Félix Buhot. 1847-1898.
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Femme assise sur un rocher. (after Louise Abbéma. 1847-1898.). c. 1874. Ink study for the etching. 4 1/8 x 3 1/2 (image and sheet). Drawn on fine yellow/tan paper. Unsigned. 2,750 the pair.
Femme assise sur un rocher. (after Louise Abbéma. 1847-1898.). c. 1874. Etching. Bourcard-Goodfriend 46. 5 1/8 x 6 7/8 (sheet 8 1/2 x 12 3/16). Printed on cream laid paper. Soiling in the right-hand margin; otherwise good condition. Signed, annotated and dated in the plate. $1,750 the pair.
Le Hibou (Pauca Paucis) 1883. Etching, drypoint, aquatint and roulette. 1883. B/G 161.v/v. 17 1/2 x 12 3/4 (sheet 19 1/4 x 14 1/2). An atmospheric impression printed in brown/black on cream wove paper. Provenance: Kovler Gallery, Chicago. Unsigned.
The image shows a horse-drawn cab, a sailing ship, a figure from a novel he illustrated, people with umbrellas, gulls, owls, a minstrel and a bit of the church at Valognes. In the central image, the owl, Buhot's alter ego, stands next to an open book and his shadow, cast on the blank page, produces a silhouette portrait of the bearded artist. The words Pauca Paucis (A Few for the Few) are inscribed below the owl and the book. Buhot designed the print to be a cover or title page for a projected album of some of his works. Unfortunately, the project never materialized. The print itself, though, is a major addition to his oeuvre. $4,500.
Le Hibou (Pauca Paucis) c.1883. Pencil, ink and watercolor study for the etching, B/G 161.v/v.Image 16 x 10 3/4 (sheet 19 7/8 x 12 1/4). Provenance: The New Gallery, New York c. 1925); a Long Island, New York, estate. Monogrammed, lower right, with the stamp of The New Gallery Housed in an elegant period frame. $7,500
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