logo

Srule10.gif - 377 Bytes

Let Us Now Praise Famous Men.

All works are signed in pencil or ink, unless indicated otherwise.

Click on the images for larger pictures. The large images are not interlinked. Please click on the "back" button to return to this file.

Srule10.gif - 377 Bytes

Artists and Writers.

Srule10.gif - 377 Bytes

Robert Sargent Austin, A.R.A., R.E. 1895-1973.

self1.jpg - 5406 Bytes

Self Portrait. 1916. Pencil drawing. 8 x 5 1/2 (12 3/4 x 9 7/16). Drawn on cream wove paper. Unsigned. $650.

Francesco Bartolozzi, R.A. 1727-1815.

william1.jpg - 5997 Bytes

William Cowper Esqr. (After Thomas Lawrence 1769-1830). 1806. Stipple engraving. 11 x 8 (sheet 12 1/8 x 9 5/8). Published by J. Johnson, St. Paul's Church Yard, January 1, 1806. Printed on cream wove paper. Signed, dated and titled in the plate. $125.

George Wesley Bellows, N.A. 1882-1925.

artists1.jpg - 8197 Bytes

Artists Judging Works of Art. 1916. Lithograph. Mason 18. 14 1/2 x 19 (sheet 18 3/4 x 26 7/8). Edition aproximately 52. A rich impression printed on Japanese mulberry paper, on the full sheet with deckle edges. This is a fine lifetime impression. Provenance: H.V. Allison and Co. Inc., New York; Chapellier Galleries, Inc, New York; Galleries Marcus Steinberg, Chicago. Gift to a Texas collector. Signed, titled and annotated 'No. 25' in pencil by the artist. Housed in a reproduction gold leaf period frame. Price upon request.

Srule10.gif - 377 Bytes

Sir David Young Cameron, R.A., R.S.A.,R.W.S, R.E. 1865-1945.

poolfirthimage1.jpg - 6596 Bytes

The Pool (Firth). August 1, 1921. Conte crayon drawing on tan paper. 9 x 8 (sheet 11 x 10 1/8). The artist sketching underneath the trees in the upper right third of the image is possibly Cameron himself. Signed in conte crayon, upper right; annotated 'Firth Augt 1/21'. $2,250.

Srule10.gif - 377 Bytes

Gerald Leslie Brockhurst, R.A., R.E. 1890-1978.

marquett1.jpg - 6758 Bytes

Marquett. 1925. Etching. Fletcher 51. 8 7/16 x 6 7/8 (sheet 12 13/16 x 8 7/8). Trial proof, apart from the edition of 106 (total 113 impressions). A rich impression, printed on cream laid paper. Signed and annotated "Trial" and "to light" by the artist in pencil. $375.

mcbey1.jpg - 6381 Bytes

James McBey. 1931. Etching. Fletcher 69.ix. 10 1/2 x 7 1/2 (sheet 14 7/8 x 11 3/8). Edition 111. A rich impression printed on cream wove paper with full margins. Illustrated: Fine Prints of the Year, 1931; Print Collector's Quarterly 22 (1944): 70. Signed in pencil. $2,000.

rushbury1.jpg - 8832 Bytesrushburyframe1.jpg - 6596 Bytes

Henry Rushbury, A.R.A., R.E., R.W.S., No. 2. 1930. Etching. Fletcher 66. Published state. 10 x 7 3/8 (sheet 14 1/2 x 10 3/4). Edition 111. Illustrated in 'Royal Academy Illustrated' 1930; 'Fine Prints of the Year' 1930; Print Collector's Quarterly 21 (1943): 331. An exceptionally rich impression with printed on cream wove paper. Signed in pencil. $3,500. Housed in a gold leaf frame. $3,650.

self1.jpg - 5930 Bytes

A Self Portrait. c. 1932. Ink drawing on wove paper. 3 1/2 x 2 1/4 (sheet 10 x 7). Provenance: the artist's daughter. Unsigned. A unique silhouette. $975.

Alphaeus Philemon Cole, N.A. American. 1874-1956.

portrait1.JPG - 4912 Bytes

Portrait of Eugene Higgins, Age 80. 1954. Oil on canvas. 30 x 25 (framed 35 x 30). Higgins and Cole, both artists, lived in Lyme, Connecticut. Born in the same year, they were both 80 when the painting was executed. Housed in a gold leaf frame. Signed and dated, lower right. $5,500.

Francis Dodd, R.A. 1874-1949.

cundal1.jpg - 7370 Bytes

Charles Cundall, R.A. 1926. Drypoint. Schwabe 171.v. 18 x 11 3/4 (sheet 20 1/2 x 14 5/8). Illustrated: Guichard, British Etchers, 1850-1940. A rich impression printed on the full sheet of cream wove paper. A painter and lithographer, Cundall (1890-1971) had his first one-man show at Colnaghi the year after this impressive portrait was made. Signed in pencil. $1,500.

Fritz Eichenberg. 1901-1990.

sevent.jpg - 16058 Bytes

The Artist and the Seven Deadly Sins. 1975. Wood engraving. 9 5/8 x 7. Edition 100. This is a self-portrait of the artist working on a wood block, with the seven deadly sins personified, looking over his shoulders. The woodcut artist Naoko Matsubara is portrayed as 'lust'. The seven deadly sins are: pride, avarice (greed) , envy, gluttony, lust, sloth (idleness), slander. $975.

John William Evans. American. Born 1855.

cole1.JPG - 4124 Bytes

Timothy Cole Engraving a Woodblock. 1935. Wood engraving after Alphaeus Philemon Cole (1876-1988). 6 3/16 x 5 (sheet 12 x 9). A rich impression printed on cream wove paper. Signed in pencil by Alphaeus P. Cole, signed and dated by John W. Evans. $500.

johnsont.jpg - 7840 Bytes

Portrait of Thomas of Johnson. 1935. Wood engraving after a sculpture by James E. Kelly. 7 1/2 x 6 1/2. Printed on tissue paper. Thomas Johnson (1844 - 1904) was a wood engraver and illustrator. Signed in pencil by Evans and in ink by Johnson. $175.

Gavarni (Guillaume Sulpice Chevalier). 1804-1886.

lamant1.jpg - 8639 Bytes

L'amant et le dictionnaire des rimes. (The Lover and the Rhyming Dictionary) July 7, 1839. Lithograph. 7 7/8 x 6 1/4 (image), 10 1/3 x 9 (border), 14 5/8 x 10 (sheet). A find impression printed on newsprint as published in Le Charivari. Good condition apart from a center fold. Signed in reverse in the stone. A charming parody on amateur poets. $125.

(L'amant): Nymphes des Bois, connaissez vous Adèle? (Le Dictionnaire des Rimes): Adèle! Pastourelle, charnelle, onzelle, matétielle, récelle, sempiternelle, femelle....Qu'elle demoiselle!

The comparisons become increasingly less flattering.

Eric Gill, R.E. 1882-1940.

nudeself1.jpg - 5063 Bytes

[Self-Portrait - Nude]. Pencil drawing. 4 3/16 x 2 1/2 (sheet 7 5/8 x 3 1/2). Drawn on cream wove paper. Size annotations. Unsigned. $10,000.

Walter Greaves. 1846-1930.

cremorne1.jpg - 7586 Bytes

Avenue Cremorne Gardens. Pencil, ink and watercolor. 7 7/8 x 10 3/4 (sheet 10 1/2 x 12 3/4. Exhibited at the Parkin Gallery. Signed in the image; titled beneath the image, lower left, in the artist's hand. The image appears to depict Whistler and his wife, Beatrix. $2,000.

Herbert Johnson Harvey. 1884-1928.

sel1.jpg - 5789 Bytes

Self-Portrait in Seventeenth-Century Dutch Costume. [Hommage to Rembrandt]. Oil on canvas. 20 x 16. Signed, lower right, just above the table. $5,000.

Paul César Helleu. 1859-1927.

whistler1.jpg - 5931 Bytes

Portrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the cancelled plate (there were only 28 impressions before the plate was cancelled), printed on cream laid paper. A delightful portrait of Helleu's colleague and friend, Whistler. $1,750.

Frèdèric Auguste La Guillermie. 1841-1934.

leon1.jpg - 5143 Bytes

Portrait of Lèon Bonnat. 1880. Etching. 3 1/4 x 2 1/2 (sheet 12 x 8 3/16). Printed by Vernant on cream wove paper and published in Revue de l'Art ancien et moderne. Monogrammed in the plate. $85.

Ernest Lumsden, R.S.A., R.E. 1883-1948.

salaman1.JPG - 5129 Bytes

The Connoisseur: Malcolm Salaman. 1926. Drypoint. Boulet 202. Edition 540, #34. 9/8 x 11 1/2 (sheet 11 3/4 x 13). Illustrated: Print Collector's Quarterly 8 (1921): p.112. An extremely rich impression with drypoint burr and plate tone printed on Japanese mulberry paper. Signed, numbered and annotated 'imp' in pencil, indicating a proof printed by the artist. A penetrating portrait of the famous scholar. $1,500.

James McBey. 1883-1959.

artist1.jpg - 5747 Bytes

Artist and Model. 1925. Etching. Hardie 223.vi. 8 3/4 x 5 3/4. Edition 500. A fine impression on the full sheet of wove paper. Signed in ink. This is a delightful self-portrait. It is the frontispiece to the catalogue raisonne of the artist's early work by Martin Hardie. Etchings and Dry-Points by James McBey. 1902-1924. London: P. & D. Colnaghi & Co., 1925. $650.

rivatan1.jpg - 6267 Bytes rivagreen1.jpg - 6095 Bytes

The Riva at Dusk 1930. Etching. Carter 253. 15 7/8 x 9 3/8 (Sheet 18 3/8 x 11 3/4). Edition 80, #23. Signed and numbered in ink. A fine impression on cream-colored laid paper with full margins. The artist is pictured in the left foreground with his back to the viewer; his wife faces the viewer. This is a charming study of the couple in an outdoor cafe in Venice. $750.

The Riva at Dusk. 1930. Etching. Hardie/Carter 253. 15 7/8 x 9 3/8 (sheet 17 1/2 x 11 5/8). Edition 80, #51. A fine impression on French blue-green laid paper from an antique volume with full margins. Signed and numbered in ink. The color of the paper suggests evening. $850.

Mortimer Luddington Menpes, N.E.A.C., R.B.A., R.E., R.I., R.O.I. 1860-1938.

whistlerlock1.JPG - 5331 Bytes

Portrait of Whistler with the White Lock, Wearing a Monocle. c. 1880. Drypoint. Menpes 22. 6 1/2 x 5 3/4 (sheet 11 x 8 7/8). A fine impression printed on '[ing]res FRANCE' countermarked laid paper on the full sheet with deckle edges on three sides. Excellent condition. Signed and annotated 'imp' in pencil, indicating an impression printed by Menpes. $2,500.

Christopher Richard Wynne Nevinson. 1889-1948.

badger1.jpg - 6913 Bytes

Geoffrey Badger Moody. 1922. Drypoint. Guichard 38, Black 98. 10 x 7 (sheet 12 5/8 x 9 1/8). Edition 150. Illustrated: Fine Prints of the Year, 1923. A rich impression with drypoint burr, printed on 'FJ Head & Co' cream wove paper. Published by Lefevere and Son and Mssrs. Ernest Brown and Phillips. Signed in pencil. $3,750.

Pablo Picasso. 1881-1973.

homme1.jpg - 7547 Bytes

Homme dévoilant une Femme. (Man uncovering a woman). 1933. Etching. Bloch 138; Baer 203 B.d. 14 1/2 x 11 3/4 (sheet 17 1/2 x 11 3/4). Series: Suite Vollard, plate 5. From the edition of 250 on petit papier vergé Montval paper (there was also an edition of 50 on grand papier vergé Montval that same year, and 3 on parchment). Total edition 303. Printed by: Lacourière, Paris. A rich with drypoint burr, impression printed on laid paper countermarked 'Vollard' on the full sheet with deckle edges. This is a self-portrait of the artist with his lover. Price upon request.

Paul Rajon. 1842-1888.

cornelius1.jpg - 6115 Bytes

Cornelius Vander Geest (after Anthony Van Dyck 1599-1640). c. 1868. Etching. 7 1/16 x 5 11/16 (sheet 13 11/16 x 9 3/4). Printed on cream laid paper. Signed in the plate. $75.

murillo1.jpg - 6474 Bytes

Portrait of Murillo (after Bartolom é Esteban Murillo - 1617 - 1682). c. 1879. Etching. 6 x 4 5/8 (sheet 18 x 12 1/2) As published in American Art Review vol. i, #1 (1979). Exhibited: Massachusetts Charitable Mechanic Association, Boston, 1881. .A rich impression printed on warm chine, applied to white wove paper. Unsigned. $125.

Georges Rouault. 1871-1958.

baudelaire1.jpg - 7119 Bytes

Baudelaire. 1926. Wash and lithographic crayon.. Chapon/Rouault 316.ii/iii. 8 1/4 x 6 3/4 (sheet 17 1/2x 13). With the remarque, Fleurs du mal and the artist's monogram in red, but before the letterpress 'Baudelaire' in the stone, lower left. Edition 35 in state ii, 70 in state iii. There was a second unsigned edition of 1,000 proofs. Series: Souvernirs Intimes. Printed on the full sheet of white wove paper. Signed and numbered '30/35' in pencil. $1,450.

qui1.jpg - 6487 Bytes

Qui ne se Grime Pas? (Who Does Not Wear a Mask?) A Self Portrait. 1923. Original etching with aquatint and mixed techniques over heliogravure in black ink. Chapon/Rouault 61c. 22 3/16 x 17 (sheet 25 5/8 x 19 3/4). Series: Miserere, plate 8. Printed by Jacquemin, published by Édition de L'Étoile Filante, Paris. in an edition of 425 (there were also 25 hors commerce copies). Printed on Arches laid paper, with the Vollard countermark, with full margins and deckle edges. Signed and dated in the plate lower left. (No impressions in the published edition were pencil signed). Illustrated: Passeron, French Prints of the Twentieth Century; Hults The Print in the Western World. This is the artist's most famous self portrait. $5,750.

Joseph Simpson. 1879-1939.

self1.jpg - 6712 Bytes

Self Portrait. c.1933. Drypoint. 11 7/8 x 8 1/2 (sheet 18 3/8 x 11 1/4). Edition75, #39. Signed and numbered in pencil. Tack holes in the outer margins from drying, as usual. A rich impression on cream-colored laid paper with full margins. $600.

John Sloan, N.A. 1871-1951

arch1.jpg - 7242 Bytes

Arch Conspirators.1917. Etching. Morse 183.ii. 4 1/2 x 6 1/3(sheet 7 1/4 x 9). Edition 100. A rich impression printed on antique laid paper. Signed, titled, numbered '100 proofs'in pencil by Sloan; inscribed 'Ernest Roth, imp. [old paper]"' in pencil. $3,900.

William Strang, R.A., R.E. 1859-1921.

balfour1.JPG - 3162 Bytesbalfourframe1.JPG - 4024 Bytes

Portrait of Dr. Thomas Graham Balfour. c. 1883. Etching. 8 3/4 x 6 1/4. One unobtrusive foxing spot; otherwise fine condition. Printed with plate tone printed on cream wove paper. Signed in the plate. Housed in a handsome 17 x 13 7/8-inch black frame with gold highlights. $175.

afterwork1.jpg - 6555 Bytes

After Work. 1888. Etching and mezzotint. Binyon 114, David Strang 8, William Strang 551. 2 7/8 x 4 (sheet 4 1/4 x 5 7/16). A rich impression printed on cream laid paper. Printed by David Strang. Annotated in pencil, 'David Strang imp' and 'Wm Strang fec. DS'. The artist is the right-hand figure in the image. $175.

tennyson1.jpg - 7174 Bytes

Potrait of Alfred, Lord Tennyson. 1897. Etching. Binyon 310. 11 13/16 x 9 3/4 (sheet 17 7/8 x 13 1/4). Printed on 'J.Whatman' laid paper, on the full sheet with deckle edges. Signed in pencil. $1,250.

self1.jpg - 6562 Bytes

Self Portrait, No. 4. Etching. David Strang 55, William Strang 724. 5 1/8 x 3 7/8 (7 1/2 x 5 1/16). A rich impression with plate tone, printed on cream laid paper by David Strang. Annotated in pencil 'David Strang imp' and 'Wm Strang fec. DS.' $200.

Walter Ernest Tittle. 1883-1969.

Click on the images for larger screens.

chesterton1.JPG - 5369 Bytes

G[ilbert] K[enneth] Chesterton. c. 1922. Drypoint. 8 7/8 x 5 7/8 (sheet 14 7/8 x 11 ). An extremely rich impression with drypoint burr, printed by the artist on 'B.L.K.' cream wove paper. Signed, titled and annotated 'imp' in pencil. $450.

mcbey1.JPG - 3531 Bytes

James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower left: "Walter Tittle / London." Signed and annotated 'imp' in pencil. $400.

Thomas Robert Way. 1861-1913.

whitelock1.jpg - 5803 Bytes

J.A.M. Whistler with the White Lock. c. 1895. Lithograph. Gallatin 131. 8 1/8 x 5 1/2 (sheet 10 X 6 3/4). A tonal impression printed on fine wove paper. Signed in pencil. $2,500

James Abbott McNeill Whistler. 1834-1903.

drouet1.jpg - 6776 Bytes

Drouet, Sculpteur. 1859. Drypoint. K 55.ii. With the cancellation lines in the nose erased. 8 7/8 x 6. Signed in the plate. Charles Drouet (1836-1908); a sculptor who lived and worked in Paris, was a friend of Whistler's. $1,500.

musicroom1.jpg - 7175 Bytes

The Music Room. 1859. Etching and drypoint. Kennedy 33 ii; Glasgow 39.iv. 5 11/16 x 8 1/2 (sheet 8 1/2 x 11 1/4). Glasgow records 52 known impressions. An exceptionally rich impression printed on antique laid paper. Unsigned. $4,750.

Anders Zorn. 1860-1920.

strindberg1.jpg - 6606 Bytes

August Strindberg. 1910. Etching. Asplund 231.ii; Hjert and Hjert 149.ii. Edition 50 -- rare. 11 3/4 x 7 11/16 (sheet 16 1/2 x 11 7/8). A rich impression printed on Strasbourg Lily watermarked laid paper. Signed in pencil. $2,750.

prince1.jpg - 7352 Bytes

Prince Paul Troubetzkoy II. 1909. Original etching. Hjert and Hjert 140. 8 3/4 x 6 3/4 (sheet 14 7/8 x 10 3/4). Edition 30-50. Inscribed in plate (in reverse): "Prins Troubetzkoy modelleran(de) mitt portratt pa en half timme 18 aug. 1908 i Stockholm. Efter teckning etsadt 1909/ Zorn" (Prince Troubetzkoy modelled for my portrait in one half hour on Aug 18th 1908 in Stockholm. Etched from drawing 1909 / Zorn). A fine impression on cream-colored laid paper of this rare image. Signed in pencil. $2,000.

waltz1.jpg - 6674 Bytes

The Waltz. 1891. Etching. Hjert and Hjert 178.iii. Edition 40 in this state (proofs in the first two states are "very rare"). 13 5/8 x 8 13/16 (sheet 16 1/2 x 12 3/8). Illustrated: Print Collector's Quarterly 1 (1911): 613; Salaman, Modern Masters of Etching, Zigrosser, Six Centuries of Fine Prints. A rich impression printed on heavy cream-colored laid paper. Signed, inscribed indistinctly and dated 1903 in pencil. $12,500.

wifeet1.jpg - 7507 Bytes

Zorn and His Wife. 1890. Etching. Hjert and Hjert 31.ii. 12 1/2 x 8 3/8 (sheet 23 x 18). Edition 40-50. A fine impression on simili-Japan paper. Signed in pencil. $9,500.

Srule10.gif - 377 Bytes

Print Collectors

James McBey, LLD. 1883-1959.

olcott1t.jpg - 5988 Bytesolcott3t.jpg - 5839 Bytesolcott4t.jpg - 5924 Bytes

Portrait of Dudley Olcott. 1930. Drypoint. Hardie/Carter 263. 9 3/8 x 6 (sheet 15 1/2 x 7 1/2). Trial I, on a plate that had been used for a first study of Mr. J. Seaman, whose head has been partly scraped out. Edition 41 plus 5 trials. An extremely rich impression with drypoint burr, printed on antique cream laid paper. Signed and annotated 'Trial I' in ink; titled and annotated 'trial I' in pencil. A unique proof. $375.

Portrait of Dudley Olcott. 1930. Drypoint. Hardie/Carter 263. 9 3/8 x 6 (sheet 13 1/8 x 9 1/4). Trial III, on a plate that ha been used for a first study of Mr. J. Seaman, whose head appears upside down in the lower right. Edition 41 plus 5 trials. An extremely rich impression with drypoint burr, printed on antique cream laid paper. Signed and annotated 'Trial III' in pencil; annotated 'Trial III', 'old' and 'head scraped' in pencil. A unique proof. $375.

Portrait of Dudley Olcott. 1930. Drypoint. Hardie/Carter 263. 9 3/8 x 6 (sheet 12 5/8 x 8 5/8). Trial IV. The sitter's right ear shortened; added work all over thye face and in the background. Mr. Seaman's head removed from the plate. Edition 41 plus 5 trials. An extremely rich impression with drypoint burr, printed on antique cream laid paper. Signed and annotated 'Trial IV' in pencil; annotated 'Trial IV', 'ear shortened' and 'White head reinforceded' and 'hair brought down' in pencil. A unique proof. $375.

seaman1.JPG - 3389 Bytes

Joseph Seaman. 1930. Drypoint. Hardie/Carter 262. 9 7/16 x 5 7/8 (sheet 14 1/4 x 10 1/8). Edition 41, #12. An extremely rich impression with drypoint burr, printed on antique cream laid paper. Signed and numbered in ink. $325.

wiggin1.JPG - 4670 Bytes

Portrait of Albert H. Wiggin (No. 3). 1930. Drypoint. Hardie/Carter 259. 8 x 7 (sheet 14 x 9). Edition 85, #33. An extremely rich impression with drypoint burr, printed on antique cream laid paper. Dedicated in ink, 'From collector to collector. A.H.W. to Dudley Olcott.' Signed and numbered in ink. $325.

Cadwallader Lincoln Washburn. 1866-1965.

drfrank1.JPG - 3387 Bytes

Dr. Frank Weitenkampf. c. 1913. Drypoint. 11 1/4 x 8 1/2 (sheet 14 1/4 x 10). A rich impression with drypoint burr, printed on Japanese mulberry paper. Signed and titled in pencil. $250.

Srule10.gif - 377 Bytes

Military and Political Leaders

Hélène Formstecher. Born 1852.

napoleon1.jpg - 6907 Bytes

Napoleon Bonaparte. (1769-1821). (Etching after Léon Cogniet (1794-1880). 6 3/4 x 5 1/4 (sheet 12 1/8 x 8 13/16). A fine impression with plate tone printed on cream laid paper with deckle edges on three sides. Signed in the plate and in pencil. $175

William Say (1768-1832) after Robert Ker Porter (1777-1842).

smith1.jpg - 6388 Bytesframe1.jpg - 6885 Bytes

Sir Sidney Smith, K.C.B. (1764-1840) 1802. Mezzotint. 25 1/4 x 17 (plate). Text: 'Robert Ker Porter pinx.t. W.Say sculp.t. London Published as the Act directs, June 19 1802, by John P. Thompson, Printseller to his Majesty and their Royal Highness's the Duke and Duchess of York; Great Newport Street, and No 51, Dean Street, Soho.' Signed, dated and titled in the plate. Vertical stain under the 'S' in Smith; otherwise apparently fine condition. Housed in a stunning 34 x 25 1/2-inch carved, patinated and gilded frame with ormolu corner mounts. $750.00

taft1.jpg - 7739 Bytes

President William H. Taft II. 1911. Original etching. Hjert and Hjert 165.iv. 9 7/8 x 8 (sheet 14 3/8 x 11 7/8). A fine impression with plate tone, printed on cream laid 'Van Gelder Zonen' paper with full margins. Signed in pencil by Zorn; dedicated in ink 'For Laurence Bradman with best wishes of Wm H Taft Jany 20, 1922.' $3,250.

Srule10.gif - 377 Bytes

Religious Figures

François de Herain. 1877-1962.

pope1.jpg - 5573 Bytes

Le Pope Niemetsky. Prisonnier de guerre au camp de Halle (Prusse), 1915. (Pope Niemetsky, Prisoner of war in the Halle Camp, Prussia). 1915. Drypont. Printed by Vernant and Dollé, and published in Revue de l'Art ancien et moderne. Unsigned. $65.

Georges Rouault. 1871-1958.

roualt1.gif - 18130 Bytes

Notre Dame de la Fin des Terres. (Our Lady of the End of the World). Woodblock cut by Georges Aubert after a drawing by Rouault for the book Cirque de l'Étoile Filante (Circus of the Shining Star). (Paris, 1938), page 155. 6 x 7 3/4. Signed and dated in the block. $2,500.

Arthur William Heintzelman. 1891-1965.

albert1.jpg - 6228 Bytes

Portrait of Albert Schweitzer. 1950. Etching. 11 3/6 x 9 3/4 (sheet 16 1/4 x 14). Illustrated: Beall, American Prints in the Library of Congress, page 205. A rich impression with plate tone printed on cream laid paper. Signed and annotated 'Printed from Copper' in pencil; titled on the mat in the artist's hand. $1,250.

Diana Thorne. 1895-.

faustus1.jpg - 12212 Bytes

The Box at 'Faustus'. Drypoint. 11 x 8 7/8. Edition 100, #39. Signed, titled and numbered in pencil. A rich impression printed on pale greenish-toned wove paper. Signed in pencil. A tongue-in-cheek image of the devil in the opera box, lower right. $350.

Srule10.gif - 377 Bytes

Allinson Gallery Index.

To order, to report broken links or to be placed on the email list, please contact Jane Allinson (jane@allinsongallery.com) or fax (860) 429 2825.