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Maurice Achener. 1881-1963.

Click on the images for larger screens.

Moulin de Pierre (The Stone Windmill). c. 1930. Etching. 4 7/8 x 8 1/8 (sheet 7 1/8 x 10 1/16). Edition 50, #6. A fine impression printed on the full sheet of cream laid paper. Monogrammed in the plate; signed, numbered and titled in pencil. $200.

Le Portail (The Gate. Frotenac). c. 1930. Etching. 4 1/16 x 2 3/4 (sheet 5 11/16 x 4). Edition 30, #20. A fine impression printed on the full sheet of cream wove paper. Signed and titled in pencil; annotated 'Frontenac' and monogrammed in the plate. $125.

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Giuseppe Albi.

Gentleman Wearing a Jacket. c.1969. Pen and ink drawing. 11 5/8 x 9 (sheet 13 3/4 x 11). Drawn on wove paper from a spiral bound drawing pad. Ex-collection of Eugene A. Noble. Signed and dated in pencil. $300.

[Portrait]. c. 1969. Pen and ink drawing. 12 5/8 x 10 (sheet 13 3/4 x 11). Drawn on white wove paper from a spiral bound drawing pad. Ex-collection of Eugene A. Noble. Signed and dated, lower right. $300.

Marius Alexander Jacques Bauer. 1867-1932.

Market in Front of a Mosque. Etching. Wisselingh 108. 7 7/8 x 5 7/8 (sheet 12 7/8 x 8 7/8). Number 30. Printed on a full sheet of 'Van Gelder Zonen' laid paper. Initialed and annotated in pencil. $225.

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Rudolf Bauer. German. 1889-1953.

[Reclining Nude III]. c. 1915. Lithograph.4 13/16 x 13 3/16. Signed in the stone and in pencil. printed on tan newsprint-type paper. Excellent impressions and condition. Signed in pencil. $225.

[Seated Nude]. c. 1915. Lithograph. 16 3/4 x 11 1/4. Printed on tan newsprint-type paper. Excellent impression and condition. Signed in the stone; signed and numbered 68 in pencil. $250.

Lovers

[Lovers Seated II]. c. 1915. Lithograph. 16 15/16 x 11 1/2. Printed on tan newsprint-type paper. Excellent impressions and condition. Signed in the stone; signed and numbered 43 in pencil. $450.

World War I Drawing

German World War I Officer. c. 1914. Charcoal drawing. 18 1/3 x 6 5/8 (sheet 18 7/8 x 7). Drawn on cream laid paper watermarked "France". Signed lower left; estate stamp verso. The soldier is wearing a spiked helmet. $500.

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Paul Albert Besnard. 1849-1934.

Dans les Cendres (In the embers). 1887. Delteil 67. Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. This is one of the artist's most striking images. Signed in pencil. $750.

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Félix Bracquemond (1883-1914) after Gustave Moreau (1826-1898).

Click on the titles for images.

Illustrations for the Fables of Jean de la Fontaine. 1886. Three of the six etchings for the series, each mounted on its original support sheet and signed in pencil by Bracquemond. Each has the oval blindstamp as first issued by Boussod, Valadon & Co., the year in which Moreau's watercolors of of these subjects were exhibited. Moreau was one of the fathers of the Symbolist movement in France.

"La Discord." (The Goddess, Discord. 1886. Etching. Image: 10 1/4 x 8 1/4; plate: 13 1/8 x 10 1/2). Illustrations for the Fables of Jean de la Fontaine. Printed on the full sheet of simili-Japan. Issued by Boussod, Valadon & Co., the year in which Moreau's watercolors of these subjects were exhibited. Signed in pencil. $975.

"Le singe et le chat" (The Monkey and the Cat). 1886. Etching. Image: 11 7/8 x 8 15/16; plate: 15 1/8 x 10 1/2. Illustrations for the Fables of Jean de la Fontaine. Printed on the full sheet of simili-Japan. Issued by Boussod, Valadon & Co., the year in which Moreau's watercolors of these subjects were exhibited.. Signed in pencil. $1,500.

La tête et la queue du serpent (The Countryman and the Serpent -- the Head and Tail of a Serpent,. 1886. Etching. Image: 11 1/2 x 8; plate: 15 x 10. Illustrations for the Fables of Jean de la Fontaine. Printed on the full sheet of simili-Japan. Issued by Boussod, Valadon & Co., the year in which Moreau's watercolors of these subjects were exhibited. Signed in pencil. $1,500.

Portrait of Corot. 1861. Etching. Béraldi 24. 3 1/2 x 3 1/4. A proof on chine collé, as published in the Gazette des Beaux Arts, 1861. Monogrammed in the plate. $150.

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Félix Buhot. 1847-1898.

Femme assise sur un rocher. (after Louise Abbéma. 1847-1898.). c. 1874. Ink study for the etching. 4 1/8 x 3 1/2 (image and sheet). Drawn on fine toned paper. Some mottling; otherwise good condition. Unsigned. $2,750 the pair.

Femme assise sur un rocher. (after Louise Abbéma. 1847-1898.). c. 1874. Etching. Bourcard-Goodfriend 46. 5 1/8 x 6 7/8 (sheet 8 1/2 x 12 3/16). Printed on cream laid paper. Signed, annotated and dated in the plate. $2,750 the pair.

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Eugène Anatole Carrière. French. 1849 – 1906.

Visage de Marguerite en grisaille. Esquisse. (Portrait of [the Artist's Mother,] Marguerite, in monochrome. Study.) Pencil and oil on canvas. 19 3/4 x 15 3/4 (frame 25 x 21). Signed and monogrammed, lower right. Partial label, verso: "Galeries, 19 Rue Caumartin, Paris". In 1900, 1900 Carrière's first solo exhibition took place at the Galerie des Artistes Modernes (19 Rue Caumartin). $5,000.

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Mario Cassisa. Italian. 1929-2008.

Seattle - The Puget Sound. Un nouvo Moudo de esplorare -- assimilore. (A new way to explore -- assimilate). 1955-65 Collage with pen and ink, on wove paper mounted on masonite. 16 3/4 x 12 (sheet 19 11/16 x 13 3/4). Signed and dated in ink. $500.

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Edgar Chahine. 1874-1947.

Campo Santa Margherita, Venise. 1922. Etching and drypoint. Tabanelli 346. 7 7/8 x 13 3/4 (sheet 10 1/2 x 15 3/8. Edition 100. A tonal, atmospheric impression printed on cream laid paper from an antique volume. The wiping helps to create the dreamlike quality of the marketplace with its groups of people and palazzi. Signed in pencil. $650.

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Charles-François Daubigny. 1817-1878.

Click on the titles for images.

Etchings

Lever de Lune (Moonrise). 18613. Etching and drypoint. Delteil, Melot 98.vi. 5 1/8 x 7 1/2 (sheet 7 1/4 x 10 3/4). As published in the Gazette des Beaux-Arts. Printed by A. Salamon, Paris. A rich impression printed on chine collé mounted on white wove paper, on the full sheet. Signed and titled in the plate. $200.

Le Berger et la Bèrgere (The Shepherd and the Shepherdess) 1874. Original etching in black ink. Delteil, Melot 122.iii/viii. Extremely early proof impression, with the arm of the shepherdess corrected but before various rework in the areas of the rays of the sun and the foliage. Before any of the editions for L'Art, and before any engraved lettering. A rich impression printed on Japan paper laid onto a backing board. Very rare in proof state. Signed with the scratch signature lower right, and with the date. $1,000.

Lever de Lune Sur Bords de l'Oise (Moonrise along the banks of the Oise River). 1875. Etching. Delteil, Melot 123.iii. 4 3/8 x 6 5/8 (sheet 7 7/8 x 11 1/8). As published in Frédéric Henriet, C. Daubigny et son oeuvre gravé, Paris: A. Lévy, 1875. A rich impression printed on cream laid paper with deckle edges on three sides. Signed, dated and titled in the plate. $225.

Claire de Lune à Valmondois (Moonlight at Valmondois). 1877. Etching. Delteil, Melot 127.iv. 5 1/4 x 8 7/16 (sheet 8 1/2 x 11 7/8). As published in the Gazette des Beaux-Arts 1878. Printed by Cadart. Mat line; paper remnants from a previous backing verso. A rich, well-inked impression printed on off-white laid paper, with deckle edges on 2 sides. Signed in the plate, 'Daubigny del, et sc.' $175.

Cliché-Verres

Le marais aux canards (Swamp with Ducks). 1862. Original cliché-verre. Delteil, Melot 133. 6 1/2 x 7 7/8 (image and sheet). Edition 150, #85. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate in reverse. $750.

Les cerfs (Deer). 1862. Original cliché-verre. Delteil, Melot 134. 6 1/2 x 7 7/8 (image and sheet). Edition 150, #97. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate . $750.

Le ruisseau dan la clairière (The Brook in the Clearing). 1862. Original cliché-verre. Delteil, Melot 137. 8 x 6 3/4 (image and sheet). Edition 150, #120. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate in reverse. $750.

Le Grand Parc aux Moutons (The Large Sheepfold). 1862. Original cliché-verre. Delteil, Melot 138.ii. 7 1/5 x 13 5/8 (sheet 10 7/8 x 14 1/4). Edition 150, #45. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate in reverse. $1,250.

Le gué (The Ford). 1862. Original cliché-verre. Delteil, Melot 139. 11 1/2 x 14 1/4 (image and sheet). Edition 150, #71. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate in reverse. $1,250.

La rentrée du troupeau (Return of the Flock). 1862. Original cliché-verre. Delteil, Melot 140. 14 1/4 x 11 3/8 (image and sheet). Edition 150, #97. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate in reverse. $1,250.

La Fenaison (The Hay Harvest). 1862. Original cliché-verre. Delteil, Melot 142. 8 7/16 x 13 7/16 (sheet 11 z 14 1/4). Edition 150, #71. Reversed print, Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate in reverse $1,250.

L'Ane au pré (Donkey in the Field). 1862. Original cliché-verre. Delteil, Melot 153. 6 5/8 x 8 (image and sheet). Edition 150, #71. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate in reverse. $750.

Le bouquet d'aunes (The Clump of Alders). 1862. Original cliché-verre. Counterproof. Delteil, Melot 145. 6 1/2 x 8 3/4 (image and sheet). Edition 150, #71. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate in reverse. $750.

La Machine hydraulique (The Hydraulic Machine). 1862. Original cliché-verre. Delteil, Melot 147. Delteil 147. 8 3/8 x 13 1/2 (sheet 11 x 14). Edition 150, #85. Posthumous impression from the 1921 edition of 150 printed in Paris by Sagot-Le Garrec on photo-sensitive vellum paper, with their violet seal verso (Lugt 1766a). Signed in the plate. $1,250

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Honoré Victorin Daumier. 1808-1879.

Series: Croquis, - par Daumier.

Les Trains de Plaisir.

"- Quand après dix assauts infructueux on arrive enfin à conquéérir une place dans un wagon on éprouve un premier et bien vif plaisir."
(Having found a seat after ten desperate attempts to board the train, a first tender feeling of holiday relaxation emerges.) 1864. Lithograph. Delteil 3295.ii/ii (with letters). 9 5/8 x 8 3/4 (sheet 11 13/16 x 12 1/16). Series: Croquis, - par Daumier, (Sketches by Daumier), plate one. The series consisted of 4 prints which appeared in the CHARIVARI between August 6, 1864 and June 6, 1866. This image was published in Le Charivari August 6, 1864. Text: lower left: Mon-Martinet,172 r.Rivoli et 41,r.Vivienne; lower right: Lith. Destouches,28,r.Paradis Pre. Slight foxing; one vertical and one horizontal fold; sheet trimmed. A delightful early railroad image. Initialed in the stone, lower left. $750.

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Series: Les Comédiens de Société

Rappelés avec enthousiasme!.... et pas un claqueur.... voilà ce qui s'appelle un vrai succès..... et on dit que l'art dramatique dépérit.... allons donc!.... (What a public, another curtain call.. and no paid applauder in the house... and people say drama is dead... wrong, all wrong.) 1854. Lithograph. Delteil 3042.ii/ii (with letters). 10 1/4 x 8 (sheet 9 3/4 x 13). Series: Les Comédiens de Société (The Amateur Comedians), plate 12. Published in Le Charivari May 1, 1858. Text: lower left: Maison Martinet 172, r.Rivoli et 41 r.Vivienne; lower right; Lith.Destouches ,28 r. Paradis Pre.Paris. Initialed in the stone, lower left. Toned; fold marks. Initialed in the stone, lower left. This remarkable series of 16 prints dealing with the theater and its surroundings is one of Daumier's masterpieces. $100.

Series: Croquis Parisiens.

- Elle est encore très bien cette dame... et elle est seule...
Hein?... si pourtant on était mauvais sujet! .

(- Not bad, not bad at all the lady over there.... I wonder whether she is alone...
- What rakes we are!.)

1867. Gillotage. Delteil 3303 only state. RARE. 9 3/4 x 9 1/4 (sheet 11 5/8 x 11). Series: Croquis Parisien. -- Par Daumier (Parisian Sketches -- by Daumier), plate 251. Published in Le Charivari September 8, 1864. Four fold marks and two brown stains in the leaves above the gentleman on the right; sheet trimmed. Initialed and annotated 'Gillot' in the stone, lower left. $325.

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Series: Series: Scènes Parlementaires.

L'Élection.
"__ Enfoncé!!!!
__Ah! mes amis....mes bons amis. ce soir est le plus beau jour de ma vie!"
("Done!
Ah, my friends ... my good friends. This evening is the best day of my life.")
Lithograph. Delteil 1019.ii/iii (with letters). 9 3/4 x 7 3/4 (sheet 12 3/4 x 10 1/8). Series: Scènes Parlementaires, plate 2. Before publication in Le Charivari April 17-18,1843. Unsigned. Text: lower left: Chez Pannier Edit. R. du Croissant. 16.; center: Chez Aubert, Pl. de la Bourse; lower right: Imp. d'Aubert & Compie; stone number 451. A fine impression sur blanc on white wove paper. Excellent condition. $225.

SCÈNES PARLEMENTAIRES. (Scenes from Parliament) is a series of 5 lithographs, which were published in the CHARIVARI in April and May 1843.

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Series: Croquis Charivariques

- Dites donc, président, impossible d'attraper un lièvre cette année ci..... ils ne restent plus en place..... - Ça tient à ce que le gouvernement a oublié de les rendre inamovibles......

(- I tell you Mr President.... it is quite impossible to trap a hare this year...... - It's of course the fault of the government,... as usual, they forgot to make them irremovable in time.)

1849. Lithograph. Delteil 1946.ii/ii (with letters). RARE. 9 5/8 x 8 (sheet 13 7/8 x 9 1/2). Series: Croquis Charivariques (Charivari Sketches), plate 2. Published in Le Charivari September 25, 1849. Lower left: Chez Aubert, Pl.de la Bourse.; lower right:Imp. Aubert & Cie. Central horizontal fold and allover mottling. Initialed 'h.d.' in the stone, lower left. $250.

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Series: Actualités

Un ours contrarié (A Disobedient Bear.) 1854. Lithograph. Delteil 2525.ii/ii (with letters). 10 1/2 x 8/4 (sheet 10 1/8 x 13 11/16). Series: Actualités, (News of the Day), plate 98. Published in Le Charivari August 28, 1854. Text: lower left: maison Martinet,116 rue Rivoli et 41 r.Vivienne.; lower right: Lith. Destouches,28 r. Paradis Pre-Paris Fine original condition. Initialed in the stone, lower left. $100.

IRLANDE ET JAMAÏQUE. - Patience!.... (Ireland and Jamaica. Patience!....)
1866. Lithograph. Delteil 3494.ii/ii. 9 1/2 x 8 (sheet 11 7/16 x 11 3/16). Series: Actualités, (News of the Day), plate 60. Published in Le Charivari April 11, 1866. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,28 r.Paradis.Pre. Four fold marks,sheet trimmed. Initialed in the stone, lower left. $350.

EXERCICES DE L'HERCULE PRUSSIEN.
- Le lèvra-t-il? ne le lèvra-t-il pas?
(EXERCISES OF THE PRUSSIAN HERCULES.)
Will he or won't he be able to lift it up? 1866. Lithograph. Delteil 3495.iii/iii (with letters). 9 3/8 x 8 5/9 (sheet 11 13/16 x 10 9/16). Series: Actualités, (News of the Day), plate 63. Published in Le Charivari April 16, 1866. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,28 r.Paradis.Pre. Vertical and horizontal marks; scattered foxing; sheet trimmed. Initialed in the stone, lower left. $75.

Ou Venise commence à espérer.
(Venice begins to hope.)
1866. Lithograph. Delteil 3496.ii/ii (with letters). 9 5/8 x 8 1/8 (sheet 11 13/16 x 11). Series: Actualités, (News of the Day), plate 69. Published in Le Charivari April 24, 1866. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,28 r.Paradis.Pre. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $95.

Trop chargé! ça crèvera ! (It's too full! It is going to burst!)
1867. Lithograph. Delteil 3567.iii/iii (with letters). 10 1/16 x 83/4 (sheet 11 7/8 x 11 3/8). Series: Actualités, (News of the Day), plate 67. Published in Le Charivari April 16, 1867. Text lower left: A.de Vresse,R.Rivoli,55.; lower right: Lith.Destouches,R.Paradis.Pre.28. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $125.

- C'est dommage que ma chasse a moi soit fermée.
(Ir's too bad that I'm shut out from hunting.)

1871. Lithograph. Delteil 3591.ii/ii (with letters). 9 1/4 x 8(sheet 11 3/4 x 11 1/2). Series: Actualités, (News of the Day), plate 180. Published in Le Charivari September 7, 1871. Text lower left: A de Vresse Edr r. Rivoli 55; lower right: Lith. Destouches r. Paradis Pre.28. Vertical and horizontal folds; scattered foxing; sheet trimmed. Initialed in the stone, lower left. $125.

Une attitude en partie double.
(A double-faced attitude).
1867. Lithograph. Delteil 3596.iii (with letters). 9 3/4 x9 1/2 (sheet 11 7/8 x 12). Series: Actualités, (News of the Day), plate 18. Published in Le Charivari February 4, 1867. Text: lower left: A.de Vresse,R.Rivoli,55.; lower right: Lith.Destouches,R.Paradis.Pre.28 Vertical and horizontal fold marks; sheet trimmed. Initialed in the stone, lower left. $100.

TURGOT - Eh bien mon pauvre Condé.... il parait qu'on prend mon nom comme on a pris le vôtre pour en faire l'enseigne d'une boutique.
(TURGOT: - And so, my poor Count, it seems that my name, like yours, is used to create a shop sign.)
1867. Lithograph. Delteil 3598.ii/ii (with letters). 10 3/8 x 8 1/16 (sheet 12 x 11 3/8). Series: Actualités, (News of the Day), plate 214. Published in Le Charivari October 7, 1867. Text: lower left: A.de Vresse, R. Rivoli 55; lower right:LITH DESTOUCHES R. Paradis Pre.28. Unobtrusive vertical and horizontal folds; minor foxing; sheet trimmed. Initialed in the stone, lower left. $95.

LE VÉRITABLE LUTTEUR MASQUÉ.
--- LE VÉRITABLE HOMME MASQUÉ.

THE REAL MASKED FIGHTER.
---
THE REAL MASKED MAN.

1867. Lithograph. Delteil 3604.iii/iii (with letters). 9 7/8 x 8 1/2 (sheet 11 9/16 x 11 3/8). Series: Actualités, (News of the Day), plate 238. Published in Le Charivari November 9, 1867. Text: lower left: A.de Vresse,r.de Rivoli,55.; lower right: Lith.Destouches,r.Paradis.Pre.28 Four paper folds; unobtrusive foxing; sheet trimmed. Initialed in the stone, lower left. $100.

John Bull jure qu'il est attaché au fils de Théodoros par un lien indissoluble. (John Bull vows that he is tied to the son of Theodorus by an indissoluble band.)
1868. Lithograph. Delteil 3657.ii/ii (with letters). 9 5/8 x 8 1/4 (sheet 12 x 11 3/16). Series: Actualités, (News of the Day), plate 189. Published in Le Charivari August 22, 1868. Text: lower left:A.de Vresse,r. Rivoli 55.; lower right: Lith.Destouches, r. Paradis Pre.28. Six fold marks; sheet trimmed. Initialed in the stone, lower left. $350.

LA RENTRÉÉE.
C'est drôle, je ne vois pas revenir la petite Confiance.

(The return
It's strange that , I don't seem to see little Confiance return.)

1868. Lithograph. Delteil 3669.iii/iii (with letters). 9 7/8 x 8 3/8 (sheet 11 3/4 x 11 3/16). Series: Actualités, (News of the Day), plate 220. Published in Le Charivari October 12, 1868. Text: lower left: A.de Vresse,r. Rivoli 55; lower right: Lith.Destouches, r. Paradis Pre.28. Vertical and horizontal folds; minor scattered foxing; sheet trimmed. Initialed in the stone, lower left. $125.

Ils brûlent, ces gros-là, ils brûlent!
---
Chauds les gros! Chauds!...

(They scorch these big ones, they burn!
---
Big hot ones! Hot!)

1868. Lithograph. Hazard 3673.iii/iii (with letters). Not in Delteil 3673. 9 1/2 x 8 7/8 (sheet 11 3/4 x 11 3/4). Series: Actualités, (News of the Day), plate 222. Published in Le Charivari November 14, 1868. Text: lower left: A.de Vresse, R. Rivoli 55 lower right: Lith Destouches R.Paradis Pre. 28. Vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $175.

SUCCESSEUR DE CHARLEMAGNE. (Charlemagne's Successor.)
1871. Gillotage. Delteil 3863.ii/ii (with letters). 10 1/2 x 9 1/4 (sheet 11 3/4 x 10 3/8). Series: Actualités, (News of the Day), plate 348. Published in Le Charivari April 6, 1871. Unobtrusive vertical and horizontal folds; sheet trimmed. Initialed in the stone, lower left. $275.

Le défenseur de Calas consolé de n'avoir pu défendre Bailly, André Chénier et Camille Desmoulins.
(The defender of Calas consoled by not being able to defend Bailly, André Chenier and Camille Desmoulins..)

1871. Lithograph. Delteil 3864.ii/ii (with letters). 10 1/8 x 9 (sheet 11 3/4 x 10 1/2). Series: Actualités, (News of the Day), plate 356. Published in Le Charivari April 16, 1871. Vertical and horizontal folds ; sheet trimmed. Initialed in the stone, lower left. This is a one of Daumier's very notable images, as it pictures Voltaire, who defended Calas, Bailly, Chénier and Desmoulins. $350.

Les augures de la diplomatie n'osant ouvrir l'oiseau-Prussien pour savoir à quoi s'en tenir.
(The augures of diplomacy, don't dare to open the Prussian bird, to find what it might contain.)

Having found a seat after ten desperate attempts to board the train, a first tender feeling of holiday relaxation emerges.)

1867. Lithograph. Hazard 3965.i/i (with letters). Not in Delteil. 10 1/8 x 9 (sheet 11 1/2 x 11 5/16). Series: Actualités, (News of the Day), plate 179. Published in Le Charivari October 3, 1867. Text: lower left: Lith. Destouches, r. Paradis Pre.28; lower right: A.de Vresse Edr. rue du Rivoli 55. Center vertical fold and minor water stains on the left. A delightful early railroad image. Initialed in the stone, lower right. This is a one of Daumier's rare and notable images. $300.

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Edgar Hilaire Germain Degas. 1834-1917.

Mary Cassatt au Louvre, Musée des Antiques, devant le Sarcophage Étrusque ( Mary Cassatt at the Louvre: the Etruscan Gallery). 1879-80. Etching, aquatint and electric crayon. Delteil 30; Adhémar-Cachin 53.vii. Proof from the cancelled plate printed by Ambroise Vollard in 1918. 10 1/2 x 9 1/4 (sheet 12 5/8 x 9 3/4). Edition 150. . Illustrated: Zigrosser, Six Centuries of Fine Prints, p. 358. Printed on wove Japon paper. Unsigned. $2,750.

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Delcourt, André. Twentieth century.

Black Madonna. c. 1940. Gouache. 15 5/8 x 11 3/8 (sheet 16 x 12 1/16). Ex-collection: the Catholic Lending Library, Hartford, Connecticut. A serene madonna holds her child, who holds the apple representing original sin. Signed, lower right. $750.

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André Devambez. 1867-1944.

Douze Eaux-fortes. 1915. Album of 12 World War I subjects. 18 7/8 x 14 3/8 inches. Edition of 150. Each signed and titled in pencil. The complete series consists of: Le Froid; Les Trous d'obus; Le Bouclier; L'Incendie; Un Schraprell; La Pluie; L'Espionne; Les Otages; Gare la Marmite; Les Rééserves; Le Charbon; Le Fou. Below are three from the series.

Un Schraprell. Etching with aquatint. Plate 3. Edition 150, #46. Signed and numbered in pencil. Five French soldiers frantically crouch down in their trench, avoiding the flying shrapnel. $125.

Les Trous d'obus. Etching and aquatint. Plate 9. Edition 150, #46. Signed and numbered in pencil. A battlefield scene, fiull of tension, movement and menace. $125.

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Bernard Dufour. Born 1922.

Composition. c. 1959. Etching. 11 3/8 x 9 1/14 (sheet 12 3/4 x 9 1/2). Edition 75, #28. Accompanied by a 1959 exhibition catalogue from the Albert Loeb Gallery, 12 East 57th Street, New York City. Dedicated to Madame Gimbel by Dufour. Signed and numbered in pencil. $125.

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Heinrich Ehmsen. German. 1886-1964.

Click on the titles for images.

Frauen am Tempel. (Women at the Temple). 1908. Linoleum cut. Lang 20. 13 3/4 x 9 3/4 (sheet 23 1/2 x 18 3/8). Edition size not stated. Lang was unable to obtain an image of this early state for the catalogue. He illustrates only the 1965 edition with the title in woodcut added in the blank space lower left. A rare working proof, retouched by the artist with his ink changes. Printed on on soft antique japan, with ample margins. Signed "Heinz Ehmsen," dated and annotated "D.dorf" (Dusseldorf) in pencil. $500.

Satyr (also Liebesleben) 1907. Woodcut ( Lang classifies the work as a linocut). Lang 13. 6 1/16 x 6 912 1/2 x 10 1/4). Edition about 8. A proof on soft antique japan, ample margins, initialed and dated in the block; signed "Heinz Ehmsen," dated, and annotated "holzschnitt" (woodcut) by the artist in pencil, as is characteristic of the early impressions. A glowing impression of this rare image. $450.

Der Teufel (The Devil). 1906/07. Woodcut with hand coloring. Lang 2. 8 7/8 x 8 9/16 (sheet 22 1/8 x 17). Edition size unknown. Printed on heavy card with laid lines, ample margins. Initialed in the block, and signed "Heinz Ehmsen" in ink, beneath the image lower right, as is characteristic of the early impressiosns. Lang (p. 68) states that early impressions carry the signature Heinz Ehmsen; whereas later impressions carry only the signature 'Ehmsen'. Inscribed and dated in pen by the artist. An uncatalogued and perhaps unique hand colored example. $750.

Trauernde. (Mourning). Linoleum cut. Lang 6. Edition about 15. 7 x 9 5/16 (sheet 8 5/8 x 10 7/8).Printed on soft antique japan, with ample margins. Signed "Heinz Ehmsen," and annotated "D.dorf 1909" in pencil. An early printing of this rare image. $ 450.

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French School, Eighteenth Century.

Imaginary Landscape. Ink and watercolor on laid paper. 9 3/4 x 14 1/8. Unsigned. $750.

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Édouard Joseph Goerg. 1893-1969

Le bal des affranchis. (The ball of the freed men.) c. 1925. Etching. 8 5/8 x 12 1/4 (sheet 20 x 13). Edition 10, #1. A rich impression with tonal wiping printed on cream wove paper. Annotated in the plate, lower left: 'À le cornu' (In the place of horned ones, eg. devils or cuckolds.) Signed, titled and numbered in pencil. $500.

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Francisco José de Goya y Lucientes. 1746-1828.

Felipe III, Rey de España (after Velasquez). 1778. Etching. Delteil 6, Harris 5. Early printing in black ink, before the bevel. 14 7/8 x 12 1/8 (sheet 16 1/8 x 13 3/8). Early printing in black ink, before the bevel. 14 7/8 x 12 1/8 (sheet 16 1/8 x 13 3/8). Printed on thick cream laid paper. Collector’s seals verso: 1. Kupferstick Sammlung der Könige museen Staatliche Graphische Sammlung in Munich ; in 1905 it was renamed the Royal Print Room; in 1949 it becamethe State Graphic Collection. 2. Kupfersticht der Staatlichen Museen, Berlin (Lugt 2482 – without date) -- mark for duplicates; 3. K.F. von Nagler (Lugt 2529). A fine impression with important provenance. $3,750.

Los Capricios

Y aun no se van! (And still they don't go!) 1799. Etching and medium grain aquatint. 8 3/8 x 6 (sheet 12 1/8 x 9). Series: Los Caprichos, plate 59. Delteil 73; Harris 71.III.3/of 12. (c.1868), with the plate in good condition. A fine impression printed in black/brown ink on warm white wove paper. Numbered and titled in the plate; unsigned as issued. $1,250.

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Henri Guérard. 1846-1897

after

James Abbott McNeill Whistler 1834- 1903.

Le Comte Robert de Montesquiou-Fezensac. c. 1894. Etching with drypoint and roulette. 9 1/8 x 4 1/4 (10 1/2 x 7 1/8). As published in the Gazette des Beaux-Arts in 1903. A fine impression printed by Porcabeuf on cream laid paper. Signed in the plate. $550.

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Richard Heintz. Dutch. Twentieth century.

La vieille eglise de Xhignesse, Vaux-Chavanne. (Belgium). c. 1920. Etching. 3 3/8 x 7 5/16 (sheet 79/16 x 11 3/16). A rich impression with plate tone printed on cream wove paper. Titled in the plate; signed in pencil. $275.

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Paul César Helleu. 1859-1927.

Click on the titles for images.

Alexandra of Denmark, Queen of England. c. 1912. Drypoint printed in colors. 21 3/8 x 13 3/4 (sheet 27 1/4 x 18 5/8). An excellent impression with subtle plate tone, printed on white wove paper. Signed in pencil. Signed in pencil. $4,500.

La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. Montesquiou 8. 21 1/2 x 13 3/4. A rich impression printed on white wove paper with full margins. Signed in pencil in the image. This portrait is the artist's master work. Price upon request.

Lady Carnarvon. c. 1901. Drypoint. 15 1/8 x 10 1/4 (sheet 17 5/8 x 12 5/8). A rich impression printed on white wove paper. Signed, numbered in pencil and annotated 'Tireé à 10, planche detruite'. Edition 10, #3. $3,500.

Le Noeud Bleu (The Hat with the Blue Bow). c. 1905. Drypoint printed in four colors (black, brown, blue, red). Montesquieu 40. 21 x 13 (sheet 21/1/4x 13 1/4). Edition 80, # 6. Slight paper rub below the bottom plate mark, outside the image; otherwise excellent condition. A fine impression with subtle colors. Signed in pencil. This portrait of Miss Madeleine Dolley, a dancer from the Folies-Bergere, is one of Helleu's most delightful images. $4,000.

Portrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the cancelled plate (there were only 28 impressions before the plate was cancelled), printed on cream laid paper. A delightful portrait of Helleu's colleague and friend, Whistler. $2,500.

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François de Herain. 1877-1962.

Le Pope Niemetsky. Prisonnier de guerre au camp de Halle (Prusse), 1915. (Pope Niemetsky, Prisoner of war in the Halle Camp, Prussia). 1915. Drypont. Printed by Vernant and Dollé, and published in Revue de l'Art ancien et moderne. Unsigned. $65.

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Käthe Kollwitz. German. 1867-1945.

Maria und Elisabeth (Mary and Elisabeth). Version III. 1928. Woodcut. Klipstein 234,Vb; von dem Knesebeck 249.vi.a. 14 1/4 x 13 3/4. Edition 150 in this state. A glowing impression on Japanese mulberry paper. Signed in pencil. Housed in an elegant black and silver frame. $9,750.

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Louis Legrand. 1863-1951.

Click on the titles for images.

Matineée Etching and drypoint. 5 5/8x 6 (sheet 17 3/8 x 12 1/4).Edition 50, #40. Printed on laid paper watermarked "Pellet et Legrand" on the full sheet with deckle edges. With the red Pellet stamp, lower right. Signed in pencil. $500.

Les Bars

Au Café -- La Negresse. 1908. Etching and drypoint. 11 x 5 5/8. Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch at the foot of the image (total edition 95). On pale cream laid Pellet/Legrand paper. Ex collection: Vincent Price. Signed in pencil. $2,000.

English Bar. 1908. Etching and drypoint. Exsteens 275.ii. 11 x 5 5/8 (sheet 17 3/8 x 12 1/4). Series: Les Bars. Edition 65 in this state (total edition 95). Printed on laid paper watermarked "Pellet et Legrand" on the full sheet with deckle edges. With the red Pellet stamp, lower right. Signed and numbered in pencil. $1,500.

Sportsmen. 1908. Etching and drypoint. Exsteens 271.i/ii. 11 x 5 5/8 (sheet 17 3/8 x 12 1/4). Series: Les Bars. From the first state edition of 30 proofs with the remarque sketch at the foot of the image (total edition 95). Printed on laid paper watermarked "Pellet et Legrand" on the full sheet with deckle edges. With the red Pellet stamp, lower right. Signed in pencil. $1,500.

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Alphonse Legros. 1837-1911.

Chercheurs du Trésor (Treasure Hunters). Etching. Wright 697. 4 3/8 x 5 3/4 (sheet 5 5/8 x 6 3/4). Printed with plate tone on antique cream laid paper. Possibly the treasure is the wild truffle. Signed in pencil. $325.

Job. Etching. Bliss 256.ii/iii; Malassis and Thibadeau 67. 4 5/8 x 3 5/8 (sheet 6 1/8 x 5 3/8). A rich impression with plate tone printed on cream laid paper from an antique volume. Signed in pencil. $275.

La Lisière de Fôret. (The Edge of the Forest). Etching. Bliss 504. 8 x 12 1/2 (sheet 9 1/4 x 13 5/8). A rich impression printed on cream laid paper. A large, impressive plate with subtle inking. $275.

Pont de Moulin. (Mill Near the Bridge). Etching. Bliss 480 iv/vii. 4 7/8 x 6 1/8 (sheet 6 7/16 x 7 1/2). Printed with subtle plate tone on cream laid paper. Signed in pencil. $325.

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J. Lernain, after Gustave Moreau (1826-1898).

Oedipus and the Sphinx. 1876. Etching. 4 3/8 x 2 3/16 (sheet 10 1/2 x 7 9/16). Etching by J. Lernain after Gustave Moreau's painting. Printed on tan laid paper with one side deckle edge. Unsigned. $100.

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Aristide Maillol. 1861-1944.

Laveuse. (Woman Washing Clothes). c. 1895. Zincograph. Guérin 259; Bonafus-Murat 312. 7 1/2 x 11 3/4 (sheet 11 x 14 7/8). Edition of 225 on simili-Japon for L'Épreuve Album d Art. Monogrammed, lower left. $500.

Maison Close. (Brothel). Pencil drawing on white wove paper. 10 1/2 x 8 1/2 (image and sheet). Monogrammed, lower right. $1,000.

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Maragnon. Map of St. Luis Harbor, Brazil.

Maragnon. View of St. Luis Harbor, Brazil. Hand colored engraving from a 17th-century Dutch atlas. 13 3/4 x 19 7/8 (image); 17 1/4 x 21 5/8 (sheet). Center fold, as published. Mat burn; 3 tape stains in the top margin; staining top center margin. $450.

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Henri Emile Benoit Matisse. 1869-1954.

Click on the titles for images.

La Capeline de Paille d'Italy. 1923. Lithograph. Duthuit 430. 22 7/8" x 17 7/8. Edition 50, #26. Signed and numbered by the artist in pencil lower right. A fine, strong impression printed on the full sheet in excellent condition. Archivally framed in a stunning Spanish black-and-gold frame. $35,000.

Nu, Étude d'un mouvement de jambes (Nude, Study of Leg Movement). 1929. Lithograph. Duthuit. 501. 17 x 21 3/4 (sheet 19 3/4 x 25 3/4). Exterior frame size 32 1/2 x 38. Edition 50, #22. A well-inked impression printed on the full sheet of cream paper with deckle edges. Elegantly housed a double silk mat in an impressive black and gold leaf frame.Signed and numbered in pencil. $15,000.

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Charles Meryon. 1821-1868.

Click on the titles for images.

Bateaux de Haarlem à Amsterdam. (Haarlem Boats in Amsterdam) (after Zeeman).1850. Etching. Burty 13, Delteil-Wright 14; Schneiderman 17.ii. 2 1/2 x 4 13/16 (sheet 2 11/16 x 5 3/16). Printed on tan chine affixed to white wove paper. Narrow margins. Meryon etched this copy of an etching by Reiner Zooma, called Zeeman. Initialed in the plate. A fine impression of a rare early print. $975.

La Galerie Notre-Dame. 1853. Etching with engraving. Schneiderman 29.iv/vi. 11 1/8 x 6 15/16 (14 3/8 x 9 3/8). A rich impression printed in warm black/brown ink on cream laid paper. Collector's seal: Alfred Morrison (Lugt 151). Signed and dated in the plate. $6,500.

Le Grand Châtelet à Paris, vers 1780. 1861. Etching and drypoint. Schneiderman 74.iv. 9 3/16 x 11 3/4 (sheet 13 1/2 x 19 1/4). Edition 100 in this state. A fine impression printed on laid paper with the letters 'A&M' in a crown. Initialed in the plate. The etching was done after an old drawing in the collection of Monsieur Bérard. It was exhibited at the Salon of 1863. Initialed in the plate, lower left. $750.

Le Ministère de la Marine (The Admiralty, Paris). 1865. Etching. Schneiderman 94.vii. 6 5/8 x 5 3/4 (sheet 18 3/4 x 14 1/2). Published by Cadart and Luquet for the Soeiété des Aquafortistes, August 1, 1866. Blindstamp of the publishers, Cadart and Luquet. Monogrammed, titled and signed in the plate. A fine impression on cream laid paper with full margins. $1,500.

La Morgue (the Mortuary, Paris). 1854. Etching. Delteil-Wright 36.iv/vii; Schneidermann 42.iv/vii. 9 x 8 1/8 inches (sheet 10 3/8 x 8 15/16). The inscriptions added in cursive: 'C. Meryon del. sculp.mdcccliv' lower left and 'Imp. Rue nueve St. Etienne-su-Mont. No 26' lower right. A striking impression printed in black-brown ink on fine cream laid paper . Meryon printed this plate himself, carefully wiping the plate so as to give a luminous glow to the central part of the image. Ex-collection John W. Wilson (Lugt 2581). Signed and titled in the plate. $9,000.

La Morgue (The Mortuary, Paris). 1865. Etching. Delteil-Wright vi/vii; Schneiderman 42.vi/vii. 6 5/8 x 5 3/4 (sheet 17 7/8 x 142 3/16). The inscriptions of state iv removed and new inscriptions added in block letters: 'LA MORGUE./1850./A DELATRE IMP R St JACQUES 265' lower center; and 'SABRA./DENTISTE/DU/PEUPLE.' on the house to the right; and 'HOTEL DES TROIS BALANCES MUEBLE.' on one to the left; and the monogram, upper left. Series: Eaux-Fortes sur Paris. A rich impression printed on 'HUDELIST' laid paper. Provanance: C.W. Dowdeswell. $5,000.

Nouvelle-Calédonie: Grande case indigène sur le chemin de Ballade à Poépo (New Caledonia: New Caledonia : Large native hut the road from Ballade to Popéo). 1863. Etching. Delteil 67, Schneiderman 87.v. Image: 5 x 8 7/8; plate: 5 7/8 x 9 5/8; sheet: 7 7/8 x 11 5/8. Series: A voyage to New Zealand. A rich impression printed on cream laid paper with full margins. Monogrammed in the plate. $2,250.

Le Petit Pont (Le Petit Pont, Paris). 1858. Etching and engraving. Delteil-Wright 24.v; Schneiderman 20.vi. 10 3/8 x 7 3/8 (sheet 13 x 9 1/2). Edition of 600 for L'Artiste (vol IV #14, 1858) in this state. Schneiderman writes, 'In some proofs the full inscription has not been inked but is still still discernible' (p. 38). Series: Eaux-Fortes sur Paris. Illustrated: Prints vol. VI, no. 2, 1935, page 95. A rich impression printed on black/brown ink on cream laid paper. Monogrammed in the plate. upper right. $3,000.

La Pompe Notre Dame. (The Pump, Notre Dame). 1861. Etching. Delteil-Wright 31.ix; Schneiderman 26.x. 6 3/4 x 10. Edition 30 in this state. Series: Eaux-Fortes sur Paris Initialed in the plate. Ex-collection: Louis Conrad Rosenberg, the American architrctural etcher. $2,750.

Le Pont au Change, Paris. 1854. Etching. Delteil-Wright 34.v; Schneiderman 40.v/xii. 6 1/8 x 13 13/16 (sheet 12 7/16 x 19). Series: Eaux-Fortes sur Paris. An extremely rich impression with plate tone, printed on the full sheet of 'J Whatman Turkey Mill' wove paper. Signed in the plate. $9,500.

Le Pont au Change, vers 1784 (after Nicolle). 1855. Etching with drypoint. Delteil-Wright 47.vi; Schneiderman 47.vi. 5 5/16 x 9 3/16 (sheet 12 1/4 x 18 1/8). Signed in the plate. An extremely rich impression with plate tone, printed on the full sheet cream laid paper. Annotated in pencil by the British collector, 'M Sadler Esq' upper left. An extremely scarce image. Signed in the plate. $4,500.

La Rue des Chantres.1862. Etching. Schneiderman 85.v/vi. 11 3/4 x 5 7/8 (sheet 16 1/4 x 9). Edition 100 in this state (total printing unknown). Early printing in thisstate, with the dolphin atop the spire printing distinctly (later in this state it was replaced by a weathercock). Printed on cream wove paper. $2,750.

Saint-Etienne-Du-Mont. 1852 and later. Etching. Delteil-Wright 30; Schneiderman 25.v/viii. 9 15/16 x 5 1/8 (sheet 13 3/8 x 8 1/4). Series: Eaux-Fortes sur Paris. A rich lifetime impression printed on white laid paper. Monogrammed in the plate. $2,750.

Le Stryge (The Vampire). 1853 and later. Etching. Delteil-Wright 25; Schneiderman 27.vi/x. 6 5/8 x 5 1/16 (sheet 9 3/4 x 7 1/2). Series: Eaux-Fortes sur Paris. Illustrated: Print Collector's Quarterly 1 (1911): 65; Leipnik, A History of French Etching; Lumsden, The Art of Etching. A rich lifetime impression printed on fine 'VEGO' laid paper. Monogrammed in the plate. $6,000.

La Tour de l'Horloge. (The Clock Tower). 1858. Etching. Delteil-Wright 28.vi/x. Schneiderman 23.vi/x. Edition of 600 for l'Artiste volume 5, number 9,é October, 1858. 10 1/4 x 7 5/16 (sheet 12 1/4 x 18 5/8). Series: Eaux-Fortes sur Paris. Illustrated: Keppel, The Golden Age of Engraving; Salaman, Modern Masters of Etching: Meryon. Monogrammed in the plate, upper right. A glowing impression printed on warm brown India appliqué mounted on white wove paper. Initialed in the plate. $3,000.

La Tour de l'Horloge. (The Clock Tower). 1852 and later. Etching. Delteil-Wright 28.x. Schneiderman 23.x. Edition of 15 in this state. 10 1/4 x 7 5/16 (sheet 19 5/8 x 13). Series: Eaux-Fortes sur Paris. Illustrated: Keppel, The Golden Age of Engraving; Salaman, Modern Masters of Etching: Meryon. Monogrammed in the plate, upper right. Printed on pale off-white laid paper watermarked "Hudelist" on the full sheeet with deckle edges. A fine impression in excellent condition. $2,250.

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Jean-François Millet. 1814-1875.

La Baratteuse (Woman Churning). 1855. Etching. Delteil, Melot 10.i/iii. 6 3/4 x 4 3/8 (sheet 7 x 4 5/8). An extremely rare early printing, before the etched lines were stengthened and before Delâtre's address was added (in state iii). Printed on white wove paper. The impression was probably printed by Millet. Unsigned. $4,500.

La Cardeuse (Woman Carding Wool). c. 1858. Delteil, Melot 15. only state. 10 x 7 (sheet 14 3/8 x 9 7/8). Illustrated: Print Collector's Quarterly 25 (1938): 146; Leipnik, A History of French Etching; Keppel, The Golden Age of Engraving. A very rich, well-inked impression with plate tone, printed on tissue-thin laid paper. Unsigned. $2,500.

A Woman Sewing. 1855-56. Etching. Delteil, Melot 9.iii. 4 1/8 x 3 (sheet 8 1/4 x 6). A rich impression printed on papier vedâtre. An extremely scarce etching. Unsigned. $3,500.

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Frédérique Emilie Auguste-Miethe O'Connell. Born 1823-1885.

Self-portrait. Etching. Béraldi 10. 4 3/4 x 3 3/4 (sheet 12 x 8 7/8). Printed on warm chine, mounted on a support sheet of white wove paper, as published by l'Artiste. with their blindstamp. A bright, fresh impression. Signed in the plate. The artist only made 10 etchings, which are extremely rare. $500.

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Jules Pascin. 1885-1930.

La levée (Awakening). c. 1895. 6 1/4 x 8 1/2. Ink and watercolor drawing on tan laid paper. Signed in pencil, lower right. Housed in an elegant gold leaf frame. $1,000.

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Pablo Picasso. 1881-1973.)

Click on the titles for images.

Femme Assise (Dora Maar) Seated Woman (Frontispiece for Contrée). 1943 (23 December, Paris). Etching on copper. Bloch 362; Baer 689B.b; Cramer 39; Elliott, Picasso on Paper, National Galleries of Scotland, 2007, illustrated p.84. 9 5/8 x 5 3/16 (sheet 11 1/16 x 7 7/16). Edition 200, from the total edition of 213 (according to Cramer; Baer makes reference to about 44 additonal impressions) printed by Lacourière in 1944 before the cancellation of the plate.A very fine impression printed on Lafuma pur fil wove paper with Lafuma watermark. Pristine condition. Accompanied by the illustrated book, Contrée by Robert Desnos. Signed and dated in the plate as issued. $9,500.

Homme dévoilant une Femme. (Man uncovering a woman). 1933. Etching. Bloch 138; Baer 203 B.d. 14 1/2 x 11 3/4 (sheet 17 1/2 x 11 3/4). Series: Suite Vollard, plate 5. From the edition of 250 on petit papier vergé Montval paper (there was also an edition of 50 on grand papier vergé Montval that same year, and 3 on parchment). Printed by: Lacourière, Paris. A rich impression with drypoint burr, printed on laid paper countermarked 'Vollard' on the full sheet with deckle edges. Signed in pencil. $21,000.

Minotaure, Buveur et Femmes. ( The Office Party). 1933. Etching. Bloch 200, Baer 368IVBd. 11 3/4 x 14 3/8 (sheet 13 1/2 x 17 1/2). Series: Suite Vollard, plate 92. Edition of 250 on petit papier vergé Montval (there was also an edition of 50 on grand papier vergé Montval that same year, and 3 on parchment). Printed by: Lacourière, Paris. A rich impression with drypoint burr, impression printed on petit papier vergé Montval laid paper on the full sheet with deckle edges. Elegantly housed in a gold leaf frame and silk mat. Price upon request.

Portrait of Vollard II.1937. Aquatint. Bloch 231, Baer 618. 11 9/16 x 9 9/16 (sheet 17 5/8 x 13 3/16). Series: Suite Vollard, plate 98. Edition of 250 on petit papier vergé Montval (there was also an edition of 50 on grand papier vergé Montval that same year, and 3 on parchment). Printed by: Lacourière, Paris. A rich impression printed on Montval laid paper countermarked 'Picasso' on the full sheet with deckle edges. Signed in pencil. $5,000.

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Giovanni Battista Piranesi. 1720-1778.

For small images, click on Piranesi; for large images, click on the titles.

Vedute di Roma.

Veduta degli avanzi del Foro di Nerva. (View of the remains of the Forum of Nerva, with the Forum of Augustus.) c. 1748. Etching. Hind 42.v/vii; Wilton-Ely 181. First Paris edition. 15 7/8 x 24 1/8 (sheet 18 x 26 1/8). Trimmed margins. Fine impression on laid paper. Professionally cleaned. $1,500. Another proof with wider margins (18 3/4 x 26 1/8)on cream-colored laid paper, with minor foxing, visible primarily on the verso. Small piece of tape verso. $2,000.

Veduta degli Avanzi del castro Pretorio nella Villa Adriana a Tivoli. (View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli). 1770. Etching. Hind 94.i/iv; Wilton-Ely 227. 14 5/8 x 25 5/8 (sheet 17 5/16 x 28). A rich impression on watermarked fleur-de-lys paper. $2,750.

Vedute del Palazzo Stoppani. (View of the Palazzo Vidoni [formerly the Palazzo Stoppani].) 1776. Etching. Hind 128.ii/iii; Wilton-Ely 261. Intermediate Paris edition (there were no lifetime editions; only Paris editions). 16 1/2 x 26 3/8 (sheet 18 x 27 1/2). A fine impression on heavy laid paper. This print has been cleaned professionally. $1,2,250.

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Francesco Piranesi. 1720-c.1810.

Tom. Piroli after Francesco Piranesi.

Statua cepolcrale del Cav. Giambatista Piranesi scalpita d'all'Angelini e collocata da figli nel cenotafio del padre in Santa Mariam Aventino di rimpetto al gran candelabro che si era destinato egli stesso per decorazione del suo movements. (Memorial Statue of Giambattista Piranesi sculpted by Angelini and placed by his son in their father's cenotaph in santa Maria in Aventino). 1790. Etching. 20 x 12 3/4 (sheet 22 1/8 x 14 1/2). A fine impression on heavy laid paper. $1,000.

Piranesi's son, Francesco, continued publishing his father's works.

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Willem Panneels. c.1600–c.1634 (after).

Adoration of the Shepherds c. 1630. Engraving. Hollstein 5, volume 15; And. 4, LeBl. 7. Reversed image of an unrecorded state without the uneven platemark or the text or Wijngaerde's address. 11 3/8 x 7 1/4 (sheet 13 5/8 x 9). Printed on laid paper from an antique sacramentary -- an altar missal. Ex-collection Dr. Eugene A.Noble. Initialed 'P' in reverse above the top of the upright support. $175. Kunst. Plate destroyed.A rich subtle proof on fine laid paper. Signed in pencil. $375.

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Max Pollak. Austrian/Czech, 1886-c. 1970).

In Flüchtlingslager Nikolsburg-Auskämmen. (In the Nikolsburg,[Mikulov, Moravia] Refugee Camp.) 1914. Drypoints. Edition 75, #30. Rich impressions printed on Japan paper. Each drypoint signed, titled and annotated in pencil. Each print individually housed in its original 2-ply mat (12 1/4 x 11 3/4) and hinged at top of print to backing ; minor surface grime commensurate with age. Each stamped on verso of mat backing with triangular inked export stamp. $4,000 the set of 10.

This rare series of ten etchings by Max Pollak records displaced Galician families. He made the prints while he was on duty with the Austrian army in 1914.

Schlafraum (Dormitory). 1914. Drypoint. 7 1/4 x 6 5/16 (sheet 10 5/8 x 8 1/4). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

Flüchtling (Refugee). 1914. Drypoint. 2 1/2 x 2 1/2 (sheet 5 3/4 x 5 9/16). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

Frau mit Kindern (Woman with Children). 1914. Drypoint. 3 5/8 x 5 7/16 (sheet 6 1/2 x 8 7/16). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil. $2,000 the set of 10.

Morgengebet (Morning Prayer). 1914. Drypoint. 3 1/2 x 3 1/2 (sheet 6 9/16 x 6 1/4). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

<Gruppe von Flüchtlingslingen (A Group of Refugees). 1914. Drypoint. 4 1/2 x5 1/2 (sheet 6 3/8 x 8). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

Altes Weib (Old Woman). 1914. Drypoint. 3 5/8 x 3 5/8 (sheet 6 9/16 x 6 3/8). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

Auskommen (Getting By). 1914. Drypoint. 3 5/8 x 3 5/8 (sheet 6 9/16 x 6 3/8). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

Kinder (Children). 1914. Drypoint. 6 1/4 x 7 3/8 (sheet 9 3/4 x 11). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

Im Zimmern der Barache(In the Rooms of the Barracks). 1914. Drypoint. 5 x 7 3/16 (sheet 10 9 3/4). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

Junge Mutter (Young Mother). 1914. Drypoint. 3 3/16 x 5 (sheet 7 3/8 x 9 1/4). Edition 75, #30. A rich impression printed on simili japon paper. Signed, titled and annotated in pencil.

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Daniel Ramée. 1806-1887

(after Parmigianino. 1503-1540).

Moses Breaking the Tablet of the Law. Pencil drawing mounted onto paper. 12 1/4 x 3 3/4 inches. Collector's seal verso: Gustav Grunwald, Lugt 1155b. Monogrammed 'DR' (Nagler 582), lower right. $1,650.

The drawing is based upon the famous vault painting by Parmigianino in the church of Santa Maria della Steceta in Parma.

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Pierre-Auguste Renoir. 1841-1919.

Une mère et deux enfants (A mother with two children). c. 1910. Lithograph printed in black ink. Delteil, Stella 24; Leymarie 52. 13 1/2 x 17 1/2 x 17 3/7 (sheet 18 5/8 x 24 3/4). Edition between 50 and 100 (the studio records are unclear). Drawn from life by Renoir in his studio onto transfer paper. Worked onto stone by Renoir and the edition printed at the studio of Auguste Clot, Paris 1905/10. Intended for issue by Ambroise Vollard, c.1910. A rich, tonal impression printed on the full sheet of pale cream-colored "Ingres d'Arches' 'MBM' laid paper. Signed in the stone, lower right (none of the impressions was signed in pencil). $17,500.

Louis Valtat. c. 1904. Lithograph. Delteil, Stella 38. 11 5/8 x 9 1/4 (sheet 13 x 9 3/4). Edition of 950 published by Vollard. From L:'Album des Douze Lithographies Originales de Pierre-Auguste Renoir. A fine impression printed on cream laid paper with deckle edges on three sides. Signed in the stone. $2,750.

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Maria Ressel 1877 - 1945.

Melonen-kaufer (Melon Seller). c. 1921. Etching printed in greygreen. 5 1/4 x 7 (sheet 9 3/4 x 12 5/8). A fine impression with plate tone printed on cream wove paper. Signed and titled in pencil. $175.

Palmen in Egyptus (Palm Tees in Egypt). c. 1921. Etching printed in colors. 7 1/4 x 10 1/2 (sheet 11 5/8 x 14 7/8). A fine impression with plate tone printed on cream wove paper. Signed and titled in pencil. $175.

Wald c. 1923. Etching printed in grey-green. 7 5/4 x 5 3/4 (sheet 12 1/2 x 9 1/2). A fine impression with plate tone printed on watermarked cream wove paper. Ex-collection Eugene A. Noble'. Signed and titled in pencil. $175.

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Félicien Joseph Victor Rops. 1833-1898.

Satan sement l'ivraie (premier planche). (Satan Sowing Tares). 1878. Heliogravure touched with soft-ground etching. Exsteens 927.i/iv. Image: 9 1/2 x 6 3/8; Plate: 10 7/8 x 8; sheet: 17 1/8 x 12 3/8. Series: Les Sataniques. An atmospheric, tonal impression printed on Japanese vellum. Signed in red pencil. $5,000.

Satan sement l'ivraie (premier planche). (Satan Sowing Tares). c.1878. Heliogravure printed in colors. Not in Exsteens 927 with these measurements. Image: 10 1/8 x 7; Plate: 12 x 8 1/8; sheet: 17 x 12 3/4. Series: Les Sataniques. An atmospheric, tonal impression printed on cream wove paper. Red seal of the publisher, Gustave Pellet, lower right; blindstamp, lower left. Unsigned. $5,750.

Seule. (Alone). 1876. Heliogravure printed in color. Exsteens 642. Rouir 632.i/iii. Image: 6 1/2 x 5 5/16; Plate: 7 1/8 x 6 1/2; sheet: 17 1/8 x 6 1/2. Series: Les Sataniques. A beautifully wiped impression printed on 'Van Gelder Zonen' laid paper. Rouir does not list a color printing; however he writes, 'de ce courrier on peut déduire qu'il y aurait eu deux hélios de cette planche; nous ne connaissons que celle-ci'. $550.

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Georges Rouault. 1871-1958.

Click on the titles for images.

Automne c. 1938. Aquatint print in colors. Chapon/Rouault 288C. 11 7/8 x 9 (22 5/8 x 30 3/4). Edition 175, #58. Published by Vollard. A rich impression with bright, fresh colors printed on watermarked Montval paper, on the full sheet with deckle edges. Signed in ink, numbered in pencil. Housed in a silk mat and gold leaf frame (32 x 37). $31,000.

Baudelaire. 1926. Wash and lithographic crayon.. Chapon/Rouault 316.ii/iii. 8 1/4 x 6 3/4 (sheet 17 1/2x 13). With the remarque, Fleurs du mal and the artist's monogram in red, but before the letterpress 'Baudelaire' in the stone, lower left. Edition 35 in state ii, 70 in state iii. There was a second unsigned edition of 1,000 proofs. Series: Souvernirs Intimes. Printed on the full sheet of white wove paper. Signed and numbered '30/35' in pencil. $1,450.

Le Jongleur. 1930. Etching and aquatint printed in colors. Etching and aquatint in colours. Chapon/Rouault 199 d. Series: Cirque. Edition 270. 12 1/4 x 8 1/2 (sheet 17 1/4 x 13 1/8). Series: Cirque plate 2. Initialed and dated in the plate, as issued. $2,000.

Notre Dame de la Fin des Terres. (Our Lady of the End of the World). Woodblock cut by Georges Aubert after a drawing by Rouault for the book Cirque de l'Étoile Filante (Circus of the Shining Star). (Paris, 1938), page 155. 6 x 7 3/4. Signed and dated in the block. $2,5000.

Qui ne se Grime Pas?(Who Does Not Wear a Mask?) A Self Portrait. 1923. Original etching with aquatint and mixed techniques over heliogravure in black ink. Chapon/Rouault 61c. 22 3/16 x 17 (sheet 25 5/8 x 19 3/4). Series: Miserere, plate 8. Intended for issue by Vollard c.1930 but not in fact issued until 1948. Printed by Jacquemin, published by Édition de L'Étoile Filante, Paris. in an edition of 425 (there were also 25 hors commerce copies). Printed on Arches laid paper, with the watermark Ambroise Vollard, with full margins and deckle edges. Signed and dated in the plate lower left. (No impressions in the published edition were pencil signed). Illustrated: Passeron, French Prints of the Twentieth Century; Hults The Print in the Western World. $7,750.

"Nous...c'est en sa mort que nous avons été baptisés." Romans 6:3. ("We...it is in His death that we have been baptized.") 1923. Original etching with aquatint and mixed techniques over heliogravure in black ink. Chapon/Rouault 83e. 22 3/16 x 17 (sheet 25 5/8 x 19 3/4). Series: Miserere, plate 30. Intended for issue by Vollard c.1930 but not in fact issued until 1948. Printed by Jacquemin, published by Édition de L'Étoile Filante, Paris. in an edition of 425 (there were also 25 hors commerce copies). Printed on Arches laid paper, with the watermark Ambroise Vollard, with full margins and deckle edges. Unsigned, as issued. $2,000.

"Obéissant jusqu'&à la morte et à la morte de la croix." (Phillippians 2.8). ("Obedient unto death, and to death on the cross.") 1923. Original etching with aquatint and mixed techniques over heliogravure in black ink. Chapon/Rouault 110b. 22 3/16 x 17 (sheet 25 5/8 x 19 3/4). Series: Miserere, plate 57. Intended for issue by Vollard c.1930 but not in fact issued until 1948. Printed by Jacquemin, published by Édition de L'Étoile Filante, Paris. Paris. in an edition of 425 (there were also 25 hors commerce copies). Printed on Arches laid paper, with the watermark Ambroise Vollard, with full margins and deckle edges. Signed and dated in the plate lower left. (No impressions in the published edition were pencil signed). $2,000.

Réincarnations du Père Ubu. 1918-19. Etching, sugar-lift aquatint, roulette and woodcut. Chapon-Rouault 8-30. Sheet size: 17 x 12 3/4. Complete set of twenty-two etchings and aquatints, hors-texte, and 104 wood engravings en-texte by Georges Aubert after drawings by Rouault. Example number 179 from the edition of 200 on papier àla marque de la Manufacture Royale de Vidalon avec la suite sur Arches et Rives (total edition 305). Initialed and dated in the plate or the block. $7,500 the complete set. (The plates are not sold individually.)

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Hendrick V. Tavenier

(Tavernier). 1734- 1807.

[View of the Kagermeer, the Netherlands]. c. 1785. Ink and watercolor on paper. 3 1/2 x 5 1/4. Unsigned. Excellent condition on cream laid paper, tipped onto a backing sheet at the top corners. Annotated "Tavernier" verso, and "Hendr. Tavernier" on the mount. A delightful composition. Tavenier worked extensively in the Netherlands, where he did many waterviews.$1,250.

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Jacques James Joseph Tissot. 1836-1902.

Le banc de jardin (The Garden Bench). 1883. Mezzotint. Tissot 79, Béraldi 66, Wentworth 75.ii/iii. 16 1/2 x 22 1/8 (sheet 21 1/2 x 28 1/2). Edition about 500 in three states. Printed in brown / black ink on chine appliqué (China paper mounted on stiff wove paper). Signed and titled in the plate. Housed in a burled wood frame with a silk mat and gold liner. $5,500.

En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Printed on off-white laid paper. The plate was included in A portfolio of Autograph Etchings, published by James R. Osgood and Co., Boston, 1881. Impressions of En plein soleil from this portfolio are signed in pencil and bear the artist's red stamp (Lugt 1545). A rich impression. $4,000.

La Galerie du 'Calcutta' (Souvenir d'un Bal à Bord). (The Gallery of H.M.S. Calcutta - Souvenir of a Ball on Shipboard). 1898. Drypoint. Wentworth 25. 10 3/8 x 14 1/4 (sheet 14 5/8 x 19). Edition of 25 in Ten Etchings and 25 separate plates; total edition 50. A rich impression with drypoint burr printed on cream laid paper. Signed in pencil, lower left, and with the artist's red stamp (Lugt 1545) in the image lower right. $35,000.

Le hamac (The Hammock). 1880. Etching and drypoint. Wentworth 46. 10 5/16 x 7 1/4 (sheet 14 1/2 x 9 7/16). Edition of about 100. Illustrated: Calloway, English Prints for the Collector, p. 160. A rich impression with drypoint burr printed on cream laid paper with a partial Strasbourg Lily watermark. Signed and dated in the image, lower left; signed in pencil and and with the artist's red stamp (Lugt 1545) in the image lower right. $7,000. Another proof, printed on cream wove paper, 13 5/8 x 10. Signed in the plate and with the artist's red stamp(Lugt 1545). $4,000.

Printemps (Spring). 1878. Etching and drypoint. Tissot 30, Béraldi 27, Wentworth 34. 15 5/8 x 6 (sheet 24 x 10 1/8). Edition about 100. Slight mat stain; otherwise fine condition. A rich impression printed on cream 'Van Gelder Zonen' laid paper, on the full sheet with deckle edges. Housed in a gold-leaf Whistler-type frame with a silk mat (Frame size 31 1/2 x 18). Signed in the plate, upper right. $5,000.

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Henri de Toulouse-Lautrec. 1864-1901.

Cléo de Mérode. 1898. Crayon lithograph with scraper. Delteil 152; Adhémar 174; Adriani 268; Wittrock 258. 11 x 9 1/2 (sheet 15 3/8 x 12). Series: Portraits d'Acteurs & d'Actrices: Treize Lithographies. A fine impression printed on china paper (chine volant). From the first edition of about 400, printed before 1906 (40 impressions were printed for Les XX in 1913. Monogrammed in the stone. $4,500.

Jane Avril. 1899. Brush lithograph printed in four colours from three stones. Delteil 367, Adhémar 323, Adriani 354.iii, Wittrock P29 B. 22 x 14 7/8 (image and sheet). Provenance: Far Gallery, New York; estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut. Sheet professionally backed with Japan paper. The red is attenuated; the other colors are bright. A three-inch repaired diagonal tear just to the left of the skirt; the lower right-hand corner repaired. With name of the printer, 'H. Stern, Paris'. Titled, dated and monogrammed in the stone. Price upon request.

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Félix Vallotton, Swiss, 1865-1925.

Le Piano. 1896. Woodcut. Vallotton-Goerg 174. 8 7/8 x 7 (sheet 12 7/8 x 9 3/4). Series: Instruments de musique, plate 4. Printed on Japanese mulberry paper. Monogrammed and titled in the block. $2,750.

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Heinrich Vogeler. German. 1867-1945.

Dornröschen (Sleeping Beauty.) 1897. Etching with drypoint and aquatint. Reif 20.IIc(of e). 10 5/8 x 9 3/4 (sheet 19 X 12 3/4). A rich, tonal impression printed on red-brown toned applied Japan paper. Proof aside from the published edition issued in Aus Worpswede. Signed and titled in pencil. $1,250.

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Peter von Halm. 1854-1923.

Blick auf Constanz (View of Constanz). 1923. Etching. 4 1/14 x 10 1/2 (sheet 10 x 15). Printed with plate tone on the full sheet of cream laid paper. Signed and titled in pencil. $175.

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Anders Zorn. 1860-1920.

Click on the titles for images.

Mrs. Nagel. 1897. Etching. Asplund 112; Hjert and Hjert 73. 9 1/4 x 6 1/8 (sheet 13 5/8 x 10 13/16). Edition 30. "Rare." A fine impression printed on off-white laid paper. Signed in pencil. $1,750.

Omnibus. 1892. Etching. Asplund 72.iii; Hjert and Hjert 183.iii. 10 3/4 x 7 3/4 (sheet 17 1/4 x 12 7/8). Edition 75. "Extremely rare." Plate destroyed. Exhibited: Peintres-Graveurs Français, 1893. A rich impression printed on cream laid paper with wide margins. Signed in pencil. $9,500.

August Strindberg. 1910. Etching. Asplund 231.ii; Hjert and Hjert 149.ii. Edition 50 -- rare. 11 3/4 x 7 11/16 (sheet 16 1/2 x 11 7/8). A rich impression printed on Strasbourg Lily watermarked laid paper. Signed in pencil. $3,750.

Prince Paul Troubetzkoy II. 1909. Original etching. Hjert and Hjert 140. 8 3/4 x 6 3/4 (sheet 14 7/8 x 10 3/4). Edition 30-20. Rare. Signed in pencil lower right, "Zorn". Inscribed in plate (in reverse): "Prins Troubetzkoy modelleran(de) mitt portratt pa en half timme 18 aug. 1908 i Stockholm. Efter teckning etsadt 1909/ Zorn" (Prins Troubetzkoy modelled for my portrait in one half hour on Aug 18th 1908 in Stockholm. Etched from drawing 1909 / Zorn). A fine impression on cream-colored laid paper. A penetrating study of this famous Russian sculptor. $2,000.

Self-portrait (wearing a fur hat). 1916. Etching. Hjert and Hjert 164. 6 7/8 x 4 1/2 (sheet 12 3/4 x 9 7/8). A fine impression on the full sheet of cream-colored Van Gelder watermarked laid paper. Signed in pencil. $1,750

Skerikulla. 1912. Etching. Asplund 247.ii; Hjert and Hjert 159.ii. 9 3/4 x 7 3/4. A fine impression in excellent condition printed on the full sheet of cream colored laid paper with deckle edges. Signed in pencil. $1,750.

President William H. Taft II. 1911. Original etching. Hjert and Hjert 165.iv. 9 7/8 x 8 (sheet 14 3/8 x 11 7/8). A fine impression with plate tone, printed on cream laid 'Van Gelder Zonen' paper with full margins. Signed in pencil by Zorn; dedicated in ink 'For Laurence Bradman with best wishes of Wm H Taft Jany 20, 1922.' $4,000.

The Waltz. 1891. Etching. Hjert and Hjert 178.iii. Edition 40 in this state (proofs in the first two states are "very rare"). 13 5/8 x 8 13/16 (sheet 16 1/2 x 12 3/8). Illustrated: Print Collector's Quarterly 1 (1911): 613; Salaman, Modern Masters of Etching, Zigrosser, Six Centuries of Fine Prints. A rich impression printed on heavy cream-colored laid paper. Signed, inscribed indistinctly and dated 1903 in pencil. Price upon request.

Zorn and His Wife. 1890. Etching. Hjert and Hjert 31.ii. 12 1/2 x 8 3/8 (sheet 23 x 18). Edition 40-50. A fine impression on simili-Japan paper. Signed in pencil. $9,750.

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Allinson Gallery Index

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