7 3/4 x 4 5/8 (sheet 11 1/8 x 9 7/8). Signed and dated in pencil by Evans. $75.
Portrait of Johnson. 1935. Wood engraving after a sculpture by James E. Kelly. 7 1/2 x 6 1/2. Printed on tissue paper. Thomas Johnson (1844 - 1904) was a wood engraver and illustrator. Signed in pencil by Evans and in ink by Johnson. $175.
Napoleon. 1933. Wood engraving after a photograph by Bradley. 5 1/16 x 5 1/2 (sheet 11 1/4 x 8 7/8). A fine impression printed on white tissue tipped onto bristol board at the corners. Signed in pencil. A fine example of Evans' technical expertise. $175.
Evans was a distinguished wood engraver, who did both reproductive and original work. In the late nineteenth and early twentieth centuries, wood engraving was the primary medium of reproduction in books and magazines. Wood engraving is a highly technical and demanding medium. Evans was one of the masters of the medium.
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Godurt. c. 1960. Serigraph. 7 1/4 x 5 1/2. Edition 200, #57. Signed, titled and numbered in pencil. $50.
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Paris Setsea
Paris - The Seine at Notre Dame. (Sunset with red sky). c. 1987. Lithograph with pastel coloring. 9 5/8 x 12 5/16 (sheet 14 x 18). Edition 40. Signed in pencil. $150. seasca
Paris - Toward Notre Dame from Pont St. Michel. (Sunset and yellow sky). c. 1987. Lithograph with pastel coloring. 7 1/2 x 12 (sheet 13 3/4 x 8). Edition 40. Signed in pencil. $150.
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[Wadsworth Athenaeum Barn - Hartford, CT]. 1949. Woodcut printed in colors. 6 1/8 x 8 (sheet 8 1/4 x 12 3/8). A fine impression printed on Japanese mulberry paper. Signed in pencil. $125.
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Christmas from the Gorslines. 1942. Etching. 4 7/8 x 2 7/8 (sheet 8 3/4 x 5 7/8). A fine impression on off-white laid paper with deckle edges on 2 sides. Excellent condition apart from two stains from old hinges in the top corners. Signed and dated in pencil. $175.
Christmas Pudding. 1942. Etching. 4 7/8 x 2 7/8 (sheet 9 3/16 x 5). A fine impression with plate tone printed on watermarked laid paper. Excellent condition apart from two stains from old hinges in the top corners. Signed and dated in pencil. $175.
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Butch and Edna. 1930. Lithograph. 8 x 11/16 (sheet 10 x 14). Printed on cream wove paper. Signed, titled and annotated 'Merry Christmas to Paul Zimmerman' in pencil. $125.
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Once a Cow [Tunisia]. c. 1929. Etching. 6 3/16 x 5 1/4 (sheet 11 x 15). Edition 50. Printed on cream-colored laid paper. Illustrated: Holme, Etchings of Today, 1929. Signed and annotated '50' in pencil; titled verso. $150.
Sun-Drenched Road [Tunisia]. 1927. Etching. 10 1/2 x 13 (sheet 11 1/8 x 15). Edition 50. Printed on cream-colored laid paper. Signed and annotated '-50 - 3rd state' in pencil; titled verso. $225.
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The Four Evangelists. 1951. Woodcut. x 6 1/2. Matthew, Mark, Luke and John are presented in medieval iconography. $125.
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Mount Vernon - Rear. c. 1930. Etching. 8 5/8 x 11 1/2 (sheet 11 1/4 x 15 5/8). Series: Historic Homes of Virginia A fine impression printed on cream wove paper, on the full sheet with deckle edges. Signed in pencil. $175.
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Chinese Lanterns (Physalis alkekengi). 1923. Drypoint. Jaques 337. 9 1/2 x 5 7/8 (sheet 13 x 10 1/4). Printed on the full sheet of Japanese mulberry paper. A fine impression with plate tone. Printed on Japanese mulberry paper, on the full sheet with deckle edges. Provenance: the artist's estate. Unsigned. Annotated "1st". $150.
Sweetbriar (little). 1922. Etching and drypoint. Jaques 324. 5 7/8 x 2 7/8 (sheet 8 3/16 x 5 3/16). A rich impression with plate tone, printed on Japanese mulberry paper. Provenance: the artist's estate. Monogrammed in the plate; annotated "1st proof" in the artist's hand. The artist also made a larger plate of the same subject. $125.
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Monte Christo. after Frank T. Merritt. 1890. Wood engraving. 5 3/8 x 3 9/16 (sheet 12 7/16 x 9 7/16). Printed on cream wove paper with one side deckle edge. There are pin holes in the corners from exhibition. Varied creases and tears along the edges, away from the image. Visible plate mark. Signed in pencil under the plate. $125.
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Back of Main Street, Charlemont. 1995. Wood engraving printed on a Christmas card. 3 11/16 x 5 7/16 (sheet 4 5/8 x 6 1/4). Printed on white wove paper. Signed and dated in pencil; signed in ink inside the card. $75.
Birches in Winter. 1990. Wood engraving printed on a Christmas card. 5 1/2 x 3 7/8 (sheet 6 1/4 x 4 5/8). Printed on white wove paper. Signed and dated in pencil; signed in ink inside the card. $75.
Frost Patterns. 1986. Wood engraving printed on a Christmas card. 3 9/16 x 5 5/8 (sheet 4 1/2 x 6 1/4). Printed on white wove paper. Signed and dated in pencil; signed in ink inside the card. $75.
The House on 8A. 1991. Wood engraving printed on a Christmas card. 3 3/4 x 5 1/2 (sheet 4 5/8 x 6 1/4). Printed on white wove paper. Signed and dated in pencil; signed in ink inside the card. $75.
Maple in Late Winter. 1996. Wood engraving printed on a Christmas card. 5 3/8 x 3 15/16 (sheet 6 1/4 x 4 5/8). Printed on white wove paper. Signed and dated in pencil; signed in ink inside the card. $75.
Old Boston & Maine Station, Charlemont. 1989. Wood engraving printed on a Christmas card. 3 7/8 x 5 3/8 (sheet 4 5/8 x 6 1/4). Printed on white wove paper. pencil; signed in ink inside the card. $75.
Seasoning. 1997. Wood engraving printed on a Christmas card. 3 3/4 x 5 3/8 (sheet 4 5/8 x 6 1/4). Printed on white wove paper. Signed and dated in pencil; signed in ink inside the card. $75.
Shelburne Hills, Winter. 1988. Wood engraving printed on a Christmas card. 2 5/8 x 6 15/16 (sheet 4 x 9). Printed on white wove paper. Signed and dated in pensil; signed in ink inside the card $75.
Snow Patterns. 1999. Wood engraving printed on a Christmas card. 5 7/16 x 3 15/16 (sheet 6 1/4 x 4 5/8). Printed on white wove paper. pencil; signed in ink inside the card. $75.
Stream in Hawley. 2000. Wood engraving printed on a Christmas card. 3 3/4 x 5 7/16 (sheet 4 5/8 x 6 1/4). Printed on white wove paper. Signed and dated in pencil; signed in ink inside the card. $75.
Whitetail in Winter. 1998. Wood engraving printed on a Christmas card. 3 3/16 x 4 7/16 (sheet 4 1/4 x 5 1/2). Printed on white wove paper. Signed and dated in pencil; signed in ink inside the card. $75.
Winter in Charlemont. 1985. Wood engraving printed on a Christmas card. 3 3/4 x 5 7/16 (sheet 4 1/2 x 6 1/4). Printed on white wove paper. Signed and dated in pencil; signed in ink inside the card. $75.
Winter on the Deerfield. 1994. Wood engraving printed on a Christmas card. 3 7/8 x 5 9/16 (sheet 4 5/8 x 6 1/4). Printed on white wove paper. Signed and dated in pencil; signed in ink inside the card. $75.
Winter Scene, Charlemont. 1987. Wood engraving printed on a Christmas card. 3 1/2 x 5 1/2 (sheet 4 1/2 x 6 1/4). Printed on white wove paper. Signed and dated inpencil; signed in ink inside the card. $75.
Sculpture Study. c. 1930. Pencil drawing. 5 x 11 (sheet 12 5/16 x 15 15/16). Drawn on light brown, thick, wove paper. Signed in pencil. $50.
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A Bend in the Road. c. 1934. Linocut. 4 1/2 x 4 (sheet 7 x 4 7/8). A strong impression printed on hand-made paper. Engraved on the block by the artist himself. Signed and dedicated "my grateful appreciation of Carl Fro Kallog and all his family" in pencil. $125.
[Winter Storm]. c. 1934. Linocut. 3 13/16 x 3 1/8 (sheet 7 x 4 7/8). A strong impression printed on hand-made paper. Engraved on the block by the artist himself. Signed in pencil. $125.
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Composition. 1958. Lithograph printed in colors. 11 3/4 x 8 5/8 (sheet 12 15/16 x 9 7/8). Edition 300, #147. Published by the Galerie de France, 3, Faubourg Saint Honore, Paris, January 1958. Signed and numbered in ink. $125.
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Landscape. 1932. Etching. 5 1/2 x 12 (sheet 11 3/8 x 16 3/4). A rich impression printed in black-brown ink on cream wove paper. Signed in pencil. $150.
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Landscapes
Florida Pines. c. 1932. Etching. 4 x 4 3/4 (sheet 8 x 8 7/8). A rich impression with plate tone, printed on cream wove paper. Signed and titled in pencil. $175.
Idylle. c. 1935. Drypoint. 7 15/16 x 8 7/8 (sheet 12 x 14 1/4). Edition 12. A rich impression with plate tone printed on Japanese vellum. Signed, titled and annotated 'Ed. 12' in pencil. $150.
[Kent Hills, CT]. c. 1930. Soft ground etching. 4 x 4 3/4 (sheet 9 1/4 x 11 3/8). Printed on cream laid paper. Signed in pencil. $75.
[Woodland Interior # 4]. 1930. Etching. Miniature print. 2 1/2 x 3 1/2 (sheet 4 5/8 x 5 1/2). Printed in sepia ink on cream wove paper. Signed in pencil. $75.
Riverscapes
The Hurrying River. 1925. Drypoint. 6 7/8 x 9 (sheet 11 x 14 7/16). Awarded the Bryan Prize for the Best American Print, 6th International Print Makers Exhibition, Los Angeles, 1926. Printed on cream wove paper. Signed, titled and annotated 'drypoint', '$25', 'plate #1' and 'So KENT CONN' in pencil. $175.
Lane's Falls. 1930. Etching. Nisbet 39. 6 7/8 x 5 (sheet 12 1/2 x 9 3/4). Printed with plate tone on white wove paper with deckle edges. Signed, titled, numbered and annotated '$15' in pencil. $75.
Rushing Waters. 1940. Etching. 4 x 5 (sheet 5 13/16 x 6 1/2). Printed with plate tone on cream wove paper. Signed, titled and annotated '$10' and '98' in pencil. $75.
Rushing Waters No. 2. 1940. Etching and drypoint. Miniature print. 2 1/2 x 3 7/16 (sheet 4 1/2 x 6 5/8). Printed with plate tone on cream wove paper. Initialed and annotated 'null' in pencil. $95.
[Summer Day]. 1930. Etching. Nisbet 60. 7 7/8 x 9 3/4 (sheet 11 1/8 x 13). A rich impression with plate tone printed on cream wove paper with two sides deckle edges. Signed and numbered in pencil. $175.
Seascapes
[Bowe's Rocks No. 2], South Portland, ME. 1930. Etching. 4 x 5 (sheet 7 1/16 x 8 9/16). Printed on cream wove paper. Signed and annotated '1st proof' and '1' in pencil. $75.
Ledge at Harrings. Etching. 4 x 5 (sheet 9 1/2 x 12 5/8). Printed on cream wove 'Van Gelder Zonen Holland' watermarked paper with deckle edges. There are tack holes along the margins from drying. Signed, titled, numbered and annotated '$12' in pencil. $75.
Maine Coast No. 2. c. 1940. Drypoint. 4 x 4 15/16 (sheet 6 1/16 x 8 1/2). Printed with plate tone on cream wove paper. Signed in pencil. $75.
[Maine Coast No. 3]. c. 1940. Etching. 1 5/8 x 3 1/8 (sheet 6 3/8 x 8 1/8). Printed on cream wove paper. Signed and annotated '1st try' in pencil. $95.
[Maine Coast No. 4]. c. 1940. Drypoint. Miniature print. 2 7/16 x 3 3/8 (sheet 4 7/8 x 5 15/16). Printed on cream wove paper. Signed in pencil. $95.
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The Artist. 1959. Lithograph. 8 5/8 x 12 (sheet 13 x 16 3/4). Edition 250, #111. A richly-inked impression prints on white wove paper, on the full sheet with deckle edges. Signed, titled and numbered in pencil. Although this is not a self-portrait, it is dramatic rendering based upon the artist's image. $150.
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Fitzi. 1920. Color drypoint. 3 1/2 x 3 13/16 (sheet 9 3/4 x 7 9/16). This is a picture of a Japanese Chin dog. Printed on cream laid paper. Signed and titled in pencil. $175.
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The Ginza. c. 1950. Color serigraph. 15 x 21. Edition 30, #26. Affixed to a backing board. "The Ginza" referrs to the Japanese shopping district, much like Manhattan's Fifth Avenue. Signed and numbered in pencil. $175.
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[Husband and Wife]. 1933. Silhouettes cut from black paper and mounted on cream wove paper. Stamp verso reads: 'Beatrix Sherman Silhouettes General Exhibits Building, Unit 4 Chicago World's Fair Beatrix Sherman Silhouettes The Studio 15 E. 26th St. N.Y. City'. The male silhouette is signed and dated in ink. $175 for the pair.
Falls in Alum Rock Park, San Jose, California 1887. Etching. 11 3/4 x 8 (sheet 12 5/8 x 8 7/8). As published in Picturesque California. 1888. A rich, tonal impression printed wit plate tone on cream wove paper. Signed in the plate. $100.
Cape Cod Cottage, Storrowton. c. 1955. Linoleum cut. 5 3/4 x 7 7/8. A fine impression printed in Japanese mulberry paper. Signed in pencil. $125.
Church and Schoolhouse, Storrowton. c. 1955. Linoleum cut. 6 x 8. A fine impression printed in Japanese mulberry paper. Signed in pencil. $125.
Red School House, Storrowton. c. 1955. Linoleum cut. 7 1/2 x 6. A fine impression printed in Japanese mulberry paper. Signed in pencil. $125 in black and white; $175 in color.
Town Hall, Storrowton. c. 1955. Linoleum cut. 6 x 8. A fine impression printed in Japanese mulberry paper. Signed in pencil. $125.
[Coal Wagons, San Francisco Pier]. c. 1926. Woodcut.6 7/8 x 7 7/8 (sheet 10 3/8 x 11 1/2). A fine impression printed on 'Japanese mulberry paper. Tear in the upper margin, well outside the image. Titled illegibly and signed in pencil. $125.
Nature Studies
After Cat (after a drawing by Eric). c. 1964. Linoleum cut. 3 1/8 x 4 1/2 (sheet 5 3/4 x 7 3/8). Edition 6, #1. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $175.
Cricket. c. 1964. Linoleum cut. 3 x 5 (sheet 6 1/2 x 10 1/4). Edition 32, #8. The vertical line above the cricket is actually a piece of mulberry fiber inherent in the paper. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $175.
Fledgling. c. 1964. Linoleum cut. 3 x 2 (sheet 8 x 6). Edition 16, #2. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $75.
Worm Hunter c. 1964. Linoleum cut. 4 x 6 1/2 (sheet 9 3/4 x 15). Edition 16, #12. A fine impression printed on textured Japanese mulberry paper. Signed, titled and numbered in pencil. $175.
Figure Studies
The Juggler c. 1964. Linoleum cut printed in colors. 8 1/2 x 9 (sheet 16 1/2 x 10 1/2). Edition 48, #11. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $175.
Statue-Fisherboy 1967. Linoleum cut. 9 1/2 x 7 5/8 (sheet 11 x 13 3/8). Edition 16, #1. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $100.
Waiting for Sue c. 1964. Linoleum cut. 7 x 6 (sheet 8 3/4 x 10 1/2). Edition 16, #15. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $100.
Love Images
Love c. 1964. Linoleum cut. 3 1/4 x 2 7/8 (sheet 6 5/8 x 4 3/4). Edition 64, #22. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $175.
Valentine's Day (from The Tempest by William Shakespeare) 1965. Linoleum cut. 5 x 4 3/4 (sheet 8 5/8 x 10 3/8). Edition 16, #6. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $175.
Landscape Studies
Cliff House c. 1964. Linoleum cut. 3 x 4 (sheet 7 x 8 1/2). Edition 32, #1. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $125.
Plant Form c. 1964. Linoleum cut. 10 x 4 3/8 (sheet 14 3/4 x 10). Edition 24, #17. A fine impression printed on 'Weston' wove paper. Signed, titled and numbered in pencil. $225/pair.
Plant Form c. 1964. Linoleum cut. 10 x 4 3/8 (sheet 14 3/4 x 10). Edition 24, #12. A fine impression printed on blue-toned Japanese mulberry paper. Unsigned; numbered in pencil. $225/pair.
River (mirror-image calligraph) c. 1964. Linoleum cut. 14 1/8 x 8 (sheet 19 x 13). Edition 32, #5. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $250.
The Seed 2 c. 1964. Linoleum cut. 6 3/8 x 2 1/2 (sheet 13 5/8 x 10 1/8). Edition 24, #1. A fine impression printed on textured Japanese mulberry paper. Signed, titled and numbered in pencil. $125.
Star Fragment 1966. Linoleum cut. 1 1/4 x 1 1/2 (sheet 5 7/8 x 7 1/2). Edition 64, #1. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $75.
Storm Tree c. 1962. Linoleum cut. 8 1/2 x 7 1/4 (sheet 13 x 10 1/4). Edition 20, #10. A fine impression printed on Japanese mulberry paper. Signed, titled and numbered in pencil. $125.
Storm April 24, 1962. Linoleum cut. 8 3/4 x 4 7/8 (sheet 9 1/8 x 13). #1. A fine impression printed on Japanese mulberry paper. Signed, dated, titled and numbered in pencil. $75.
A fascinating look into the artist's working method of reducing the image.
Last but not Least!
Little Caboose c. 1964. Linoleum cut. 4 x 3 1/2 (sheet 10 x 10 3/4). Edition 20, #19. A fine impression printed in red ink on yellow-tan Japanese mulberry paper. Signed, titled and numbered in pencil. $125.
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Rue de l'Horloge, Rouen. c.1915. Etching and drypoint. 12 7/8 x 7 7/8 (sheet 18 7/8 x 13 1/2). A rich impression with plate tone and drypoint burr, printed on cream wove paper. Slight foxing in the left-hand margin; other wise fine condition. A large, dramatic sweeping view of the landscape, town and castle. Signed and titled in pencil. $200.
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A Fish and Poultry Shop. (After Frans van Mieris I, 1635-1681). 1778. Engraving. 14 x 10 5/8 (sheet 17 3/16 x 12 9/16). Printed for R. Sawyer and J. Bennett. Number 53 Fleet Street as the Act directs, Octr 4, 1778. Printed on 'W King Alton Mill' wove paper. Signed, dated and titled in the plate. $75.
William Cowper Esqr. (After Thomas Lawrence 1769-1830). 1806. Stipple engraving. 11 x 8 (sheet 12 1/8 x 9 5/8). Published by J. Johnson, St. Paul's Church Yard, January 1, 1806. Printed on cream wove paper. Signed, dated and titled in the plate. $125. 1/4 (sheet 10 x 7 1/2). Published in Modern Woodcutters. Printed on cream wove paper with one side deckle edge. Unsigned. $75.
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A Man of Duke of the Duke of York's Island/ A Man of Lord Howe's Island. (Papua, New Guinea, and Australia, Tasman Sea, respectively.) 1794. Steel engraving. 7 1/4 x 8 3/4 (sheet). As published in, George Augustus Baldwyn, A New, Royal, Authentic, Complete, and Universal System of Geography; or, a Modern History and Description of the Whole World.. Descriptions of Europe, Asia, Africa, and America... including... the Late Discoveries in the South Seas, and towards the North Pole... Comprising every Interesting Discovery and Circumstance in the Narratives of Captain Cook's Voyages round the World. One of 87 engraved plates and maps. There an engraving of A Family of New South Wales on the top half of the sheet. Published by Alex Hogg, March 1, 1794. Several repaired tears. Unsigned. $50.
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Calle di Mezzo. (Italy). c. 1894. Etching. 6 7/8 x 4 3/16 (sheet 10 15/16 x 8 7/8). A rich impression with plate tone printed on 'Wrigley' laid paper. As published in 'The Quarto', 1896. Signed and dated in the plate. $75.
Burridge only etched 16 plates, hence his fine prints are extremely rare.
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Waiting to Pass. River Tigris. 1924. Drypoint. 4 1/8 x 8 1/2 (sheet 8 1/2 x 12 7/8). Printed on cream wove paper. A brilliant impression in pristine condition. Signed, titled and annotated in pencil. $175.
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West Bow, Edinburgh. c. 1847. Lithograph by Harding after a drawing by Cattermole. 16 3/4 x 11 9/16 (sheet 21 1/2 x 14). From the portfolio "Scotland Delineated in a Series of Views," originally produced for John Parker Lawson and published by E,Gambart in London and Edinburgh, 1849 - 1854. Lithographed by Day and Son. There were several printings. This is probably from the first edition, volume 1. Printed on heavy off-white wove paper. Good condition apart from scattered foxing. Signed in pencil by Cattermole. $175.
Abbey Church of the Holy Trinity at Caen. East side of the South Transept. 1820. Etching. Image: 9 1/2x 12 3/4; plate: 118 x 14 (sheet 13 3/8 x 19). Series: Architectural Antiquities of Normandy by John Sell Cotman; Accompanied by Historical and Descriptive Notices by Dawson Turner, Esq. F.R. and A.S. Plate 29. Published in London by J. & A. Arch. A fine impression printed on cream wove paper. Signed and titled in the plate. $75.
Abbey Church of the Holy Trinity, Caen. Interior of the Nave, Looking West . 1820. Etching. Image: 9 1/4 x 14 1/2; plate: 10 7/8 x 15 1/2 (sheet 13 3/8 x 19). Series: Architectural Antiquities of Normandy by John Sell Cotman; Accompanied by Historical and Descriptive Notices by Dawson Turner, Esq. F.R. and A.S. Plate 30. Published in London by J. & A. Arch. A fine impression printed on cream wove paper. Signed and titled in the plate. $75.
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St. Paul's. c. 1925. Etching and drypoint.6 3/4 x 5 1/4 (sheet 10 5/8 x 8 7/8). A rich impression printed on cream wove paer. Signed and titled in pencil. $125.
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Lancing College, from Coombes Road. c. 1900. Etching. 7 1/2 x 10 5/8 (sheet 9 7/8 x 14 7/8). Published by W.H. Bergnor and Co., Cheltenham. A fine impression with plate tone, printed on cream paper countermarked 'O.W.P. & A.O.L.' Margins grubby; the image is in good condition. Titled in the plate; signed in pencil. $125.
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Scheregate Steps, Colchester (Essex). c. 1921. Etching. 9 1/2 x 6 3/8 (sheet 13 x 9 1/8). Edition 50. A fine proof printed with plate tone, on Japanese mulberry paper. $150.
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Landscape. 1940. Lithograph. 8 3/8 x 13 (sheet 9 x 13 3/4). Printed on cream wove paper. Edition for the Artists' International Association. There is some scattered foxing throughout the sheet. Unsigned. $125.
English Rose. 1940. Color lithograph. 11 1/2 x 8 (sheet 13 3/4 x 9). Printed on cream wove paper. Edition for the Artists' International Associaion: Everyman Prints. One foxng spot; tear in the lower margin, outside the image. Signed and dated in the stone. $100.
The Rescue. 1940. Lithograph. 12 3/4 x 8 1/8 (sheet 13 3/4 x 9). Printed on cream wove paper. Edition for the Artists' International Associaion: Everyman Prints. Scattered foxing throughout the print. Unsigned. $125.
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Atop the Hill. c. 1930. Etching. 8 1/8 x 5 3/4 (sheet 10 1/2 x 8 1/8). A rich impression printed on cream-colored wove paper. Signed in pencil. $125.
Penmaenpool Bridge. c. 1930. Etching. 4 7/8 x 6 7/8 (sheet 8 x 9 3/4). A rich impression on cream-colored wove paper with full margins. Signed in pencil. $125.
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Religious Image: Prints Published by Douglas Cleverdon
Chalice and Host: Manducaverunt / Et Saturati Sunt Nimis: Non Sunt Fraudati A Desiderio Suo. 1927. Wood engraving. Physick 490. 2 5/8 x 1 3/4 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Made for the Reverend Desmond Chute. Unsigned. $175.
Christ and the Money-Changers: Intravit Jesus in Templus Dei & Ejiciebat Omnes Vendentes & Ementes in Templo. 1919. Wood engraving. Physick 153. 5 1/2 x 3 1/2 (sheet 13 1/16 x 10). Originally published in 'The Game' II, I, Corpus Christi, 1919. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper.
The Last Judgement. 1917. Wood engraving. Physick 107. 1 3/4 x 2 1/4 (sheet 13 x 10). Originally published ina bory published in a broad-sheet (S. Dominic's Press, 1917). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.
Slaughter of the Innocents. 1914. Wood engraving. Physick 18. 2 3/8 x 1 15/16 (sheet 13 1/16 x 9 15/16). Orignally published as the catalogue cover of an exhibition in aid of Belgian Refugees and Nisi Dominus. Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Monogrammed in the block. $175.
Secular Images: Prints Published by Douglas Cleverdon
Actor on Stage. 1920. Wood engraving. Physick 226. 4 1/8 x 7 1/4 (sheet 13 1/16 x 9 7/8). Made for Ditchling Dramatic Club. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.
Bookplates: Girl with Three Scallops: EX LIBRIS / KATE FLETCHER. 1927. Engraving on copper. Physick 492. 3 1/2 x 2 1/4 (sheet 13 1/16 x 9 7/8). Made for Miss Kate Fletcher. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. There is one small, dark spot well outside of the image. Unsigned. $175.
Cartouche for Colophon. 1929. Woodcut. Physick 613. 2 1/4 x 3 5/16 (sheet 13 1/16 x 9 7/8). Printed for Douglas Cleverdon's Engravings by Eric Gill. Printed on cream wove paper. Unsigned. $75.
Device: Spray of Leaves. 1917. Wood engraving. Physick 108. 1 x 1 3/8. Printed for a funeral card and subsequently used for other purposes by S. Dominic's press.
Device: Stalk with Leaves. 1917. Wood engraving. Physick 109. 7/8 x 1. Printed for a funeral card and subsequently used for other purposes by S. Dominic's press.
Device: Initial letter 'O' with Speedwell. 1917. Wood engraving. Physick 110. 1 1/8 x 1 1/8. Printed for a funeral card and subsequently used for other purposes by S. Dominic's press.
Device: Paschal Lamb. 1917. Wood engraving. Physick 192. Originally printed in The Game, Volume I, Number 31 and elsewhere.
Device: Axe and Block. 1917. Wood engraving. Physick 135. 1 1/2 x 1 1/2. Originally printed in The Game, volume II, Number 1; and Woodwork, by A. Romney Green (S. Dominic's press, 1918).
Device: Hangman's Rope. 1917. Wood engraving. Physick 136. 1 1/2 x 2 1/2. Originally printed in The Game, volume II, Number 1; and Woodwork, by A. Romney Green (S. Dominic's press, 1918).
All six wood engravings printed on one sheet of cream wove paper, as published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Unsigned. $175.
Dumb-Driven Cattle. 1915. Wood engraving. Physick 36. 3 3/4 x 3 1/4 (sheet 13 1/8 x 9 15/16). Originally published in 'The Devil's Devices,' by Douglas Pepler (The Hampshire House Workshops, London, 1915). The first 200 copies of the edition of 1,500 were numbered and signed. Two editions of the engravings only (consisting of 15 and 33 sets at 31/6 and 15/- a set respectivly) were issued in the same year. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed in the block. $175.
Initial 'S' with Church. 1916. Wood engraving. Physick 62. 1 x 1. Engraved for S. Dominic's press.
Chalice and Host with Candles. 1916. Woodcut. Physick 53. 1 1/4 x 1.
Hog in a Triangle. 1916. Wood engraving. Physick 58. 1 1/8 x 3/4.
DP and Cross. 1916. Wood engraving. Physick 64. 1 1/4 x 3/8.
Chalice and Host. 1916. Wood engraving. Physick 65. 1 7/16 x 3/4.
All five images printed upon cream laid paper with one side deckle edge (8 x 4 7/8). Unsigned. $175 for the sheet.
My Love among the Lilies. 1925. Wood engraving. Physick 327. 2 x 3 (sheet 13 1/16 x 9 7/8). Originally published in The Song of Songs (Golden Cockerel Press, 1925). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Minimal foxing on the bottom part of the sheet, well outside of the image. Unsigned. $175.
Portrait of: Beatrice Warde. 1926. Wood engraving. Physick 400.ii. 9 x 6 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. There is slight foxing at the bottom of the sheet, well outside of the image. Initialed in the block. $175.
Portrait of: Clare. 1922. Wood engraving. Physick 196. 6 1/2 x 4 1/2 (sheet 13 x 10). This is a portrait of Mrs. H.D.C. Pepler. Printed on the full sheet of cream wove paper. No more than 50 signed prints were issued, unnumbered. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Unsigned. $175.
Portrait of: Eliz. Gill. 1924. Engraving on zinc. Physick 279. 7 x 5 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Titled, monogrammed, dated and annotated 'zinc' in the block. $175.
Portrait of: Gordian Gill. 1924. Engraving on zinc. Physick 280. 8 x 6 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Titled and monogrammed in the block. $175.
Portrait of: A Lady (Moira, Mrs. Robert Gibbings). 1924. Engraving on copper. Physick 296. 7 x 4 1/2 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Signed in the block. $175.
Portrait of: Miss R. Rothstein. 1926. Engraving on copper. Physick 370. 10 x 7 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Monogrammed in the block. $175.
Portrait of: Mrs. Williams of Ditchling. 1924. Wood engraving on sycamore and grain. Physick 270. 8 3/4 x 7 5/8 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed in the block. $175.
Portrait of: Ruth Lowinsky. 1924. Wood engraving. Physick 277. 9 x 6 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed and titled in the block. $175.
Portrait of: Thomas Esmond Lowinsky, Esq. 1924. Wood engraving. Physick 276. 10 5/8 x 7 5/8 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Titled and initialed in the block. $175.
Portrait of: Xenia Noelle Lowinsky. 1924. Wood engraving. Physick 278. 9 x 6 (sheet 13 1/16 x 9 7/8). As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Initialed and titled in the block. $175.
Sculpture: I. 1923. Wood engraving. Physick 227. 3 x 1 1/2 (sheet 13 1/16 x 9 7/8). This is the second state of the engraving, as indicated by the lines cut into dots in the limbs.
Sculpture: II. 1923. Wood engraving. Physick 228. 3 x 2 (sheet 13 1/16 x 9 7/8). Originally published in Sculpture, by Eric Gill (2nd edition, S. Dominic's Press, 1923). Printed on the title page and cover for Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929.
Swineherd. 1925. Wood engraving. Physick 337. 2 1/4 x 3 3/8 (sheet 13 1/16 x 9 7/8). Originally made to be published in The Song of Songs, but was never used As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.
Toilet: N G. 1927. Wood engraving on sycamore, end grain. Physick 256. 4 1/2 x 2 1/2 (sheet 13 1/6 x 9 7/8). Made after a drawing in real life. As published in Engravings by Eric Gill Douglas Cleverdon, Birmingham, England, 1929. Printed on the full sheet of cream wove paper. Unsigned. $175.
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Cripplegate, London. 1884. Etching. 10 x 7 (sheet 12 x 9 1/4). Printed on cream wove paper. Mat line; margins toned. Signed, tdated and titled in the plate. $95.
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Pilgrim. 1930. Line engraving. 1 7/8 x 3 7/8 (sheet 3 3/8 x 4 3/16). Printed on cream wove paper with text on the verso, laid onto a card for support. Signed and annotated 'B' in ink. $175.
Fables of La Fontaine: Unsigned proofs from the book edition.
The Acorn and the Pumpkin. 1927. Line engraving. 6 3/16 x 3 1/2 (sheet 10 1/8 x 6 1/8). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $95.
The Admirable Crichton. 1927. Line engraving. Dodgson 91. 3 3/4 x 2 7/8 (sheet 10 1/8 x 6 1/8). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50
The Judge, the Hospitaler and the Solitary. 1927. Line engraving. 4 x 4 (sheet 10 1/8 x 6). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $75.
The Old Man and the Three Youths. 1927. Line engraving. 6 3/16 x 3 1/2 (sheet 10 x 6 1/4). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $65.
The Shepherd and his Flock. 1927. Line engraving. 3 x 3 3/8 (sheet 10 1/8 x 6 1/8). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50.
The Two Friends. 1927. Line engraving. 6 1/4 x 3 1/2 (sheet 10 x 6 1/4). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50.
The Wolf and the Sportsman. 1927. Line engraving. Dodgson 89. 2 1/4 x 3 1/4 (sheet 10 x 6). Edition 525 in the book printing (there were 15 pre-publication proofs). Series: Fables of La Fontaine. As published in the 1931 Heinemann edition of La Fontaine, translated by Sir Edward Marsh, volume II. Printed on cream wove paper on the full sheet with deckle edges. Unsigned. $50.
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[Road into Town]. c. 1894. Lithograph. 5 5/8 x 8 3/8 (sheet 7 3/8 x 10 1/4). Printed on cream 'MBM' laid paper. Signed in the stone. $75.
[Trees, Hayling Island, Hampshire]. c. 1924. Etching and drypoint. 5 x 7 3/4(sheet 8 1/4 x 11 7/8). A fine impression on cream laid paper watermarked 'FJ Head & Co'. Unsigned. Provenance; the artist's studio. $125.
France
Vienne, France. c. 1920. Etching and drypoint. 7 x 11 7/8 (sheet 10 7/16 x 13 7/8). The right-hand margin extends just beyond the plate mark, due to paper loss from the artist's studio fire. A rich impression with drypoint burr, printed on cream laid paper. Signed in pencil. $100.
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At Dorking. c. 1836. Lithograph. 15 1/8 x 11 1/8 (sheet 22 1/8 x 15 3/5). Printed on grey paper laid onto heavy wove paper. Titled and monogrammed in the stone. Scattered foxing; otherwise good condition. A fine impression. $175.
Shakespeare's Birthplace, Henley Street, Statford-on-Avon. c. 1910. Etching. 6 9/16 x 11 7/8 (sheet 9 7/8 x 15 9/16). A rich impression printed on fine laid paper mounted onto board for support. Some toning, otherwise in good condition. Signed in pencil. $125
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Waterloo Bridge. 1894. Lithograph (auto-lithograph). 7 x 10 1/8 (7 7/8 x 11 4/15). As published in The Studio 4 (1894). Signed in the stone. $75.
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Etchings
All of these etchings are from the artist's personal collection, which was inherited by her neice, Judith Hughes.
Click on the images for larger screens. The larger pictures are hyperlinked.
The Continent
Aiguille de Varens (large plate). Etching. 10 1/16 x 7 13/16 (sheet 16 x 11 3/16). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $125.
Aiguille de Varennes (small plate). Etching and drypoint. First state. 8 7/8 x 5 7/8 (sheet 12 3/4 x 9 7/8). A fine impression on cream-colored paper counterrmarked Arches France, on the full sheet with deckle edges. Before the additional work on the distant town in the foreground. Stamped signature $100.
Aiguille de Varennes (small plate). Etching and drypoint. Second state. 8 7/8 x 5 7/8 (sheet 12 5/8 x 9 3/4). Printed on the full sheet of laid paper with deckle edges. With additional drypoint in the mountain,the town and the foreground. Stamped signature $100.
England
Avalon House, South Place, Penzance: view from the right. Etching. 3 5/8 x 4 11/16 (sheet 6 1/8 x 6 9/16)). Working proof with pencil additions along the roof line. Printed on wove, watermarked paper with deckle edges on three sides. One foxing spot in the left-hand roof. Tack holes in the margin from drying. Stamped signature. $100.
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Avalon House, South Place, Penzance: view from the left. Etching and drypoint. Early proof, before the vertical lines on the white wall, left side and the right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.
Avalon House, South Place, Penzance: view from the left. Etching. Proof with vertical lines on the white wall, left side, and the right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.
Avalon House, South Place, Penzance: view from the left. Etching. Proof with vertical lines on the white wall, left side and hte right-hand roofs. 3 5/8 x 4 11/16 (sheet 6 9/16 x 10 3/8). Proof with more plate tone. Printed on wove, watermarked paper with deckle edges. Stamped signature. $100.
Between the Trees. Etching. 10 7/8 x 7 7/8 (sheet 18 1/4 x 11). Printed on the full sheet of watermarked laid paper with deckle edges. Stamped signature. $175.
Chimney Tops. Etching. 7 3/4 x 6 15/16 (sheet 13 3/4 x 9 3/4). Printed on the full sheet of laid, watermarked paper with deckle edges. Stamped signature. $175.
Cottage -- front view. Etching. 3 5/8 x 3 3/8 (sheet 5 1/16 x 5 1/8). Printed on cream-colored laid paper with a partial watermark. A fine impression. Stamped signature. $75.
Cottage -- front view. Etching. 3 5/8 x 3 3/8 (etching sheet 13/16 x 4 5/8; calendar sheet 9 x 7 1/8). The etching is hinged onto a backing board. A sheet of parchment paper is the front mount; a 1937 calendar is affixed to the parchment paper. An orange ribbon, tied in a bow, holds the front and back mount together. Stamped signature. $175.
Cottage -- side view. Etching. 3 1/2 x 4 3/16 (sheet 4 5/8 x 6 1/16). Printed on cream wove paper with deckle edges on three sides. Stamped signature. $75.
Cottage and Barn. Etching. 4 11/16 x 3 5/8 (sheet 10 1/2 x 7 1/4). Printed on the full sheet of laid watermarked paper with deckle edges. Stamped signature. $100.
Cottage and Stonewall. Etching. 6 15/16 x 8 7/8 (sheet 9 1/4 x 12 9/16). Printed on laid, watermarked paper with deckle edges. Stamped signature. $175.
Farmyard from the Stone Wall. Etching. 6 x 7 7/8 (sheet 9 3/16 x 12 11/16). Printed on the full sheet of watermarked laid paper with deckle edges. Stamped signature. $175.
Folly Seen Through the Pine Trees. Etching. 3 1/4 x 3 7/16 (sheet 9 1/4 x 6 13/16). Printed on laid paper with deckle edges. Stamped signature. $100.
Four Trees: Farm in the Distance. Etching. Second state. 5 15/16 x 3 11/16 (sheet 8 1/2 x 8 9/16). A rich impression on cream-colored wove paper with deckle edges on two sides. Stamped signature. $100.
Four Trees: Farm in the Distance. Etching with 1939 calendar affixed to the sheet (12 7/8 x 8 3/4). Stamped signature. $175.
From Below the Farm. Soft-ground etching. 6 13/16 x 4 15/16 (sheet 9 1/4 x 6 5/8). Printed on 'Imitation Steinbach' laid paper. The artist's soft ground etchings are very rare. A frine printing with tonal wiping. Stamped signature. $150.
Landsend (The Cove). Etching. 6 1/4 x 6 1/8 (sheet 12 5/8 x 9 1/4). Printed on the full sheet of laid, watermarked paper with deckle edges. Unique proof touched with watercolour in the top, to the left of the pointed rock. Stamped signature. $175.
Landsend (The Cove). Etching. 6 1/4 x 6 1/8 (sheet 12 5/8 x 9 1/4). Printed on the full sheet of laid, watermarked paper with deckle edges. Annotated "working proof" in the upper left corner. Stamped signature. $150.
Mill Wheel with Sycamore. Etching. 7 7/8 x 5 15/16 (sheet 11 7/16 x 9 1/8). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $150.
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Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 3 1/4 x 4 3/8). Three working proofs, printed on cream wove paper. Stamped signature verso. $300 for the set of three:
a. Before the addition of the tree on the left; hint of conte crayon to suggest smoke over the roof, and faint outlines of another tree between the two on the right.
b. Before the addition of the tree on the left; conte crayon over the crees and roof on the left, and faint outlines of another tree branch between the two trees on the right.
c. With the addition of the tree on the left; conte crayon outlines of another tree between the two on the right.


Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 9 3/16 x 6 7/8). Final state with the addition of the tree on the left and an additional branch on the next tree to the right. Printed on the full sheet of pale cream-colored wove paper with deckle edges. Tied to a separate support board with a brown ribbone tied in a bow. Preparatory for a calendar. Stamped signature. $125.
Old Watermill. Etching. 2 5/8 x 3 7/16 (sheet 9 1/4 x 6 7/8). Final state with the addition of the tree on the left and an additional branch on the next tree to the right. A 1938 calendar is affixed to the etching sheet. Printed on the full sheet of pale cream-colored wove paper with deckle edges. Tied to a separate support board with a brown ribbon tied in a bow. Stamped signature. $175.
Penzance Church from the Harbour over Dry Dock. Etching. 7 1/2 x 7 1/8 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream laid paper with deckle edges. Stamped signature. $175.
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Pollarded Trees. Pencil study for the etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Drawn on cream wove paper of the verso of the etching. $125
Pollarded Trees. Etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Printed on wove paper with deckle edges on two sides; a corner of the paper missing, outside the image. Stamped signature. $125.
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Pollarded Trees. Etching. 5 x 4 3/8 (sheet 6 3/4 x 6 3/8). Printed on cream wove paper in black ink. Working proof touched with white watercolour. Stamped signature. $125.
Pollarded Trees. Etching. 5 x 4 3/8 (sheet 9 7/84 x 7 5/8). Printed on cream wove paper. Printed on the full sheet of cream wove paper, with deckle edges. Tack holes in the margins from drying. A richly inked impression is brown/black ink. Stamped signature. $125.
Quarry. Etching and drypoint. 6 3/4 x 7 3/4 (sheet 9 1/8 x 12 1/2). Printed on the full sheet of pale cream-colored laid paper with an "F.G. Head & Co." watermark. A rich impression in excellent condition, on the full sheet with deckle edges. Stamped signature. $175.
Rock Faces. Etching. 10 7/8 x 7 7/8 (sheet 16 x 11 5/8). Printed on the full sheet of cream laid paper with deckle edges. Pencil signature. $150.
Rookery. Etching with 1939 calendar affixed to the sheet 3 3/8 x 4 7/8 (sheet 10 7/8 x 8 3/4). Stamped signature. $175.
Sycamore and Rooftops. Etching. 7 7/8 x 5 3/4 (sheet 12 5/8 x 9 1/16). A rich impression on "England" watermarked pale cream-colored laid paper. Printed on the full sheet with deckle edges. Stamped signature. $175.
Tall Trees. Etching. 9 3/4 x 7 3/4 (sheet 13 7/16 x 9 7/8). Printed on the full sheet of cream-colored laid paper with deckle edges on three sides. Stamped signature. $175.
Three Trees. Etching. 4 15/16 x 5 7/8 (sheet 6 1/4 x 10 3/8). Printed on wove paper with deckle edges. Stamped signature. $175.
Trees Overlooking the Cliffs. Etching. 4 5/8 x 5 7/16 (sheet 6 1/8 x 9 5/8). Printed on laid paper with deckle edges. Stamped signature. $175.
Trees Overlooking the Town. Etching. 7 13/16 x 10 7/16 (sheet 10 1/8 x 15 1/2). Printed on the full sheet of laid, watermarked paper with deckle edges. Stamped signature. $225. Another impression annotated "proof" in pencil; stamped signature. $175.
Trees With Two Birds. Etching. 5 15/16 x 6 15/16 (sheet 9 1/16 x 11 7/16). Printed on the full sheet of laid watermarked paper with deckle edges. Stamped signature. $150.
Trewoofe: Old Doorway. 1909. Etching. 2 3/4 x 3 3/8 (sheet 4 3/4 x 5 11/16). Card. Stamped signature. $100.
Windblown Trees. Etching. 3 x 5 3/8 (sheet 5 9/16 x 10 1/4). Printed on wove paper. Stamped signature. $100.
Wood Above the House. Etching. 6 3/4 x 4 7/8 (sheet 9 7/8 x 7 5/8). Printed on laid paper with deckle edges. A extremely rich impression. Annotated verso by the artist, 'Inst[ructions] - put heavy French transport g[round] or 1/2 & 1/2 ground by Blind". Stamped signature. $175.
Woodland Farmyard. Etching and drypoint. First state. 7 7/8 x 5 7/8 (sheet 12 5/8 x 9 11/16). Printed on the full sheet of "Arc[hes]" laid paper with deckle edges. Stamped signature. $175.
Woodland Farmyard. Etching and drypoint. Second state with additional drypoint on the trees and buildings. 7 7/8 x 5 7/8 (sheet 12 11/16 x 9 5/8). Printed on the full sheet of laid paper with deckle edges. Stamped signature. $175.
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Landscape--Dunwich, Sea to Left. c. 1869-70. Etching. Not mentioned by Béraldi; Chesson 18. 5 1/2 x 6 15/16 (sheet 7 1/4 x 9). Edition 150. From the 1903 posthumous edition Twenty-One Etchings by Charles S. Keene, with an introduction and notes by M.H. Spielmann, plates printed by Frederick Goulding, for the Astolat Press, London. No edition of the prints was published during Keene's lifetime. A rich impression printed on Japanese paper. Initialed in the plate. $175.
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[Pastoral Landscape with Cows]. 1880. Etching. 4 3/4 x 6 13/16 (sheet 7 3/4 x 10 7/16). Printed with plate tone on simili-Japan paper. Signed in pencil. $95.
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The Church at Ronda. c. 1932. Etching. 8 13/16 x 11 5/16 (sheet 11 9/16 x 18 3/16). A fine impression with rich plate tone printed on a full sheet of 'Charles I' cream laid paper with deckle edges. Numbered 'XXXII A' in ink. Signed in ink. $175.
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[Two Frogs]. c. 1925. Etching and aquatint with watercolor. 6 7/8 x 8 13/16 (sheet 8 7/8 x 9 15/16). Printed on cream wove paper from a book. Unsigned. $75.
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The Dart. c.1920. Drypoint. Brinton 11. 7 1/2 x 12 7/8 (sheet 10 7/8 x 17). A rich impression with plate tone printed on white wove paper. Signed in pencil. $175.
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[Balloons]. c. 1928. Etching. 8 3/4 x 5 5/8 (sheet 13 7/8 x 9 3/4). Printed on cream laid paper. Slightly toned; otherwise in fine condition. Signed in pencil. $125.
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Holy Trinity Church, Bardsea. Watercolor on cardboard. 7 3/4 x 9 1/4. Provenance: studio of the artist's father, Olive Hall. Unsigned. $150.
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Old Town Hall, Dunbar. c. 1910. Etching. 11 x 7 5/8 (sheet 17 1/2 x 11 1/8). A fine impressionprinted with plate tone on cream laid paper with full margins. Signed in pencil. $200.
Palace Doorway, Holyrood. c. 1910. Etching. 11 x 7 1/2 (sheet 17 1/2 x 11). A fine impressionprinted with plate tone on cream simili-Japon paper with full margins. Signed in pencil. $200.
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Cornhill and the Royal Exchange. c. 1930. Etching. 5 1/4 x 7 1/4 (sheet 8 3/8 x 11). A rich impression with plate tone, printed on cream wove paper. Signed in pencil. $100.
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Winter Sunshine. 1927. Etching. 8 5/8 x 7 (sheet 15 1/2 x 10 3/8). Edition 50, #3. Illustrated: Fine Prints of the Year, 1930. A very fine impression with plate tone. Printed on the full sheet of cream laid paper watermarked "England." Signed, titled and numbered in pencil. $125.
Bovenkerek, Kampen, Overijssel (the Netherlands) c. 1925. Etching. 9 x 11 7/8 (sheet 11 1/4 x 16). A rich impression printedon cream wove paper with full margins. Signed in pencil. $200.
Cathedral of St Sauveur, Bruges, Belgium. c. 1925. Etching. 13 x 9 5/8 (sheet 16 1/2 x 12 3/18). A rich impression printed with plate tone on dark cream wove paper with full margins. Signed in pencil. $200.
Church of Saint Nicholas, Amsterdam. c. 1925. Etching. 10 x 13 7/8 (sheet 12 3/4 x 17 3/16). A rich impression printed with plate tone on cream wove paper with full margins. Signed in pencil. $200.
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Wild Field. c. 1940. Lithograph. 6 x 8 (sheet 8 1/4 x 11). Edition 12, #4. A fine impression printed on white wove paper. Signed, titled and numbered in pencil. $75.
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Barge. Blue ink drawing. 4 1/2 x 7. Drawn on cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $95.
Barge Along the Thames. c. 1950. Blue pencil drawing. 5 9/16 x 9 1/16 (sheet 7 3/8 x 11 1/16). Provenance: a collection of Smart etchings, drawings and watercolors. Drawn on cream laid paper. Unsigned. $125.
Boathouse Near Weybridge.(Surrey) Watercolor. 5 7/8 x 8 3/8 (sheet 7 1/2 x 9 5/8). Painted on cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled and initialed in ink, verso. Signed in pencil, lower right. $175.
Boston. (Lincolnshire) Watercolor. 8 3/4 x 10 3/4 (sheet 8 7/8 x 11 1/6). Drawn on wove watercolor paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $150.
Corfe (Castle, Dorset). Watercolor. 8 3/8 x 11 11/16. Painted upon cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in pencil, verso. Signed in ink, lower right. $100.
{A Country Road}. c. 1921. Pencil drawing. 5 3/16 x 6 11/16. Drawn on watermarked laid paper from a sketchbook. Provenance: a collection of Smart etchings, drawings and watercolors. Signed in pencil, lower right. $125.
Croyland. (Crowland)[Ruins of Croyland Abbey, Lincolnshire]. c. 1924. Watercolor. 10 1/4 x 6 13/16. Painted on heavy cream watercolor paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in ink, verso. Signed in ink, lower right. $150.
Early Morning. (Durham). c. 1912. Etching. 7 1/8 x 12 1/4 (8 3/4 x 13 3/8). Provenance: collection of Smart etchings, drawings and watercolors. Printed on cream laid paper. Signed in pencil, lower right. Exhibited at the Royal Academy in 1950. $125.
In Fenland. Watercolor. 6 7/8 x 10 5/16. Painted on cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in pencil, lower left. $125.
Lowtide Bosham. c. 1918. Crayon drawing. 5 7/16 x 7 3/8. Drawn on cream watermarked laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $85.
Smart exhibited an etching of this title at the Royal Academy in 1918.
{Moored Boats}. c. 1935. Pencil drawing. 5 1/8 x 6 3/4. Drawn on tan watermarked laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Unsigned. $125.
Parrog, Pembrokeshire. Watercolor. 5 3/4 x 9. Painted on cream laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled and numbered in pencil, verso. Signed in pencil, lower left. $175.
Repairs to S.T. John Wilson.(London) c. 1912. Crayon drawing. 7 13/16 x 8 3/4. Provenance: a collection of Smart etchings, drawings and watercolors. Sketch of a trawler, verso. Signed and titled in ink. $175.
Richmond, Yorkshire. c. 1900. Ink drawing. 10 3/8 x 14 15/16 (sheet 11 x 15 1/2). Drawn on heavy cream wove paper. Provenance: a collection of Smart etchings, drawings and watercolors. Signed, titled, and dated in pencil, lower right. $125.
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Octagon Gallery on Ludgate Hill. (London). Pencil drawing. 9 15/16 x 7 1/8 (sheet). Drawn on cream laid paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in pencil, upper right and lower right. $175.
St. Martin's Church, Ludgate Hill. (London). Pencil drawing. 10 x 9 7/8 (sheet 14 7/8 x 11). Provenance: a collection of Smart etchings, drawings and watercolors. Drawn on cream wove paper. There is a horizontal fold in the center, and there are tack holes in ther four corners from exhibition. Unsigned. $175.
The Octagon Gallery is located on Ludgate Hill in London. The main building in the Gallery is St. Martin's Church, which was designed by Sir Christopher Wren.
Thames Barge. c. 1915. Russet pencil drawing. 10 3/4 x 14 3/8. Drawn on cream wove paper with deckle edges on two sides. There is a vertical center fold in the paper. Provenance: a collection of Smart etchings, drawings and watercolors. Annotated 'all lower deck grey hull brown deck houses' in brown pencil, lower right. $100.
Thames Shipping. c. 1935. Blue ink drawing. 5 3/4 x 8 15/16. Drawn on tan wove paper from a sketchbook. Provenance: a collection of Smart etchings, drawings and watercolors. Writing and tugboat dawing in pencil, verso. Monogrammed, titled and dated lower left. $125.
Beynac. (France). Watercolor. 8 7/8 x 14. Provenance: a collection of Smart etchings, drawings and watercolors. Signed in ink, lower right. Signed and titled in pencil, verso. $175.
La Chantre. Pencil drawing. 8 3/16 x 9 1/2. Provenance: a collection of Smart etchings, drawings and watercolors. Titled in pencil, lower left. Signed in pencil, lower right. $125.
Le Château Gaillard, from across the Seine. (France). c. 1908. Pencil drawing. 6 1/2 x 10 7/8 (sheet 7 x 11 5/16). Provenance: a collection of Smart etchings, drawings and watercolors. Drawn on tan wove paper. Signed and titled in pencil, lower right. $175.
Granville. (France). c. 1937. Watercolor. 11 3/16 x 8 1/4. Provenance: a collection of Smart etchings, drawings and watercolors. Painted upon heavy watercolor paper. Signed in pencil, lower left. $150.
The Harbour, Fécamp. c. 1929. Pencil drawing. 6 1/4 x 10 9/16. Provenance: a collection of Smart etchings, drawings and watercolors. Signed and titled in ink; dated in pencil, lower right. Excellent condition. $100.
Montreuil-sur-mer. (The Citadel) Watercolor. 9 1/4 x 13 1/2 (sheet 10 1/4 x 14 1/2). Provenance: a collection of Smart etchings, drawings and watercolors. Signed in ink, lower right; also signed and titled verso. $175.
{Provins}. (France). Pencil Drawings. 11 3/8 x 9. Drawn on wove watercolor paper. Provenance: a collection of Smart etchings, drawings and watercolors. Titled and numbered in pencil, verso. Signed in pencil, lower right. $125.
Toledo Bridge, No. 5. 1911. Etching and drypoint. 7 1/2 x 7 (sheet 10 5/16 x 7 1/2). A rich impression printed on cream wove paper. Monogrammed and dated lower left in the plate. Titled in pencil, lower left. Signed in pencil, lower right. $150.
After Work. Etching and mezzotint. David Strang 8, William Strang 551. 2 7/8 x 4 (sheet 4 1/4 x 5 7/16). A rich impression printed on cream laid paper. Printed by David Strang. Annotated in pencil, 'David Strang imp' and 'Wm Strang fec. DS'. The artist is the figure seated to the right. $175.
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Durham Cathedral. 1978. Color serigraph. 9 1/2 x 12 1/2 (sheet 12 1/2 x 15). Edition 200, #46. Signed, numbered, and titled in pencil. $125.
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Scheregate Steps, Colchester (Essex). c. 1921. Etching. 9 1/2 x 6 3/8 (sheet 13 x 9 1/8). Edition 50. A fine proof printed with plate tone, on Japanese mulberry paper. $150.
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St. Michael de Chardonnet, Paris. c. 1915. Etching and drypoint. 13 1/2 x9 1/2 (sheet 15 3/4 x 11). A rich impression printed on simili-Japon paper. Signed in pencil. $200.
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Tower Bridge (London) Soft ground etching. 8 3/16 x 6 1/2 (sheet 14 1/8 x 10 5/8). Variant of an image published by the Print Society, London, 1923. Printed on cream wove paper. Slight foxing in the margins, not affecting the image. Signed and dated in the plate; signed in pencil. $175.
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Moulin de Pierre (The Stone Windmill). c. 1930. Etching. 4 7/8 x 8 1/8 (sheet 7 1/8 x 10 1/16). Edition 50, #6. A fine impression printed on the full sheet of cream laid paper. Monogrammed in the plate; signed, numbered and titled in pencil. $200.
Le Portail (The Gate. Frotenac). c. 1930. Etching. 4 1/16 x 2 3/4 (sheet 5 11/16 x 4). Edition 30, #20. A fine impression printed on the full sheet of cream wove paper. Signed and titled in pencil; annotated 'Frontenac' and monogrammed in the plate. $125.
La Vierge au Serpent. (Lady with a Snake). 1876. Etching. 4 3/8 x 3 (sheet 10 3/4 x 7 1/4). Printed by Delâtre on tan laid paper. As published in Paris à l'eau-forte. Signed in the plate. $65.
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[Lovers]. 1876. Etching. 4 3/4 x 4 1/16 (sheet 10 5/8 x 7 1/8). Printed on tan laid paper. Visible plate mark. As published in Paris à l'eauforte. Signed in the plate. $50.
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[Standing Nude]. c. 1915. Lithograph. 9 1/4 x 5. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered II in pencil. $175.
[Washing I]. Lithograph. c. 1915. 8 1/4 x 6 3/4. Printed on cream wove paper. Excellent impression and condition. Signed in the stone; signed and and numbered 106 in pencil. $175.
[Washing II]. Lithograph. c. 1915. 13 1/8 x 7 1/8. Printed on cream wove paper. Excellent impression and condition. Signed in the stone; signed and and numbered 3 in pencil. $175.
[Washing III]. c. 1915. Lithograph. 11 x 5 1/16. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone and in pencil. $175.
[Dressing II.] c. 1915. Lithograph. 11 1/16 x 5. Printed on tan wove newsprint-type paper. Excellent impression and condition. Signed in the stone and in pencil. $175.
[Dressing Table I]. c. 1915. Lithograph. 15 7/8 x 8 1/8. Printed on cream wove paper. Excellent impression and condition. Signed in the stone; signed and and in pencil. $175.
[Dressing Table III.] c. 1915. Lithograph. 15 7/8 x 8 1/8. Printed on tan wove newsprint-type paper. Excellent impression and condition. Signed in the stone and in pencil. $175.
[Lingerie]. Lithograph. c. 1915. 11 1/2 x 9 3/8. Printed on cream wove paper. Excellent impression and condition. Signed in the stone; signed and and numbered 8 in pencil. $175.
[The New Dress]. c. 1915. Lithograph. 14 x 10 1/2. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered 25 in pencil. $175.
[Putting on Her Shoe]. c. 1915. Lithograph. 9 1/8 x 4 7/8. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered 63 in pencil. $175.
[Adjusting Her Stocking]. c. 1915. Lithograph. 14 1/2 x 9 3/4. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone and in pencil. $175.
Dancing. c. 1915. Lithograph. 13 1/16 x 9. Printed on tan wove newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered 4 in pencil. $175.
Tango. c. 1915. Lithograph. 13 1/2 x 9 3/8. Printed on tan wove newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered 107 in pencil. $175.
[Lovers Embracing]. c. 1915. Lithograph. 11 5/8 x 6. Printed on cream wove paper. Excellent impression and condition. Signed in the stone; signed and numbered 20 in pencil. $175.
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St. Paul. c. 1960. Etching and aquatint. 12 7/8 x 7 3/4 (sheet 20 x 13). A rich impression with tonal wiping printed on cream white paper with a ram's head countermark. Signed, titled and annotated 'e.a.' (artist's proof) in pencil. $125.
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Pierrot en Prison I. 1876. Etching. 4 7/8 x 3 15/16 (sheet 11 7/16 x 7 11/16). Printed by Delâtre on tan laid paper with deckle edges on three sides. Visible plate mark. As published in Paris à l'eauforte. Unsigned. $50.
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[Moored Barges]. 1920. Etching and aquatint in gray-green. 7 1/2 x 9 1/2 (sheet 13 1/2 x 18 3/8). A rich impression with plate tone printed on cream wove paper. Signed in pencil. $95.
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Rappelés avec enthousiasme!.... et pas un claqueur.... voilà ce qui s'appelle un vrai succès..... et on dit que l'art dramatique dépérit.... allons donc!.... (What a public, another curtain call.. and no paid applauder in the house... and people say drama is dead... wrong, all wrong.) 1854. Lithograph. Delteil 3042.ii/ii (with letters). 10 1/4 x 8 (sheet 9 3/4 x 13). Series: Les Comédiens de Société (The Amateur Comedians), plate 12. Published in Le Charivari May 1, 1858. Text: lower left: Maison Martinet 172, r.Rivoli et 41 r.Vivienne; lower right; Lith.Destouches ,28 r. Paradis Pre.Paris. Initialed in the stone, lower left. Toned; fold marks. Initialed in the stone, lower left. This remarkable series of 16 prints dealing with the theater and its surroundings is one of Daumier's masterpieces. $100.
- Il me semble que j'aperçois là-bas un petit point noir qui remue....
(- Quel bonheur.... c'est peut-être quelqu'un qui vient nous voir! )
(- I seem to perceive a tiny black point moving all the way in the back...
- What luck… maybe somebody is coming to visit us!) The last line of the text has been trimmed.
1854. Lithograph. Delteil 30425.ii/ii (with letters). 10 1/4 x 8.11/4 inches (sheet 9 3/4 x 13). Series: : Les Plaisirs de la VillVILLÉégiature (Pleasures of a country holiday), plate 1. Published in Le Charivari May 7, 1858. Text: lower Left: maison.Martinet 172,r.Rivoli et 41; lower right: Lith. Destouches 28,r. Paradis Pre-Paris. Mounted on a backing board; toned. Initialed in the stone, lower left. $50.
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- Les temps sont durs, et il faut vivre déprivations cette anné ! . . . .
A qui le dites-vous, mon cher Ducorneau . . . . Pour mon compte, toutes les fois que je vais maintenant au spectacle, je me prive d'emmener ma femme ! . . .
( - Times are tough; this year we must learn to be more economical.
- Don't tell me, my dear Ducorneau.... as far as I am concerned, every time I go to the theatre I now deny myself my wife's company.....)
1847. Lithograph. Delteil 1648.ii/ii (with letters). 10 x 8 5/8 (sheet 14 1/4 x 10).
Series: Tout ce qu'on Voudra, (Everything you could want), plate 2. Published in Le Charivari April 17, 1847. Text: lower left: Chez Aubert. Pl. de la Bourse.29; lower right: Imp. d'Aubert & Cie. Two stains in the top margin; center horizontal fold. Initialed in the stone, lower left. $75.
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Un ours contrarié (A Disobedient Bear.) 1854. Lithograph. Delteil 2525.ii/ii (with letters). 10 1/2 x 8/4 (sheet 10 1/8 x 13 11/16). Series: Actualités, (News of the Day), plate 98. Published in Le Charivari August 28, 1854. Text: lower left: maison Martinet,116 rue Rivoli et 41 r.Vivienne.; lower right: Lith. Destouches,28 r. Paradis Pre-Paris Fine original condition. Initialed in the stone, lower left. $100.
EXERCICES DE L'HERCULE PRUSSIEN.
- Le lèvra-t-il? ne le lèvra-t-il pas?
(EXERCISES OF THE PRUSSIAN HERCULES.)
Will he or won't he be able to lift it up?
1866. Lithograph. Delteil 3495.iii/iii (with letters). 9 3/8 x 8 5/9 (sheet 11 13/16 x 10 9/16).
Series: Actualités, (News of the Day), plate 63. Published in Le Charivari April 16, 1866. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,28 r.Paradis.Pre. Vertical and horizontal marks; scattered foxing; sheet trimmed. Initialed in the stone, lower left. $75.
Ou Venise commence à espérer.
(Venice begins to hope.)
1866. Lithograph. Delteil 3496.ii/ii (with letters). 9 5/8 x 8 1/8 (sheet 11 13/16 x 11).
Series: Actualités, (News of the Day), plate 69. Published in Le Charivari April 24, 1866. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,28 r.Paradis.Pre. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $95.
Équilibre Européen. (European Equilibrium)
1871. Lithograph. Delteil 3566.ii/ii (with letters). 10 x8 7/16 (sheet 11 1/2 x 11 5/16). Series: Actualités, (News of the Day), plate 52. Published in Le Charivari April 3, 1867. Text lower left: A.de Vresse,R.Rivoli,55.; lower right: Lith.Destouches,R.Paradis.Pre.28. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $125.
Trop chargé! ça crèvera ! (It's too full! It is going to burst!)
1867. Lithograph. Delteil 3567.iii/iii (with letters). 10 1/16 x 83/4 (sheet 11 7/8 x 11 3/8). Series: Actualités, (News of the Day), plate 67. Published in Le Charivari April 16, 1867. Text lower left: A.de Vresse,R.Rivoli,55.; lower right: Lith.Destouches,R.Paradis.Pre.28. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $125.
- C'est dommage que ma chasse a moi soit fermée.
(Ir's too bad that I'm shut out from hunting.)
1871. Lithograph. Delteil 3591.ii/ii (with letters). 9 1/4 x 8(sheet 11 3/4 x 11 1/2). Series: Actualités, (News of the Day), plate 180. Published in Le Charivari September 7, 1871. Text lower left: A de Vresse Edr r. Rivoli 55; lower right: Lith. Destouches r. Paradis Pre.28. Vertical and horizontal folds; scattered foxing; sheet trimmed. Initialed in the stone, lower left. $125.
Une attitude en partie double.
(A double-faced attitude).
1867. Lithograph. Delteil 3596.iii (with letters). 9 3/4 x9 1/2 (sheet 11 7/8 x 12).
Series: Actualités, (News of the Day), plate 18. Published in Le Charivari February 4, 1867. Text: lower left: A.de Vresse,R.Rivoli,55.; lower right: Lith.Destouches,R.Paradis.Pre.28 Vertical and horizontal fold marks; sheet trimmed. Initialed in the stone, lower left. $100.
TURGOT - Eh bien mon pauvre Condé.... il parait qu'on prend mon nom comme on a pris le vôtre pour en faire l'enseigne d'une boutique.
(TURGOT: - And so, my poor Count, it seems that my name, like yours, is used to create a shop sign.)
1867. Lithograph. Delteil 3598.ii/ii (with letters). 10 3/8 x 8 1/16 (sheet 12 x 11 3/8).
Series: Actualités, (News of the Day), plate 214. Published in Le Charivari October 7, 1867. Text: lower left: A.de Vresse, R. Rivoli 55; lower right:LITH DESTOUCHES R. Paradis Pre.28. Unobtrusive vertical and horizontal folds; minor foxing; sheet trimmed. Initialed in the stone, lower left. $95.
LE VÉRITABLE LUTTEUR MASQUÉ.
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LE VÉRITABLE HOMME MASQUÉ.
THE REAL MASKED FIGHTER.
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THE REAL MASKED MAN.
1867. Lithograph. Delteil 3604.iii/iii (with letters). 9 7/8 x 8 1/2 (sheet 11 9/16 x 11 3/8). Series: Actualités, (News of the Day), plate 238. Published in Le Charivari November 9, 1867. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,r.Paradis.Pre.28 Four paper folds; unobtrusive foxing; sheet trimmed. Initialed in the stone, lower left. $100.
John Bull jure qu'il est attaché au fils de Théodoros par un lien indissoluble. (John Bull vows that he is tied to the son of Theodorus by an indissoluble band.)
1868. Lithograph. Delteil 3657.ii/ii (with letters). 9 5/8 x 8 1/4 (sheet 12 x 11 3/16).
Series: Actualités, (News of the Day), plate 189. Published in Le Charivari August 22, 1868. Text: lower left:A.de Vresse,r. Rivoli 55.; lower right: Lith.Destouches, r. Paradis Pre.28. Six fold marks; sheet trimmed. Initialed in the stone, lower left. $350.
LA RENTRÉÉE.
C'est drôle, je ne vois pas revenir la petite Confiance.
(The return
It's strange that , I don't seem to see little Confiance return.)
1868. Lithograph. Delteil 3669.iii/iii (with letters). 9 7/8 x 8 3/8 (sheet 11 3/4 x 11 3/16). Series: Actualités, (News of the Day), plate 220. Published in Le Charivari October 12, 1868. Text: lower left: A.de Vresse,r. Rivoli 55; lower right: Lith.Destouches, r. Paradis Pre.28. Vertical and horizontal folds; minor scattered foxing; sheet trimmed. Initialed in the stone, lower left. $125.
Ils brûlent, ces gros-là, ils brûlent!
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Chauds les gros! Chauds!...
(They scorch these big ones, they burn!
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Big hot ones! Hot!)
1868. Lithograph. Hazard 3673.iii/iii (with letters). Not in Delteil 3673. 9 1/2 x 8 7/8 (sheet 11 3/4 x 11 3/4). Series: Actualités, (News of the Day), plate 222. Published in Le Charivari November 14, 1868. Text: lower left: A.de Vresse, R. Rivoli 55 lower right: Lith Destouches R.Paradis Pre. 28. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $175.
L'éclipse sera-t-elle totale? (Will the eclipse be total?)
1871. Lithograph. Delteil 3857.ii/ii (with letters). 9 3/8 x 7 3/8 (sheet 11 3/4 x 11 1/2). Series: Actualités, (News of the Day), plate 336. Published in Le Charivari March 17, 1871. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower right. $125.
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Composition. c. 1959. Etching. 11 3/8 x 9 1/14 (sheet 12 3/4 x 9 1/2). Edition 75, #28. Accompanied by a 1959 exhibition catalogue from the Albert Loeb Gallery, 12 East 57th Street, New York City. Dedicated to Madame Gimbel by Dufour. Signed and numbered in pencil. $125.
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Self-Portrait. (after Rembrandt van Rijn, 1606-1669). 1872. Etching. 10 1/16 x 7 3/4 (sheet 3 11/16 x 9 3/4). Printed on cream laid paper. As published in the The Portfolio, volume 3. Signed in the plate. $75.
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Napoleon. Etching after Leon Cogniet (1791-1880). 6 3/4 x 5 1/4 (sheet 12 1/8 x 8 13/16). A fine impression with plate tone printed on cream laid paper with deckle edges on three sides. Signed in the plate and in pencil. $175.
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Imaginary Landscape. Ink and watercolor on laid paper. 9 3/4 x 14 1/8. Unsigned. $750.
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Greenwich. 1905. Etching. 7 5/8 x 11 3/4 (sheet 13 3/4 x 17 5/8). Published by Paul Delarue, Paris. Printed by A. Clement, Paris. A rich impression printed on chine, mounted on white wove paper. Signed and titled in the plate. $175.
French etcher and designer, Lucien Gautier first studied art in Aix-en-Provence under Marius Reynaud. He then completed his education in Paris, under Gaucherel. He began his career there etching and engraving plates after the designs of Corot and Charles Jacque. By 1875, however, Gautier had emerged as an original etcher of note. His fine art received medals and awards in France in 1884, 1894 and 1900. During his successful career Gautier both designed and etched views of Rome, Venice, London and Greenwich.
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L'amant et le dictionnaire des rimes. (The Lover and the Rhyming Dictionary) July 7, 1839. Lithograph. 7 7/8 x 6 1/4 (image), 10 1/3 x 9 (border), 14 5/8 x 10 (sheet). A find impression printed on newsprint as published in Le Charivari. Good condition apart from a center fold. Signed in reverse in the stone. $175. A charming parody on amateur poets, as the comparisons become increasingly less flattering. $125.
(L'amant): Nymphes des Bois, connaissez vous Adèle? (Le Dictionnaire des Rimes): Adèle! Pastourelle, charnelle, onzelle, matétielle, récelle, sempiternelle, femelle....Qu'elle demoiselle!
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Composition. 1958. Lithograph printed in colors. 12 x 8 7/8 (sheet 12 3/4 x 9 7/8). Edition 300, #152. Published by the Galerie de France, 3, Faubourg Saint Honore, Paris, January 1958. Signed and numbered in ink. $125.
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Cat and Rooster. 1901. Etching. 10 15/16 x 9 (sheet 19 1/8 x 13 7/8). Printed on cream wove paper with deckle edges on two sides. Dated and monogrammed in the plate; signed in pencil. $75.
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Le Pope Niemetsky. Prisonnier de guerre au camp de Halle (Prusse), 1915. (Pope Niemetsky, Prisoner of war in the Halle Camp, Prussia). 1915. Drypont. Printed by Vernant and Dollé, and published in Revue de l'Art ancien et moderne. Unsigned. $65.
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Marine Landscape. Etching. 7 x 9 1/2 (sheet 12 7/8 x 19 7/8). Printed on cream 'Van Gelder Zonen' laid paper with deckle edges. Written in pencil verso, 'Herz. Gruüss Suez'. Signed and annotated 'IV/V' in pencil. $95.
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The Wolf and the Lambs. c.1919. Lithograph printed in colors. 5 1/4 x 3 7/8 (sheet 8 5/8 x 6 3/8). Series: Aesop's Fables. Printed on tan wove paper. Signed in pencil, lower right. $75.
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Portrait of Lèon Bonnat. 1880. Etching. 3 1/4 x 2 1/2 (sheet 12 x 8 3/16). Printed by Vernant on cream wove paper and published in Revue de l'Art ancien et moderne. Monogrammed in the plate. $85.
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Oedipus and the Sphinx. 1876. Etching. 4 3/8 x 2 3/16 (sheet 10 1/2 x 7 9/16). Etching by J. Lernain after Gustave Moreau's painting. Printed on tan laid paper with one side deckle edge. Unsigned. $100.
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Rheinfischer (Rhine Fishermen). 1921. Etching and drypoint. 4 7/8 x 7 5/8 (sheet 11 x 12 3/4). Edition 20, #2. Printed on simili-Japan paper. Signed, titled and numbered in pencil. $125.
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L'hiver des fôrets I. (The Forest in Winter I). 1876. Etching. 4 x 2 7/8 (sheet 11 7/16 x 7 9/16). Printed by Delâtre on tan laid paper. Slight foxing, well outside the image. Published in Paris à l'eau-forte. Signed in the plate. $75.
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Cornelius Vander Geest (after Anthony Van Dyck 1599-1640). c. 1868. Etching. 7 1/16 x 5 11/16 (sheet 13 11/16 x 9 3/4). Printed on cream laid paper. Signed in the plate. $75.
Portrait of Murillo (after Bartolom é Esteban Murillo - 1617 - 1682). c. 1879. Etching. 6 x 4 5/8 (sheet 18 x 12 1/2) As published in American Art Review vol. i, #1 (1979). Exhibited: Massachusetts Charitable Mechanic Association, Boston, 1881. .A rich impression printed on warm chine, applied to white wove paper. Unsigned. $125.
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Palmen in Egyptus (Palm Tees in Egypt). c. 1921. Etching printed in colors. 7 1/4 x 10 1/2 (sheet 11 5/8 x 14 7/8). A fine impression with plate tone printed on cream wove paper. Signed and titled in pencil. $175.
Wald c. 1923. Etching printed in grey-green. 7 5/4 x 5 3/4 (sheet 12 1/2 x 9 1/2). A fine impression with plate tone printed on watermarked cream wove paper. Ex-collection Eugene A. Noble'. Signed and titled in pencil. $175.
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Masked Couple. Etching and aquatint. Edition 70, #42. 6 1/4 x 4 1/8 (sheet 13 1/2 x 9 9/16).
Masked Couples. Etching. Edition 70, #40. 6 1/2 x 4 5/16 (sheet 13 7/16 x 9 1/2).
Each printed on cream wove 'FABRIANO' paper. Signed and numbered in pencil. $125 for the pair.
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Paris, Le Pont Marie. 1923. Etching printed in colors. 8 3/8 x 6 5/16 (sheet 11 x 9). An unusual etching, printed on silk. Unsigned (the etching was signed and titled on the old mat, which is included). $75.
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Kirschen Obernplatz. 1910. Etching and drypoint. 7 13/16 x 5 3/8 (sheet 13 1/8 x 10). A rich impression with plate tone, printed on Japanese vellum. Signed and titled in pencil. $85.
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L'esclave du Devoir. (A Slave to Duty.) 1876. Etching. 4 3/16 x 2 5/8 (sheet 11 7/16 x 7 3/4). Printed by Delâtre on cream laid paper with one side deckle edge. Published in Paris à l'eau-forte. Signed in the plate. $85.
Les Fous. (Crazy People.) 1876. Etching. 3 5/8 x 2 3/8 (sheet 11 1/2 x 8). Printed by Delâtre on cream laid paper. Published inParis à l'eau-forte. Signed in the plate. $75.
Le Mariage. (The Wedding.) 1876. Etching. 3 5/8 x 2 5/16 (sheet 11 3/8 x 7 7/8). Printed by Delâtre on cream laid paper with one side deckle edge. Published in Paris à l'eau-forte. Scattered foxing, well outside the image. Signed in the plate. $85.
Rosine et le Docteur. (Rosine and the Doctor.) 1876. Etching. 3 1/2 x 2 3/8 (sheet 11 7/16 x 7 7/8). Printed by Delâtre on cream laid paper with one side deckle edge. Published in Paris à l'eau-forte. Signed in the plate. $50.
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Asses. 1872. Etching. Two different images printed on the same sheet of cream laid paper each measuring 3 9/16 x 5 1/16 (sheet 13 11/16 x 9 3/4). As published in The Portfolio, volume 3. Both images initialed in plate. $125 for the sheet.
A Horse Ferry on the Seine. 1872. Etching. 4 1/2 x 9 1/8 (sheet 9 3/4 x 13 5/8). Printed on cream laid 'PORTFOLIO MBM' paper. As published in The Portfolio, volume 3. Signed in the plate. $75.
Le Joueur de Mandoline (The Mandolin Player). After Alexandre Gabriel Decamps, 1803-1860. Etching. 6 1/16 x 7 5/8 (sheet 8 13/16 x 12). Printed by Delamam on cream wove paper. As published in l'Artiste. Scattered foxing. Signed in the plate. $75.
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Ponies and Horses on the Battlefield. 1872. Etching. Two different images printed on the same sheet of cream laid 'PORTFOLIO MBM' paper each measuring 3 9/16 x 5 1/16 (sheet 13 11/16 x 9 3/4). As published in The Portfolio, volume 3. Both images initialed in plate. $125 for the sheet.
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Blick auf Constanz (View of Constanz). 1923. Etching. 4 1/14 x 10 1/2 (sheet 10 x 15). Printed with plate tone on the full sheet of cream laid paper. Signed and titled in pencil. $175.
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Fürtcanel No.5. 1900. Etching. 8 1/4 x 11 (sheet 11 3/4 x 14 7/8). Printed on cream wove paper. Signed and titled in pencil. $85.
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Windjammer. 1912. Etching and drypoint. 13 7/8 x 11 3/8 (sheet 19 x 14 3/4). A rich impression with plate tone printed on chine colle mounted onto wove paper. Glue remnants in the margins, otherwise in fine condition. Initialed and dated in the plate; signed in pencil. $175.
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Kacho-e is the Japanese term for prints that depict birds and flowers. Such subjects have a long tradition in Chinese and Japanese painting. Below are some woodblock prints in this tradition, by artists whose seals and signatures are unread.
Click on the imges for larger screens.
Tortoise. c. 1910. Oban:5 x 14 (sheet 10 1/8 x 145/8). A fine impression printed with gauffrage in the tortoise's shell and in the flowers on mulberry paper with mica highlights. The tortoise is regarded as a symbol of good fortune. Unsigned. $175.
Wisteria. c. 1900. Woodblock print. Oban: 10 x 13 (image and sheet). Gauffrage on the flowers and vine. Sealed, lower right. $125.
Yellow Flowers. c. 1900. Woodblock print. Oban: 10 x 13 3/8 (image and sheet). Gauffrage on the flowers. Sealed, lower right. $125.
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Kabuki Actors: Ichikawa and Iwai. c. 1860. 14 x 9 1/2 (sheet 14 x 3/4). Good color and condition. Soiling in the bottom right-hand; slight toning. $175.
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Kataoaka Gado II at Hogo. c. 1850. 14 x 9 1/4 (14 1/2 x 9 5/8). Excellent color and condition. $175.
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Park in Edo. Date: 1851-53. Horizontal oban. Series: Toto Meisho (Famous Places of the Eastern Capital). Signature: Kunisada. Trimmed to the border; one puncture, lower right. Fine color. $125.
Obo Muroku and Ioshiko 1847-48. Vertical oban. 14 x 9 3/4. In poor condition; paper losses and colors faded; backed. Signed: Kuniyoshi ga. $75.
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Coming Home from the Teahouse at Night. Book illustration. 7 3/16 x 4 3/8 (image and sheet). Printed on Japanese mulberry paper. Unsigned. $75.
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Lake Biwa Viewed at Medura Temple. c. 1950. Japanese woodblock print. Shishikiban: 10 1/4 x 11 3/8. Series: New Eight Views of Oomi, #5. Printer: Uchida. Excellent color and condition. Signed and sealed. $150.
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The Actor Sawamura Tanosoke in a Female Role. Vertical oban. 14 1/2 x 9 15/16 (image and sheet). Kiwame seal. Publisher: Yamaguchi-ya. Soiling and ink transfer stains; otherwise in good condition. A highly dramatic image. Signed: Toyokuni gwa. $175.
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Kabuki Actor Prints
[Actor playing a geisha]. 1858. Vertical Oban. Series: Edo Zakura Kiyomizu Seigen. Publisher: Ise-kane. Left sheet of a diptych. $75.
Actors from the 53 Stations of the Tokaido.
Ishiyakushi. Fine color. Fair condition -- two small stains in the top, small paper losses, 1 in top and 2 in bottom margins. $125.
Kawasaki Fine color. Fair condition -- wormage and paper losses in the arm, 3 losses in the sky. $125.
Nihombashi. Fair color, poor condition: paper losses, soiling. $150.
Shono. Good color. Several small holes in top margin, paper loss on lower margin, printing folds. $175.
Totsuka. Good color. Image loss to the left of the man's shoulder, one ink stain in the sky, 1 pinhole in the arm,slight soiling. One pinhole in the arm. $175
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This file has been updated February 20, 2013.